The song is built around the image of a river flowing through a canyon it has sculpted—an image that can easily be played out as a picture of the way that the Lord has been at work preparing a path for us in the material world, complete with signposts to his former and present activity.

In this essay, Godawa argues that the decreation language of a collapsing universe with falling stars and signs in the heavens was actually symbolic discourse about world-changing events and powers related to the end of the old covenant and the coming of the new covenant as God’s “new world order.” In this interpretation, predictions of the collapsing universe were figuratively fulfilled in the historic past of the first century.

Artist and BioLogos Senior Fellow Mark Sprinkle describes the importance of acknowledging the creative and subjective aspects of human knowledge in the midst of the debates about the relationship between science and faith.

The God who created the cosmos is the God who came to us as a child in Bethlehem.

As we remember the narrative that takes us from Good Friday through Easter morning, the image of a buried grain of wheat invites us into the story rather than just describing what happens in it.

This traditional American carol turns to Song of Songs 2:3 for inspiration; it uses the familiar apple as a emblem of the very tree of life, emphasizing that the promise we have in Jesus goes beyond the merely material to encompass our complete shelter, nourishment, and passionate joy.

Of all the blessings to be thankful for on Thanksgiving Day, none of them surpasses the riches of the eternal blessings which the Lord has bestowed on his sons and daughters in Christ Jesus.

While in common parlance we tend to think of something being “co-opted” as a bad thing and a violation of original principles or intentions, the word itself does not imply a “hijacking” so much as a divergence with connection: co-operation between one use and another.

BioLogos has been following a sermon series by Pastor Tim Keller entitled The Bible: The Whole Story-Redemption and Restoration.” The book of Romans masterfully addresses the solution to the issues raised in Genesis.

The complex sounds in the piece are created by only five human voices over a foundation of a single cello—the entirety of the Toby Twining Music ensemble.

Today’s featured message focuses on the uniqueness of Christ Jesus. This week’s discourse accentuates Jesus' engagement in history, his disclosure of reality, his embodiment of the ideal, and finally, his triumph over the grave.

Although it is now clear that we, “the sons and daughters of Adam,” were created through an evolutionary process, we believe that all of humankind has a fallen nature in need of redemption. Like Eve before us, we hear a voice telling us that we can sort out good and evil on our own. We don’t need God, we think.

I wonder if the answer might lie not in our study of God but in our praise of Him.

What is the character of our creative interaction with the world—not only the material world alone, but also the spiritual one? What do we literally make of the gift we of all creatures have—to see the intricacies of the cosmos and to recognize that they point not just to a god or designer, but to the Lord who invites us into intimate relationship with Him and each other?

Just as the Lord gave Adam the task of naming the animals in the Garden, naming remains a central part of the scientific exploration of the world. But what does it mean to be “called by name”?