The song is built around the image of a river flowing through a canyon it has sculpted—an image that can easily be played out as a picture of the way that the Lord has been at work preparing a path for us in the material world, complete with signposts to his former and present activity.

Polkinghorne discusses the origins and aims of natural theology in this series. It does not offer truth, but rather a “best explanation” for the world, answering primarily meta-questions. Two such questions asked by Polkinghorne are, “Why is science possible at all?” and “What makes the universe so special?” To explore the answers, he looks at the ability of human minds to penetrate mysteries of the natural world as well as the fine-tuning of the universe necessary to produce the fruitfulness of life.

We at BioLogos believe that God used the process of evolution to create all the life on earth today. While we accept the science of evolution, we emphatically reject evolutionism. Evolutionism is the atheistic worldview that says life developed without God and without purpose. Instead, we agree with Christians who adhere to Intelligent Design and Creationism that the God of the Bible created the universe and all life. Christians disagree, however, on how God created. Young Earth Creationists believe that God created just 6,000 to 10,000 years ago and disagree with much of mainstream science. Supporters of Intelligent Design accept more of evolutionary science, but argue that some features of life are best explained by direct intervention by an intelligent agent rather than by God's regular way of working through natural processes. We at BioLogos agree with the modern scientific consensus on the age of the earth and evolutionary development of all species, seeing these as descriptions of how God created. The term BioLogos comes from the Greek words bios (life) and logos (word), referring to the opening of the Gospel of John. “In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made.” (Updated on March 1, 2012)

A complex biological structure with many interacting parts might appear, at first glance, as if it were originally created in its present form with all its interlocking components fully formed and intact. It doesn’t seem possible that they developed step by step via biological evolution. In Darwin’s Black Box, Michael Behe introduces a term that he and other proponents of Intelligent Design use for this concept: irreducible complexity.

Every field of science has unanswered questions and gaps in our understanding. Scientists typically view these as open research questions. Others sometimes argue that if science can’t explain how something happened, then God must be the explanation. Such arguments are called “god-of-the-gaps” arguments. The risk in these arguments is that science is always developing. If gaps in scientific knowledge are the basis for belief in God, then as scientists fill in the gaps, the evidence for God disappears. The God of the Bible, however, is much more than a god of the gaps. Christians believe that God is always at work in the natural world, in the gaps as well as in the areas that science can explain.

I ask the question, “Why is the universe so special?” Now scientists don’t like things to be special; we like things to be general, and our natural anticipation would have been that the universe is just a common specimen of what a universe might be like.

As we remember the narrative that takes us from Good Friday through Easter morning, the image of a buried grain of wheat invites us into the story rather than just describing what happens in it.

Of all the blessings to be thankful for on Thanksgiving Day, none of them surpasses the riches of the eternal blessings which the Lord has bestowed on his sons and daughters in Christ Jesus.

While in common parlance we tend to think of something being “co-opted” as a bad thing and a violation of original principles or intentions, the word itself does not imply a “hijacking” so much as a divergence with connection: co-operation between one use and another.

The complex sounds in the piece are created by only five human voices over a foundation of a single cello—the entirety of the Toby Twining Music ensemble.

I wonder if the answer might lie not in our study of God but in our praise of Him.

What is the character of our creative interaction with the world—not only the material world alone, but also the spiritual one? What do we literally make of the gift we of all creatures have—to see the intricacies of the cosmos and to recognize that they point not just to a god or designer, but to the Lord who invites us into intimate relationship with Him and each other?

Just as the Lord gave Adam the task of naming the animals in the Garden, naming remains a central part of the scientific exploration of the world. But what does it mean to be “called by name”?