Thus, light is created on the first “day,” and on the fourth “day” God makes the Sun and Moon, the two great lights in the firmament that produce light and “rule over” the day and the night. The air and sea appear on the second “day,” and on the fifth “day” God fills them with birds and fish, etc. In other words, the order of events seems to be more logical than chronological. The key element is the fourth day: as we noted in our discussion of Concordism, the Sun was not made until the fourth day, yet it was expressly given the task of producing the day and the night and we’ve had “evening and morning” since the first day. What’s going on here? How can this be taken “literally”? Advocates of the Framework view see a solution in the parallel triads.
Another way to see this focuses on the second verse in the Bible, which reads (in the American Standard Version, a translation that follows the Hebrew closely), “And the earth was waste and void; and darkness was upon the face of the deep: and the Spirit of God moved upon the face of the waters.” God is confronted by darkness, a watery abyss, and a formless earth—each of these features posing a problem for God, who deals with them in the subsequent six “days.” First, on “days” 1 to 3, God prepares the heavens and the Earth to be a home for the great creatures to come, by separating light from darkness, separating waters above the firmament from waters below the firmament, and causing the dry land to “appear” and to “put forth” vegetation. Then, on “days” 4 to 6, God makes the creatures and puts them in the places God has prepared—the Sun and Moon in the “firmament of heaven (day 4), birds in the air and fish in the seas (day 5), and finally “the beasts of the earth” and “man” on the land (day 6).
We emphasize that the Framework View is simply about the Bible, not about science. The Earth and the universe can be as “young” or “old” as anyone wishes to claim, because the literary form of early Genesis leaves this an open question. The “days” were probably meant to be understood “literally” as ordinary days, but only in the context of a literary form that was not meant to be understood literally, when taken as a whole.
What about the seventh “day”? Because it lacks a “morning” and an “evening” in the text (have you ever noticed this?), some authors interpret the seventh “day” as a prophetic reference to God’s own eternal rest, which has not yet begun and which we will share with God in the eschatological future. An OEC book I discussed in my column on Concordism, Robert Newman’s Genesis One and the Origin of the Earth (1977), advocates this interpretation (see pp. 65-66), and so do some advocates of the Framework View.
(2) When seen against the cultural and literary context of the Ancient Near East (ANE), it is clear that Genesis was written to combat the polytheism and pantheism of other creation stories. It was not written to provide a scientifically accurate account of the creation.
This is why the Sun and Moon are not even named on the fourth day: they were worshipped as divine beings by many people in the ANE, and the Hebrew author(s) of Genesis intentionally omit their names as an act of defiance against worshippers of those two false gods. (Remember: for the ancient Egyptians, the Sun was the chief god.) Furthermore, the stars are mentioned simply as an afterthought, at the end of verse 16: “And God made the two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also.” This was done deliberately, as a way of belittling the Babylonians and others who worshipped them. Indeed, the whole creation account stands in the face of polytheism, by affirming that the one true, invisible God has actually created all visible things, including the heavenly bodies. Nothing we see is divine: this is the essence of monotheism, stated bluntly and boldly.
(3) It is not possible to find a close match between what is proclaimed in Genesis—that God is the creator—and the details of natural history. We should not approach this text with inappropriate expectations.
For many readers, the crucial question awaits: according to the Framework View, is Genesis 1-3 historical in any meaningful sense? Here there is a division of the house, with authors falling into either of these two camps:
(1) Genesis 1-3 is an historical narrative (though not strictly chronological), not a creation myth. As Lee Irons and Meredith Kline emphasize in The G3N3S1S Debate, “The framework interpretation does not teach that creation was a nonhistorical event” (p. 220). The universe was actually created, Adam and Eve were the first humans, and the Fall was a real historical event. Some OECs like this approach, which can be seen as a looser type of Concordism than the day-age theory; Bernard Ramm’s “moderate concordism” might be understood as fitting into this category, even though he did not discuss the Framework View per se.
(2) Genesis 1-3 is not an historical narrative; it resembles some other, older ANE creation stories. Conrad Hyers advances this view in his book, The Meaning of Creation: Genesis and Modern Science; see below. Some aspects of the story reflect this: the days, the progression from chaos to order, and the creation of humans from mud or clay. These are common to other ANE stories, and they are present in Genesis because that’s what hearers in the ANE expected such stories to include. Other aspects of Genesis, however, are profoundly unlike other ANE stories: the transcendence of God and the de-deification of nature. These constitute the crucial, timeless, substantive message that God has revealed to us. Theistic evolutionists tend to like this non-historical approach, which is not usually seen as a kind of Concordism.
Antecedents to the Framework View are not difficult to find. As Victor Hamilton notes, “The parallel between the first three days and the last three was noted at least as early as the church father Augustine (City of God 11.6), and many writers have since drawn attention to it” (The Book of Genesis, p. 55). As I explained in an earlier column, Augustine taught that God created all things at once and told us about it in the pattern of six days, in order that we could understand it. The days themselves, however, were “unknowable” and not meant as a “literal” description of the passage of time.
In the 19th century, the German scholar J. H. Kurtz put forth an interpretation that Ramm later called the “pictorial day” view, which he considered to be a type of “Moderate Concordism,” the overall position that Ramm himself favored. Kurtz described the creation story as “prophetico-historical tableaux, [in] which are represented before the eye of the mind, scenes from the creative activity of God, each one of which represents some grand division of the great drama, some prominent phase of the development” (The Bible and Astronomy, 1861 Philadelphia edition, p. 110). His Scottish contemporary Hugh Miller, one of the most prolific and influential evangelical writers of his day, endorsed Kurtz’ interpretation, holding that “the form and nature of the revelation” in Genesis was “conveyed by a succession of sublime visions” (The Testimony of the Rocks, 1857 Boston edition, p. 180). Neither Kurtz, Miller, nor Ramm actually taught the Framework View, but their overall attitude toward interpreting the six days as literary devices was not much different.
The creation days in two parallel groups, from W. H. Griffith Thomas, Genesis: A Devotional Commentary (1909).
The Framework View as I’ve presented it, with the “days” explicitly arranged in parallel “triads” characterized by different types of creative activity, has been around since at least 1862, when G. Rorison spoke of “the preliminary triad” and “the complementary triad” (Replies to “Essays and Reviews”, p. 248). In 1909, the great English scholar Samuel Rolles Driver divided the six days “into two sections of three days each; and the third and sixth days have each two works assigned to them. The first three days, moreover, are days of preparation, the next three are days of accomplishment” (The Book of Genesis, citing the 15th edition of 1948, p. 2). At the same time, at least one prominent conservative scholar, W. H. Griffith Thomas, took the same approach. The Framework View has a sizeable following among evangelicals today, especially in Reformed communities, mainly owing to the influence of Kline and the French theologian Henri Blocher.
An Assignment: It’s Your Turn to Read and Write
I’ve done most of the heavy lifting in this series, but now it’s your turn. As a way of getting into all three of the views we’ve studied thus far (not simply the Framework View), read an article by Conrad Hyers, “Dinosaur Religion: On Interpreting and Misinterpreting the Creation Texts,” Journal of the American Scientific Affiliation 36 (September 1984): 142-48. The questions below are intended as helpful suggestions; feel free to discuss other matters as well!
1. What does Hyers mean by “dinosaur religion”?
2. What is Hyers’ most basic objection to “creation science,” the YEC view?
3. What does Hyers believe to be the true message of Genesis One?
4. Overall, do you agree with what Hyers says? Why or why not? Whether or not you agree, do you have any critical comments?
NOTE: Hyers wrote a sequel, “The Narrative Form of Genesis 1: Cosmogonic, Yes; Scientific, No,” Journal of the American Scientific Affiliation 36 (December 1984): 208-15, in which he employs an interpretive scheme highly similar to the Framework View, although that term is not used. I encourage you to read this also, but our discussion will focus on the first article.