We should not be ashamed of the fact that our faith integrates spirit and body; our faith calls us to regard the stuff of creation in all of its materiality as good, and thus offers the best starting point for the practice and pleasure of art.

In this essay, Godawa argues that the decreation language of a collapsing universe with falling stars and signs in the heavens was actually symbolic discourse about world-changing events and powers related to the end of the old covenant and the coming of the new covenant as God’s “new world order.” In this interpretation, predictions of the collapsing universe were figuratively fulfilled in the historic past of the first century.

As a scientist, I find this song particularly compelling because not only is the science on which the song draws completely accurate, but the scientific understanding of the nature of the physical sun and moon is critical to how Groves plays out the metaphor.

If God has indeed created all things, pure scientific truth should never be a “problematic thing” for Christians. If anything, scientific truth enriches the faith as it reveals his majesty and provides Christians with a deeper understanding of God.

The first question for Wright is, "What do you think is the biggest misunderstanding that western 21st century evangelicals have about Jesus, and how does it stunt their understanding and witness?"

There’s a word beneath the water, and the Bow River belongs to God. Have you been listening?