The full sermon can be downloaded from Ecclesia Church's website.

Pastor Joseph Barkley of Ecclesia Church extols the greatness of the God who has brought forth incredible works and engaged humankind in relationship. In the first part of the sermon “Over and Above Naturalism,” Barkley admires the factual knowledge unlocked by science, and yet reminds the Church that those material descriptions fail to answer the question of ultimate significance. There are people who do not believe in the greater meaning of life or a higher being, but rather cling to scientific analysis as the sole source of understanding about the universe. Barkley explains the outcomes of such naturalism, and later (in part 2 of this sermon) suggests that material creation is not an end, but a beginning that speaks of its majestic and powerful Creator who loves us.

Barkley first highlights amazing facts about the human body to demonstrate God’s ingenuity. Human bones, for instance, are five times stronger than a piece of steel with the same density and length. He then focuses on a picture of DNA looking down its long axis from top to bottom. That image reveals order and beauty in an arrangement that looks strikingly similar to a stain-glass window. During a visit to Italy, Barkley surveyed such intricate stain-glass windows in cathedrals, as well as masterful art pieces in museums, and yet, to him, none compare to the incredible structures that were hidden deep within the human body long before we were able to discover them or their beauty.

This age of modern science has unveiled much about our world, answering some of the “biggest questions we have.” However, Barkley affirms (along with most good scientists) that science cannot answer all questions by itself. He offers a simple analogy articulated by writer John Lenox:

Aunt Matilda makes a beautiful cake. It is then sent to the laboratories of a nutrition scientist, a biochemist, a physicist and a mathematician. No doubt one will receive a report of its nutritional value, its composition of molecules, and the behavior of the molecules, but all scientific analysis will never reveal to the investigators why Aunt Matilda made the desert to begin with. She brought it into existence, and alone can answer why.

Just as these experts could not describe why the cake was made, so scientific knowledge does not reveal the point of existence—why there is something rather than nothing. This answer is not inherent within the created thing, but is dependent on its Creator. Therefore, if there is a why, there must also be a who. People have more recently asserted that there is neither why nor who. This is naturalism: the faith that there is no who which could generate significance (a why) beyond sensory observation.

This worldview requires the universe to be the product of countless undirected events with no intent behind them. Furthermore, it requires that humans have no purpose to their existence, and that death is their final end. Such ideas, says Barkley, logically affect people’s behavior: “If nothing happens when we die and there is no grand design and we are not accountable to an absolute morality (as many people tend to think more and more); if we are not ultimately responsible for those things, then what motivation, logically, what motivation do we have to self-sacrifice, to love, to be kind?”

Some posit the idea of a collective consciousness that leads humans to act for the survival of the human species on the earth. According to Barkley, this still implies there is something beyond the physical occurring; that we are not the purely material beings that naturalism declares. He then suggests that naturalism relies just as much on a faith in empirical science as a Christian relies on faith in a creator God. At the conclusion of his argument, Barkley plants a seed of wonder by asserting that all the great scientific discoveries are not just describing a purposeless world, but are rather hinting at the greatness of the One who formed it.

Today's sermon is from Richard Dahlstrom, senior pastor of Bethany Community Church in Seattle, Washington. The full sermon can be found here.

Is Genesis 1 describing material creation or functional creation? Pastor Richard Dahlstrom of Bethany Community Church beautifully articulates the insights he has received through John Walton’s book The Lost World of Genesis One and probes deep into the Biblical text with us . In his sermon “Gloriously Functional,” he highlights key Hebrew words that are often misunderstood by post-Enlightenment thinkers in order to generate a proper framework through which to grasp the original meaning of the text. He then examines each day of creation, explaining the function of the various created elements such as light, water, plants, animals, and people, according to the account. This enriching exercise brings the question of “Why has God made this very good, functional creation to begin with?” Dahlstrom affirms along with Walton that Genesis 1 is indeed about God making a temple to dwell in with His people, who he has ordained as priests, stewards over all creation. This is most clearly seen in the striking parallels between the creation narrative and the building of the earthly temple of God in the ancient Hebrew culture.

In addition to this clip from Dahlstrom’s sermon , there is a brief commentary by John Walton himself, which speaks about the functionality rather than materiality of Genesis 1. He states that the creation story is not one of material origins. If this is so, he explains there is no need to defend a Biblical account against an evolutionary account; the two are compatible with each other. What the creation story does offer, however, is a theology on the physical existence of what God has made; it reveals the divine purpose of God for his masterpiece, the universe.

Today's sermon is from Richard Dahlstrom, senior pastor of Bethany Community Church in Seattle, Washington. The full sermon can be found here.

In this sermon, Pastor Richard Dahlstrom of Bethany Community Church in Seattle Washington disbands the warfare mentality surrounding science and faith as he explains that God’s truth is seen both in his written Word and his creation. Throughout, he provides clarification about proper Biblical interpretation, background on the history of science and scripture, and finally the context in which the Biblical creation story took form.

The beautiful creation story in Genesis one and two captivates the heart and mind, providing revelation of God’s character and his divine relationship to all creation, especially humans. Although it is an ancient writing from a culture with limited knowledge of the world and its place in the cosmos, many Christians have used these passages to scientifically describe the birth of the universe. While the passages do reveal the origin of all created things—God—they do not necessarily reveal the natural mechanisms used by God to accomplish his will. This is where the work of the scientific community has come into play. Studying God’s handiwork always offers a deeper understanding of God himself, but the Church, unfortunately, has not always accepted its findings.

At the beginning, Dahlstrom opens with a challenging quote from the famous church father Saint Augustine. He believed that Christians should not be found ignorant on scientific matters, and so appear darkened in understanding to the outside pagan world. The pastor too affirms that Christians should not use God’s Word to challenge scientific matters and so turn a non-believer away from faith in Jesus Christ since it unnecessarily draws a line between faith and reason, pitting one against the other. Dahlstrom explains that the idea that science and scripture conflict stems from a view of Genesis one and two as a scientific description. Talking about Biblical interpretation, he affirms that plain reading of the text is best in most cases. Still, there are instances where the Bible speaks in metaphors. For example, in the gospel according to John, Jesus identifies himself as the door. Immediately one discerns that Jesus is not describing himself as a literal door made of wood, but rather is describing himself as the only Way to God the Father. When it comes to the creation story, then, is a literal or metaphorical reading the best method of interpretation for the passages? In light of certain details that appear physically contradictory—such as morning and evening existing before the creation of the sun on the fourth “day” although the earth’s rotation around the sun creates day and night— it seems logical that Genesis is portraying something other than the physical processes of creation.

As Dahlstrom continues, he makes a profound point: in Genesis two, God calls humankind to know and study the surrounding world. The scriptures say that Adam took on the God-given task of naming the animals, which is, in fact, science: the exploration of the natural world. It is a wonderful gift to men and women to study the surrounding world and so discover more about the God who is its Creator. Unfortunately, the Church has not always accepted the ideas formulated through scientific discovery. This was clearly seen in the Church’s rejection of a heliocentric or sun-centered solar system as postulated by both Copernicus and Galileo. The following five hundred years, however, softened this tension, and acceptance of a heliocentric system was welcomed. Currently, the issue among Christians revolves around young versus old earth creationism and instantaneous creation versus evolution. Indeed, there are Christians in both camps. Pastor Dahlstrom affirms here that it is possible to view God as the master Creator and sustainer while still accepting evolutionary theory. This perspective acknowledges that science is not man’s truth contradicting God’s truth; there is no distinction, but all truth belongs to our Lord.

The sermon goes on to place the creation narrative in the context of the story of Gods’ people. Dahlstrom explains that Israel is about to enter the Promised Land where they will be surrounded by pagan cultures with their own gods and circulating creation myths. It is in this time that Moses writes down the true account of creation as revealed by the God of Israel. The story of Yahweh creating the heavens and the earth clearly contrasts the other Mesopotamian versions at the time, and demonstrates the uniqueness of Israel’s God. The story in Genesis resonates with the deepest longing of the human heart, proclaiming that humans were made for beauty, stewardship of creation, and relationship rather than slavery, war and suffering. This displays and speaks of the love and goodness of the one true God.

In his concluding thoughts, Dahlstrom brings the discussion back around to three particular points. First, he identifies the idea that “God is other than his creation.” In other words, God brought the world into being, but he is the uncreated One, and therefore, different than all finite things. Next, there is the theme of separation in the creation account. For example, light is separated from darkness, the land from the sea, and animal life from human life. Although they consist of the same materials, there are different forms. This speaks to the profound unity in the midst of diversity established by God. Finally, it presents the nature of humanity. It speaks of our calling to steward the earth, our failure in fulfilling that calling, and the need for our redemption, which comes through Jesus Christ. All these themes ultimately unite us as believers despite the different interpretations of Genesis one and two.

As we noted in our response to the June article in Christianity Today “The Search for the Historical Adam,” the evidence for gradual creation is overwhelming, with more studies supporting the evolutionary process being published each year. We’ve looked at many of these evidences: from fossils, from comparative anatomy, from genetics. Today, we’d like to highlight for our readers a compelling video from the annual TED Conference featuring geneticist Svante Pääbo. You may remember Pääbo from his efforts to extract and sequence DNA from 30,000(+) year old Neanderthal bones (we mentioned his work here).

In this eighteen minute video, Pääbo covers a lot of ground, noting several lines of genetic evidence for the evolution of modern humans from earlier hominids in Africa, as well as for the interbreeding between early humans and Neanderthals. We’ve covered some of this data before, but it’s particularly compelling to hear it described by one of the scientists leading the field of study.

However, our goal at The BioLogos Foundation isn’t just to make the Church aware of the fascinating and convincing scientific evidence for gradual creation. As we have said before:

BioLogos exists to help Christians think carefully about the ramifications of these new data in light of long-standing traditional ways of viewing human creation. We have some re-thinking to do, but it can be done and will be done within the context of a Christian faith that is fully orthodox and thoroughly evangelical. Any time we draw closer to truth, to God’s truth, we have nothing to fear. There is still much to learn, but we can look back at what we have learned with awe—absolute awe.

It is truly amazing that we know so much now about our early days. For example, Africans do not have DNA which is specifically derived from Neanderthals, whereas people in the rest of the world do carry a small amount. This confirms the picture of human history derived from studying fossils. Neanderthal bones have not been found in Africa, so it isn’t surprising that their DNA is not there either. The fact that non-Africans have some of the DNA found in Neanderthal bones confirms that which geneticists knew from other studies: we have two distinct groups of human ancestors—those who left Africa in ancient times and those who stayed.

God chose to reveal himself and to begin working with a distinct sub-group of ancient humans, those descended from Abraham and Sarah. To Abraham, God made a marvelous promise. Drawing his attention to the stars above, God said that someday Abraham’s descendents would outnumber the countable stars in the universe. And so it came to be. Indeed through our adoption into the family, we are all children of Abraham. The God of Abraham is our God too and each one of us is one of those stars too numerous for Abraham to count.

Sometimes, it seems that we are uncomfortable with the notion that God made us through a gradual process that included apes in our family tree. It is almost as though we would prefer dirt to apes. Perhaps, in at least some cases, this is due to an inadequate appreciation for the fact that God loves, really loves, all of creation, not just us. As special as we know we are, we can’t read Psalm 104, Genesis 1, Genesis 9 (where the covenant is not just with Noah but with all living creatures), or Job 38-41 without being reminded that all living creatures are God’s creation (see here). The Neanderthals, the Denisovans, Homo erectus, and the australopithecines were God’s creation too! Still, we modern humans have been singled out. We’ve been called out.

True our family tree, as Pääbo shows here, is intriguing. But let us never forget, that the most important thing about this tree is that God is the vine which exists at its core, and we are called to be the branches which bear fruit. The fact that many of us have a small amount of Neanderthal DNA, some of us have Denisovan DNA, and others have neither is interesting, but it is really just a side issue for people of faith. As a result of God’s visit to Abraham, followed eventually by God’s taking on flesh in the person of Jesus of Nazareth, we can all know God as our heavenly Father. We are children of God and as such, we are God’s representatives. We are called to image God. We are called to love God. And we are called to love each other and to deeply respect all that he has made.

Today's sermon is from Pastor Mark Swarner of Menlo Park Presbyterian Church in Menlo Park, CA. You can hear the full sermon here.

Of all the blessings to be thankful for on Thanksgiving Day, none of them surpasses the riches of the eternal blessings which the Lord has bestowed on his sons and daughters in Christ Jesus. Pastor Mark Swarner of Menlo Park Presbyterian emphasizes this point as he looks at Psalm 103: 1-4 (NIV):

“Praise the LORD, my soul;
all my inmost being, praise his holy name.
Praise the LORD, my soul,
and forget not all his benefits—
who forgives all your sins
and heals all your diseases,
who redeems your life from the pit
and crowns you with love and compassion…”

The benefits are “life-changing” and “soul transforming.” Unlike most where there are exclusions and various requirements, these are freely given through Christ, and no one is disqualified based on pre-existing conditions. In fact, God desires that people come to him in all their imperfections that he might renew and heal them.

The first benefit deals with the major problem of the human heart: sin. In the Psalm, King David, who knew what it meant to be forgiven for deeply wrongful acts, boldly speaks of the love which God has for his people such that God does not deal with us according to our past actions. Rather, “as far as the east is from the west, so far has he removed our transgressions from us.” Regardless of a person’s past or future mistakes, God’s love is stronger still. We are, above all, forgiven people and with that "we enter his gates with Thanksgiving in our hearts.”

In his second point, Swarner examines the power of God available for healing. The verse is not claiming that one will never become sick, but it does indicate that God has the power to heal. The all-important assurance in this passage is that God will take our brokenness and weakness, and through him, ultimately, we will be whole. We are, above all, a people filled with hope, and with that "we enter his gates with Thanksgiving in our hearts and we come into his courts with praise.”

The third benefit the Psalmist declares is that the Lord “redeems your life from the pit and crowns you with love and compassion.” There is a sense in which we all—like Joseph in Genesis 37—have experienced life’s pit of despair. We, like Joseph, emerge from the pit to a new life crowned with the confidence that we are loved, and with that we, ourselves, become agents of God’s love and channels for God’s compassion. We are, above all, a people redeemed by love, and with that "we enter his gates with Thanksgiving in our hearts and we come into his courts with praise.....This is the day that the Lord has made and we will rejoice for He has made us glad.¹”

1. See Psalm 100:4 and 118:24:

Though some may believe that moving the science/faith dialogue forward is best left to scientists, scholars, and theologians, we at BioLogos recognize that our pastors play an invaluable role in the conversation. Across the globe, pastors are helping their congregations work through difficult issues of science and faith with honesty, insight, and a gentle spirit. To this end we present an ongoing series recognizing sermons (and the pastors who give them) that are helping to promote the harmony of science and faith. Today's sermon comes from Rev. Tim Keller, pastor of Redeemer Presbyterian Church. Click above to hear an excerpt. Below, is a brief summary written by BioLogos editorial staff. The full sermon can be downloaded here.

In tracing the story of the Bible, Dr. Keller’s previous sermons examined the early chapters of Genesis, which relate the events that lead to humanity’s fall from right relationship with God. Currently, he is exploring God’s redemption of the human brokenness in Paul’s epistle to the Romans. This particular message focuses on chapter two where the Apostle Paul exposes the hypocrisy of Law-observing Jews: while they judged Gentiles by the standard of the Law, they themselves failed to fulfill its requirements. He also asserts that outward performance of the Law by no means exempts them from God’s judgment or from the disease of Sin, which entered the human heart at the Fall. Keller affirms, therefore, that all are in need of a “regenerate new heart” through Jesus Christ, who perfectly fulfilled the requirements of the Law and who alone is able to accomplish this transformation through the power of his cross.

Paul’s message first illuminates what Keller identifies as the failure of religion. The church in Rome no doubt consisted of both Gentiles and Jews. With this in mind, Paul speaks to both groups. Up to this point, Paul has been highlighting the idolatry of the Gentiles. He then reorients his focus in Romans 2 to address the Jews, who were likely to stand in judgment of their gentile brothers and sisters because of the Jewish Law. He declares in verse one, “You, therefore, have no excuse, you who pass judgment on someone else, for at whatever point you judge another, you are condemning yourself, because you who pass judgment do the same things.” Keller explains that this statement exposes the hypocrisy of the religious who look to observance of an outward behavioral code for justification rather than to grace through Jesus, which leads to an inward observance of the Law. For example, although Law observers did not bow before physical graven images as the Gentiles did before faith in Christ, idols occupied their hearts. These inner idols, for both the religious Jews and present Christians, could take the form of power, career, achievement, etc. All in all, Paul demonstrates that religion fails since neither the moral nor the immoral person is perfect by God’s standards. Dr. Keller sums up this point nicely with this statement: “I’m not okay, you’re not ok.” There is not one person who measures up to the standard of the Law of God, and not one person, therefore, has a right to pass judgment according to it.

Dr. Keller then discusses why no one can measure up to the terrible beauty of God’s Law “no matter how good” one’s actions may be. Primarily, it is because the standard is not focused on performing the right deeds. Rather, the major sins described by Paul in Romans 1 include greed, insolence, heartlessness, etc. Although actions accompany such characteristics, they begin as inner attitudes of the heart. Often people read God’s ordinances at the behavioral level, as the religious Jewish people did, in an attempt to justify themselves as a moral person, but God’s requirements are much more demanding. This is revealed in Jesus’ Sermon on the Mount, for example, when he examines the Ten Commandments. He says in Matthew 5: 21-22 (NIV), “You have heard that it was said to the people long ago, ‘You shall not murder, and anyone who murders will be subject to judgment.’ But I tell you that…anyone who says to a brother or sister, ‘Raca,’ is answerable to the court.” In using the Hebrew word ‘raca’ meaning ‘nobody,’ Jesus is revealing that the sin of murder is birthed from a heart that devalues another person who is infinitely valuable in God’s eyes. Simply put, the Law of God is after a certain type of person whose right actions flow from a right heart. For example, the Law points to a person so filled with God’s love that they not only refrain from murder, but rather treat others as royalty. Keller continues as he explains the impossibility of such a standard for a human being, yet the Law demands it. What is more, people will demand a similar standard of others. Keller also emphasizes the Day of Judgment. Because God is just, he will hold a person accountable to either the standard of grace or to the standard that one person required of another. No person is perfect, and therefore, none will be able to stand in either God’s judgment or the judgment of their own heart. This creates the need for a transformed heart as Dr. Keller expounds in the final point of this passage.

In the last verses of Romans 2, the Apostle Paul relates the “failure of religion because of the terrible beauty of the Law” to the need for a regenerate heart. This is only possible through the circumcision of the heart in Christ by the Holy Spirit. Keller first explains the significance of circumcision. Circumcision was a physical distinction between the pagan cultures and the Jewish people who were in covenant with the God of Israel. On a deeper level, this act symbolized the consequence of disobedience to the covenant first established between Abraham and God: one would be cut off from the covenantal relationship with God. As Dr. Keller explains, all people have fallen short of the Law. For this reason, God sent Jesus, his son, to fulfill the requirements of the Law. He then died on the cross to receive upon himself the consequence of death that all deserved. Therefore, Paul argues that it is no longer one who receives physical circumcision who is saved, but one who receives the circumcision of the Spirit in Christ. Romans 2:28 (NIV) establishes this point saying, “A person is not a Jew who is one only outwardly, nor is circumcision merely outward and physical. No, a person is a Jew who is one inwardly; and circumcision is circumcision of the heart, by the Spirit, not by the written code.” Finally, Dr. Keller explains the significance of the Old Testament Law: the perfect standard describes not a moral code, but our Savior Jesus Christ. Ultimately, one seeks to obey the beautiful Law which Jesus embodied, yet one receives grace in the times of failure, confident that Christ has indeed paid it all.

The early chapters of Genesis appear to pose scientific problems that challenge our literal, post-Enlightenment lens through which we often read the Word of God. (See this post for a commentary on how this situation came about.) This leads many people to believe that the descriptions in these texts are meant to reveal more than raw scientific fact. Pete Shaw of Crosswalk Community Church highlights the story of Noah and the Ark to explore the possible reasons for adopting a non-literal understanding of this ancient narrative. Shaw first summarizes the story of Upnashatim in the Epic of Gilgamesh, a famous Sumerian flood story that the young and old in Abraham’s day would have known well. Upon comparison, these two accounts—the Genesis flood and the Gilgamesh flood—are incredibly similar. Furthermore, Shaw exposes the various practical problems that arise if one takes every word of the Noah story to be a precise truth. For example, he wonders how Noah could have fed and maintained every living land creature in a small boat for ten months. He also explains how a primitive understanding of the universe is heavily reflected in this text. In light of these points, he concludes that whether or not this story is portraying actual historical events, it is presenting rich truths about God, and that should be the focus of the believer.

Transcript

“The first eleven chapters of Genesis are what scholars call pre-history. In other words, they can’t really date what was going on very well in those first elven chapters. After that, twelfth chapter on, it is a lot easier to date, and the stories have a different feel, a different structure… but those first eleven have caused a lot of debate over the years. In fact, the next slide is going to kind of give you the line of where I am going to take you today. You might not be aware of this, but there is a Noah controversy. You and I, when we hear the story of a great flood, the first thing that comes to our mind—when we think of the whopper of all whoppers—we think of Noah and the Ark, but if we lived in Abraham’s time or especially before, the name Noah probably would not have come up. In fact, if we grew up with Abraham, the story we would have most likely known about was the story—I am going to butcher this name—of Utnapishtim.

You are familiar with Utnapishtim aren’t you? And you are familiar with the god Enlil. I am sure you are familiar with Enlil. And you would have been very aware of a storybook that was read by children and adults alike called the Epic of Gilgamesh. And in the eleventh tablet of the Epic of Gilgamesh, we have the story of Utnapishtim and the god Enlil. And just so that you would know about that story a little bit, knowing that that would have been the predominant story that you would have understood anytime you thought about a flood, this is how the story went down. So, this god Enlil was the god of thunder and rain and all that and he was not a happy camper (kind of temperamental) as thunder gods can be. And for no clear reason, except to mess around with some of the other gods in his discontent, he made the decision that he was going to wipe out the earth with a great flood. And one of the other gods, a goddess in fact, did not like that this was going to happen and thought that it was unfair, unjust, and so she sent a message to Utnapishtim that this flood was going to come at the hand and the wrath of Enlil. And so Utnapishtim got to work, and he built a vessel (a strange vessel), a cube, but he used some of the similar materials that we saw in the Ark, and he made this massive structure (if in fact you do the math, it is probably at least twice, if not much larger, than the actual Ark) this massive cube that he made hoping that it would float, and he got it done on time.

The rain didn’t come down for forty days, it came down just for seven, but it flooded everything out, and the only survivor was Utnapishtim. And when Enlil came around and saw that some human beings had survived, he was very upset because he intended to wipe out everybody to show his wrath and his anger to the world and to show that he was upset to all the gods in heaven. Well, Utnapishtim obviously saved his own life, the life of his family, the life of his personal animals because those are the animals that he saved—not the rest of the animals of the world. And he took some carpenters along because he didn’t know how to build stuff and once you are starting over you have got to build stuff, and so he brought some carpenters along. In honor of his faithfulness (in light of this word from the goddess) he was given divinity. And so, he became a god, he became one of the gods, he got to reside in heaven, if you will, because of his faithfulness…interesting story.

If you grew up in Sumer, which is present day Iraq, and you grew up with Abraham in what is present day Baghdad that would have been the story that you would have known very, very well. It is because that story exists and other cultures have their own flood stories as well that some scholars look at the story of Noah and the Ark, and they think, ‘well, gee, how should we really interpret this thing? You know, our Enlightenment and post-Enlightenment perspective says it is in black and white, and if it says that is what happened, then that is exactly what happened. There is no way around it.’ Well, what if the first people who shared this story with each other and what if the early writers of this word, what if when they approached the Bible, they didn’t approach it the way we do? What if they didn’t approach the Bible, the Word of God, as a literal, this is exactly how it happened book that our post- Enlightenment eyes are framed to do? How would that change us? And also, some of the things that some of the challengers of this story are bringing out are some of the issues with the story like ok is this really a big enough boat to handle all of the creatures of creation…can they really, really fit?

Some have really tried to make a case that there weren’t as many animals back then as there are now because they got together and hooked up, and now, we have all kinds of varieties and that kind of thing. And so that is kind of there, but you are talking ten months of time! How do you feed all the animals of the world? How do you store all the food? Did they eat fish, because the fish didn’t die? The fish lived on just fine. How do you do that? And what about—it is kind of unpleasant—but all the excrement? What are you going to do with all that ‘bleep?’ Are you going to throw it out the eighteen inch window at the top? Did they have a conveyor belt system? How did it work? And so they look at that and think, ‘I am just not sure about that.’ Would you really take that literally? Is that how we should take it? Is that how they took it around their campfires and around their dinner tables? Did they think about it that way?

And there are other issues too that academics look at, and they challenge somewhat. Like they know that forty days and forty nights is a proverbial statement in Jewish culture. It was like saying (and you see it in many accounts in the Bible), forty days and forty nights was saying a long time, but it probably was not meant to be taken literally. It is just a long time. It is how they thought about things. Then, there is the issue of the rain itself, and how it all came down. Now, the New Living Translation and most modern translations, just simply talk about it as--there is the sky and the rain came down from the sky and you are good to go. But there is another word that is used. If you go to the New King James Bible, for instance, and they talk about the firmament—that the rain came down from the firmament. And so, when we think about firmament, we think, ‘well they are talking about sky or they are talking about the starry host and all that stuff,’ but if we go back to the original word, which the New American Standard version got right (it is one of the most academic and precise versions that is out there), both in the creation story and in the Noah account, they use a different word for sky: they use the word dome.

Now, I am going to butcher this a little bit, but broad stroke version is that the way the ancient people saw the world was that we kind of lived in this bubble, you know sort of like a snow globe, and there was water--not all inside, but outside, surrounding us. There was water below and there was water above, and above us was this massive dome called the firmament or called the sky. And then when it rained it was because God was opening up the floodgates of heaven. That is how they thought back then. They didn’t know any better. And so, kind of what these questions are asking us now is how we make sense of this and do we have to believe like they did in order to believe the story. How many of you believe that the sun revolves around the earth? None! Nobody does. Do you get mad at, do any of you hold a grudge against the earliest people in the Bible, actually, all the people in the Bible, do you hold them accountable and are you angry at them that they believed with everything in them that the sun revolved around the earth and not the other way around?... no, of course not. Do you get angry at them because they believed we lived in a dome and that God opened up the gates of heaven and there you go? No, you don’t hold it against them because you understand that it is the best that they could do given their time.

But we live in the age of Doppler radar, right? We know within minutes, you know, when rain is going to hit Napa and when it is going to move on to Valeo, and so on and so forth. I mean it is that precise, and we know when it is coming hundreds of miles off shore and we can look thousands of miles because of satellite stuff and our ability to understand temperatures and all that. We know how the whole thing is brewing. We know that hurricanes are lining up one after the other in hurricane season because we have cameras up there that are seeing them start to form, and we can gauge temperature in the water and so forth—we do not live back then. So, it would be inappropriate for us to become primitive in the sense of looking at the world the same way they did in that kind of a literalness because we know different, you know what I mean? We know different. And so really the bottom line is that the literalness of the story really isn’t the most important thing to begin with anyway.”

A few editorial reflective thoughts by Darrel Falk: The sermon continues, of course, and you can download it at the above link. What is "the most important thing" to which Pastor Shaw refers as the audio clip draws to a close? Regardless of whether you think it is historical or not, what is the message that God wants to communicate to us through this story? Consider reading Genesis 9 right now. What are the parallels in this "recreation"account to the original creation account? What does God want us to see in making those parallels? What about the rainbow? What does it symbolize for you? Can you sense God's love for all of creation (not just humankind) as this story draws to a close? Why does the story of Noah himself, however, not have a happier ending? Have we seen the theme of nakedness and the need to cover up nakedness in an earlier scriptural passage? Why do you think the story of Noah draws us back to this point (nakedness and shame), just like the story Adam and Eve does? What brought on shame for them? What brings on shame for us? Do you see that God is wanting us to think deeply about this story and its meaning? What is another example of the need to cover up? (Hint: think Moses.) What difference does the coming of Jesus make to all of this? (Hint: see II Corinthians 3:12-18.) Do you see the rainbow?]]> Sat, 12 Nov 11 04:00:15 -0800 Pete Shaw http://biologos.org/blog/saturday-sermon-science-the-enlightenment-and-god?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication http://biologos.org/blog/saturday-sermon-science-the-enlightenment-and-god?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication Pete Shaw, the senior pastor of Crosswalk Community Church in Napa California, offers a brief history of the interactions between science and faith in the first segment of his sermon.

Though some may believe that moving the science/faith dialogue forward is best left to scientists, scholars, and theologians, we at BioLogos recognize that our pastors play an invaluable role in the conversation. Across the globe, pastors are helping their congregations work through difficult issues of science and faith with honesty, insight, and a gentle spirit. To this end we present an ongoing series recognizing sermons (and the pastors who give them) that are helping to promote the harmony of science and faith.

Pete Shaw, who is the senior pastor of Crosswalk Community Church in Napa California, offers a brief history of the interactions between science and faith in the first segment of his sermon “The Flood. ” In this excerpt, he explains how the Church adopted Enlightenment thinking and advocated the scientific method as a way to verify God’s created order in nature. However, as science became more sophisticated, scientists began to question whether or not God intertwined with the natural world or even existed. In other words, they were asking the Church, ‘How can you prove God scientifically?’ Although the Church identified God as the first cause that led to all other causes in creation, scientists remained skeptical. At this, “the Church retreated, not recognizing that maybe they needed to change their perspective or widen their understanding of how we define what is true and what isn’t--beyond the scope of science.” Pastor Shaw appropriately concludes with this challenge: be willing to acknowledge the lens through which you see the world and be willing to be grown by God. The full sermon can be downloaded here. Finally, if you know a sermon or podcast related to science and faith that has especially spoken to you, please let us know.

One of the primary things that I am trying to bring to your attention is that in our present day, we have a certain proclivity toward how we approach the Bible, and it is a post-Enlightenment perspective, which means that when we look at just about anything in our world, when we read anything in our world, we read it as if it was literal historical fact: ‘it is true if it is verifiable.’ And we adopted that mindset—you didn’t vote on this—but our forefathers in the church adopted this mindset in the 17th century when Enlightenment started to come into play. The Church initially saw Enlightenment as a wonderful ‘brother in crime,’ so to speak, because Enlightenment was starting to come up with great scientific discoveries which were pointing to organization in the created world, and things developed in a very orderly way. Things could be proven that they turned out a certain way, and immediately, the Church Fathers looked at that and said, ‘that’s great news for the Church because science is proving that God exists.’ So, for 150 years, 125 years, we rode in that cart together, but science is indiscriminate in terms of how it approaches whatever its subject is—it doesn’t care about what subject it addresses.

So, when it came to God, science was starting to wonder if we need God at all, and was curious since they were figuring out so much about the created order and how things worked together and the explanation of so many things—they were taking mythology out of a lot of things, and so they were asking the Church: ‘how can you prove God?’ By this time, the Church had already adopted the scientific method saying, ‘It’s only true if you can prove it.’ And so, they were left with this question of how do you prove God scientifically? And the best thing that they could come up with was what is called the first cause, which simply means that science can identify that something happened to get this whole creation thing going, and the Church rallied and said ‘Yes! That something is God—God is the first cause that started all the other causes since, and he has been involved in the process.’ But science came back and said, ‘you know, just the fact that we don’t really know that doesn’t prove that you are right.’ So, the Church retreated, not recognizing that maybe they needed to change their perspective or widen their understanding of how we define what is true and what isn’t--beyond the scope of science. We held to our guns, and that has been the predominant voice in American Christian culture for the last 200 years or so—so strong, in fact, that a lot of what I have been sharing with you in last couple weeks seems incredibly new and disturbing. You may be wondering, ‘Where did this guy come up with this stuff?’ Well, the fact is that I am not really giving you anything new, I am giving you stuff that is very, very old. Because what I have recognized (because I have researched this stuff) is that the greats of our faith who lived centuries ago, when they looked at this book [the Bible], they looked at it very, very differently than we do, and they have something to say. So greats in the early Church like Origen, you know…names that you kind of remember from history class…St. Augustine, these kinds. Some of the Catholic greats that we know of through history, they had something to say, and all of what they said happened long before the Enlightenment when the Church decided to define what is true extremely narrowly.

So, my challenge to you is: can you, in a way, come to grips with the fact that your worldview, your vision, has been shaped significantly by the time you’ve grown up in and by the world in which we live? I am telling you it has, and I am also stating with great confidence that until we identify how the lens has been crafted through which we see everything, we are trapped and bound by it. In fact, we are shackled by it. Until we can see ourselves for who we are, understand our biases and how they shape everything we think about, those things keep us where we are, and we literally will not be able to hear anything new because it just won’t fit—that is a real problem when it comes to walking with God because God is continually wanting to grow us and stretch us in new directions, and if we don’t have room for that, we really don’t have room for God.”

As we have seen, speciation (the events that lead to reproductive isolation between populations of organisms) can be a prolonged and complex process. Populations can become isolated geographically (e.g. through migration) and begin to accumulate genetic differences that may raise a barrier to reproduction between them. This barrier may only be a partial barrier, however. The stickleback populations we discussed previously are an example: the first event leading to speciation was physical separation when some marine fish colonized new freshwater habitats. Even after significant differences accumulated between the marine and freshwater forms, a second wave of colonization of fresh water by the marine form brought the two groups into contact again, leading to some genetic exchange even as the two groups remained largely distinct. At the point of the second colonization, whether one or two species is/are present is a point of discussion: the case can be made for either. A scientist arguing for one species would point out that the two groups can still produce fertile offspring, whereas a colleague might argue for two based the distinct characteristics and ecological niches of the two populations, as well as the observation that the hybrids resulting from interbreeding are not as well adapted to either niche. The point is clear: speciation, as a slow process, is a gradient, and a clear line of demarcation cannot be drawn on a gradient. To return to our flip-book analogy, every adjacent page is only slightly different from the pages on either side. If we compare widely separated pages, the differences are clear. The point is that there is no single page in between them that we can identify as the point where the images “became different.”

While this discussion might seem a little academic and uninteresting (perhaps because one might discount such events as mere ‘microevolution’ of sticklebacks), we have recently learned that similar events shaped human speciation. As far as we can tell, sticklebacks are not aware of, nor concerned about, the theological implications of how they came to be, but we certainly are for our own species (and perhaps even for sticklebacks). What was once an area of interest mainly for specialists is about to become a topic of intense discussion among evangelicals: we have only recently learned that a portion of the lineage leading to modern humans interbred with other hominid species they encountered as they migrated out of Africa ~50,000 years ago. In order to explain what happened, let’s pick up the tale at an earlier point, around 450,000 years earlier.

Out of Africa, twice over

Somewhere between 500,000 and 300,000 years ago, the ancestors of the Neanderthals (Homo neanderthalensis) left Africa and migrated into the Middle East region, and from there on to Europe and parts of Asia. (Recall that human ancestors, at this point, are all still in Africa, and will stay put until around 50,000 years ago). Neanderthals persisted in the Middle East and Europe until ~30,000 years ago, meaning there was a time where the humans leaving Africa about 50,000 years ago could have interbred with them before they went extinct. This remained an open question until techniques improved to recover and sequence ancient DNA. It is now possible to obtain and sequence DNA from Neanderthal remains, and the complete genome sequence of Neanderthals was published in early 2010. The results were fascinating: DNA sequence comparisons between the two species indicates that modern, non-African humans have about 1-4% Neanderthal DNA in their genomes. This variation, however, is not present in sub-Saharan Africans, since they are descended from humans that did not leave Africa and and thereby, because of geographical separation, never had the opportunity to interbreed with Neanderthals. We also know that the group that left Africa went through a reduction in population size to a about 1200 individuals (a genetic bottleneck), whereas those that stayed behind maintained a larger population size (about 6000) over the same period.

New details

In addition to this information, we have recently discovered a new hominid species from Asia, as Darrel Falk recently highlighted here on BioLogos. This species, named the “Denisovans” is known to us only from a few bone fragments and one molar, but - wonder of wonders in this age of paleogenomics - this was enough for us to determine its complete genome sequence. The results were, again, fascinating: the Denisovans are relative of Neanderthals that split off from them after their common ancestor left Africa. The Neanderthals went west to Europe, and the Denisovans colonized Asia (and evidence suggests they were quite widespread). Even more interesting is that comparing Denisovan and human DNA indicates that some humans (modern Melanesians) have about 5% Denisovan DNA in their genomes. This variation is not found in Europeans or Africans.

Putting the story together

Assembling all of this information reveals the following tale: the common ancestor of Neanderthals and Denisovans migrated from Africa to the Middle East between 500,000 and 300,000 years ago, leaving a population behind that would eventually become modern humans (at around 200,000 years ago). In the Middle East, the populations destined to become Neanderthals and Denisovans part ways, with their differences accumulating over the next several hundred thousand years to make them distinct species. When a population of modern humans leave Africa around 50,000 years ago, they encounter, and breed with, Neanderthals shortly after. This genetic exchange is small, since there are partial reproductive barriers in place, but a small fraction of Neanderthal DNA becomes established in this lineage. Groups from this population then part ways, with some migrating into Europe and others into Asia. This latter group then encounters the Denisovan hominids, interbreeds with them, and a fraction of Denisovan DNA takes hold as a result. This population goes on to colonize southeast Asia, Oceania and Australia, where we see this variation today in Melanesians. Modern humans thus have different evolutionary trajectories: Melanesians have both Neanderthals and Denisovans in their lineage, Europeans have Neanderthals, and Africans have neither.

New data, new questions

Even as I stand amazed in what God has revealed to us about our origins through science, I know that this new information will be difficult for some within the evangelical community to accept. Moreover, it is almost certain that some Christian groups, unfortunately, will misrepresent this data to their constituents (whether intentionally or not), and thus spread confusion that hinders the needed theological conversation. Still, I have reason for hope: God has seen it fit to reveal this information to us, and that suggests that He believes the evangelical Christian community is ready for this conversation to happen. As Darrel mentioned at the end of his recent piece, we at BioLogos want to assist our evangelical sisters and brothers in this conversation in any way we can, in full confidence that it can be done in an edifying way:

BioLogos exists to help Christians think carefully about the ramifications of these new data in light of long-standing traditional ways of viewing human creation. We have some re-thinking to do, but it can be done and will be done within the context of a Christian faith that is fully orthodox and thoroughly evangelical. Any time we draw closer to truth, to God’s truth, we have nothing to fear. There is still much to learn, but we can look back at what we have learned with awe—absolute awe.

Introduction

Today BioLogos begins a series that we think ought to have significant impact on evangelical churches far beyond the local congregation in Arlington, Massachusetts where it was first delivered. A recent editorial in Christianity Today stated that many Christians likely face another "Galileo moment." In that earlier era, finding that the earth moved around the sun--and not the other way around--caused the Church to reorient its understanding of certain scriptural passages. Today, interconnecting strands of evidence all of which lie at the heart of biology, geology, physics and astronomy require segments of the Church to carefully evaluate its magnificent creation narrative--it needs to be certain it is hearing God's message in the way that God intends for it to be understood. It is healthy for the conservative wing of Christianity to be carefully examining the genre of the creation narrative. It has had to do this once before and, it is appropriate to prayerfully seek clarity once again. Christians are truth-seekers and God's Spirit will guide the process as we sincerely seek that wisdom which is from above.

Oratory, at its best, has long been an important key in opening the door to new and dramatically important insights. Pastor David Swaim of Highrock Church in the Boston suburb of Arlington illustrates this poignantly. In fact his sermon is so significant, we've asked permission to post it in serial form so that each of us can deeply reflect on his words in a protracted fashion. We encourage you to let others who are conflicted over this issue know about the series so that they can follow it. Indeed, we believe It will be a great series for small group discussions--we need to lovingly support each other as we seek God's guidance in coming to understand God's truths.

In this sermon, Swaim discusses our belief in God as creator, or “Maker of heaven and earth”, as the Apostle’s Creeds so poetically states. To begin, he reminds us that some passages in the Bible, like the parable of the prodigal son, convey deep truths even though they are not historical accounts. Asking “the wrong questions”—questions that focus on arbitrary details—about such stories can cause us to miss out on their intended message. In a similar way, he says, it is possible that we might be asking the “wrong questions” about the opening chapters of Genesis. In recent years, conflict has erupted because a literal reading of Genesis seems to contradict the findings of science. Swaim suggests, however, that accepting scientific evidence about things like evolution and the age of the earth need not rule out faith in Scripture.

If you wish to jump ahead and hear the sermon in its entirety, you may do so here.

Introduction written by the BioLogos editorial team.

"Maker of Heaven and Earth" (transcript)

One of my favorite parables is that of the lost son. There’s a lot to it. Basically, it’s a story that Jesus told about a young man who insulted his father by demanding his share of the inheritance early, then ran off to spend that money on wild living, and found himself destitute when the money was gone. In desperation, he returned to his father, asking to work as a servant. But instead of being angry, his father joyfully embraced his lost son and threw a huge feast to celebrate his return. It is a great story that Jesus tells to help us understand God’s amazing grace.

How many of you know this story? Raise your hand, if you would. Okay. Now I want to make sure I’m clear…that’s a lot of you…I don’t mean just like, you know it because I just told it to you. I mean you know it because you’ve heard a sermon on this before, or maybe you’ve read it on your own. Raise your hand high if that’s true of you. Wow, still a lot of you. That’s perfect because I actually have a couple of questions maybe you can help me with. You see, it says that the father saw the son while he was still a long way off. Can anybody tell me how far off was the son at that point? Anybody know that? Because, you know, they didn’t have glasses back then, and the father was really old, so how far could he really see? It just doesn’t really add up for me. Can anybody tell me about that? Nobody? Okay. Well I have another question. Maybe this one’s easier. What town did that family live in? Does anybody know that? No? Nobody? What town they lived in? People, this is one of the greatest stories of all time! This is a story that has changed thousands of lives, including many of yours! How can you say that you know this story, that you understand this story, if you don’t even understand these basic facts? Okay, well maybe this is easier. Speaking of family, the Bible’s into family values, so I want to know—where’s the mother? Can anybody tell me? Is this family not intact? What’s wrong? Did they get a divorce maybe? And how come the father ended up with the custody of the sons? And why did they only have two? Families back then had much bigger families. Maybe they just got divorced too early? But I mean he seems so nice—why do you think she left? Anybody know these things? I mean I just don’t get it. You all tell me you know this story, and yet you don’t understand just these simple things about it.

Obviously, my questions miss the whole point of the story. There was no mother, or for that matter, no father or son either. This never actually happened. It’s just a parable. It’s one of the many marvelous stories that Jesus told in order to help us understand something that was hard to see. Now does that make it so that this story isn’t true? No, it is true. This story communicates some of the most important truths in the universe—about God’s nature, and the way that we relate to him. There are many passages in scripture that promise God’s love, or praise God’s love, or even try to explain God’s love. But this passage helps us grasp that truth in a way that’s much more effectively communicated than just through direct reporting. This way helps us feel it. This event never happened, but it’s one of the truest stories in the world. And what a shame for someone to dismiss it as irrelevant because it’s not literal history, or miss the point by asking the wrong kinds of questions.

Now I bring this up because just like my questions miss the point of the lost son parable, so, I fear, many of us ask the wrong questions about the beginning of the book of Genesis, which we read from just a few minutes ago. Not only does this generate needless confusion and division, it also makes us miss the point, miss the life-changing truths that we could see if we asked the right questions. Right now we’re in a sermon series studying the Apostle’s Creed, an ancient declaration of faith in the God of the Bible. And today, we’re considering the word “creator.” So, Genesis seemed like the right place to go.

Like the story of the lost son, most of you know the basic outline: God created the universe in six days and then napped on the seventh (so those of you who nap through my sermons every Sunday, you’re in good company!). But by adding up all the names of the people mentioned in Genesis, and throughout the rest of the Bible, seventeenth century Bishop Ussher determined that the creation of Adam and Eve, and everything else, happened in 4,004 BC—about 6,000 years ago. And that’s great. But you’re probably also aware that this creates some tension with contemporary scientists who suggest a different timeline. Considering the evidence offered by the size and expansion rate of the universe, plate tectonics, fossil evidence, and genetics, their best guess is that the universe was created by a big bang about 13 billion years ago, the earth appeared about 4.5 billion years ago, and the earliest humans existed about 200,000 years ago. In the past 300 years, this has become a very heated debate. Apparently, we need to choose whether we believe in science or in scripture. At least that’s the claim made by the most strident voices on each side, so the general population seems to have accepted that if you believe in God you can’t believe in evolution, and if you believe in evolution then you can’t believe in God.

This topic arouses passions and anxieties in many people, including some in this room. No matter what your perspective is, I’m probably going to say something today that you’ll disagree with, and might even make you angry. There’ll be plenty of time for you to set me straight in the coming weeks. But for the next half hour, in order to allow the possibility that we might hear something new, or even learn from the Holy Spirit, let’s lay aside our defensiveness so that we can at least consider why we are so attached to whatever ideas we have, and evaluate whether our devotion to one truth may be blinding us to others. As scientists have discovered more and more evidence supporting the basic evolutionary theory outlined in Darwin’s Origin of Species, Christians have responded in a variety of ways.

Science has been right about so many things, so some Christians have embraced evolution and felt forced to abandon their trust, not only in the truth of Scripture, but also in the God it describes. Other Christians, including many renowned scientists, have fought back by pointing out the many flaws in evolutionary theory and proposing alternative theories of their own. These include Young Earth Creation, which asserts that the earth was created in six days six thousand years ago, and offers thoughtful explanations to reconcile the findings of science with the words of Genesis 1. Old Earth Creationists do the same thing, but contend that each of the days in Genesis could represent an epoch, or a million years, or whatever amount of time, instead of just a 24-hour day. This is linguistically legitimate—it’s a fine interpretation of the Hebrew word “day” in Genesis—and it recognizes that it’s hard to measure a day before the invention of the sun in day four, anyway. So, Old Earth Creationism opens up many possibilities to reconcile scientific claims about the age of the earth with a literal interpretation of Genesis. Theistic Evolution takes further steps to accommodate evolution while still honoring God as the one who created heaven and earth and everything in them through the evolutionary process. This is attractive because it eliminates the conflict between science and scripture, but it requires a very different way of reading Genesis. They suggest that, like I did with the parable of the prodigal son earlier, perhaps we’re asking the wrong questions about Genesis so that we’re inventing an unnecessary argument, and even worse, we’re also missing what the first chapters of Genesis really are all about.

In the next installment, to be posted tomorrow, Pastor Swaim goes on to discuss the Genesis passage in detail.

]]> Thu, 27 Oct 11 05:00:06 -0700 David Swaim http://biologos.org/blog/art-worship-creation-and-imaginative-engagement?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication http://biologos.org/blog/art-worship-creation-and-imaginative-engagement?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication We should not be ashamed of the fact that our faith integrates spirit and body; our faith calls us to regard the stuff of creation in all of its materiality as good, and thus offers the best starting point for the practice and pleasure of art. In this chapel presentation, given at LaTourneau University in Longview, Texas, Ken Myers, founder of Mars Hill Audio, addresses the importance of art in both our worship and our understanding of creation. While some view the realms of the church and the arts as completely separate, Myers notes that both have suffered from a “diminished appreciation for the meaning of creation”. Creation is not simply a collection of materials for us to manipulate; rather it is a reflection of God’s own creativity. Creation is “an epiphany”.

While some may wonder what a discussion on art and worship has to do with science and faith, we feel Myers’ message is important for all Christians to hear, especially for its thoughts on creation and on our worship of God, the Creator.

Opening Prayer: “Will you join me in prayer as we focus our hearts and our minds on the Lord this morning? Let us pray. Take a minute and just speak to God yourself, and speak to him about your love for him and your thankfulness for his love and grace and mercy in your life—Father you are good and your love endures forever, your faithfulness to all generations. Thank-you for your faithfulness in our lives, thank-you for your grace that is sent to us, especially sent in the form of your son Jesus. Lord help us to continually appropriate that grace, to continually seek after you. Lord we ask that you would take this time to grow us, to spiritual form us. Amen”

Ken Myers: “Morning. I am in east Texas. The original invitation was to give some lectures on the subject of beauty. I am lecturing in Tyler beginning tonight and tomorrow morning, and when an opportunity came up to speak to you all here at Le Tourneau, I suggested that I might want to talk about a related topic, and so my topic this morning is going to be about the arts and worship.”

“I started working at National Public Radio just before I turned twenty-two. I went to work in the arts and performance department, and I was editing interviews with and commentaries about some of the most creative people in the world. Now, during that time I was also attending an evangelical church I had been at since 5th grade, and that meant that I was spending Monday through Friday with people who were intensely involved in the arts, but pretty much indifferent to, if not hostile to, the practice of Christian worship, and on Sunday’s I worshipped with people who often regarded the arts rather nervously, if not with hostility. It was like when worlds collide, and it was my life.

“During this period in my life on Sundays, I spent time with people who believed in creation, while during the week I worked with people who believed in creativity, and often their lives didn’t seem to overlap. My church friends were deeply committed to the first clause of the Nicene Creed: ‘I believe in one God, the Father Almighty, Maker of heaven and earth and of all things visible and invisible.’ These people believed in a creator. They described the world as a creation, but, in general, like most Christians for most of the Church’s history, they were often more eager to defend the fact of creation than they were to explore the consequences of creation’s nature and meaning in their everyday lives.

“My colleagues at NPR, on the other hand, and the people with whom I was pursuing my vocation, were all people who did not believe there was a maker of all things—they believed in nature, but not creation, and certainly not a creator. But they did believe, and sometimes in an almost religious way, in creativity. In fact, some of them were willing to ascribe almost redemptive power to creativity as made evident in the arts. The arts made life worth living. The arts fulfilled meaning in otherwise meaningless lives. In a world that was essentially chaotic, in which everyday life was dominated by bureaucratic, mechanistic institutions, the arts were great refreshment. They were a source of hope and joy and peace and even possibly moral guidance. The arts rendered us human, many of my friends believed, and delivered us from mere bestial or mechanistic existence. Some of them may have gone so far as to say that the arts imparted a spark of divinity into our lives.”

“Now I was used to living between these two worlds—I majored in film studies as an undergraduate, and I didn’t have a lot of colleagues in my department at the University of Maryland who took religion very seriously either. And I dealt with this conflict early on by starting to read as much as I could lay my hands on about Christianity and the arts. In 1975 (when I started at NPR), there wasn’t a lot written—you all are lucky that there is a lot more great stuff to read now on subjects like that—but I was beginning what turned out to be a life time of reading and study and writing and interviewing to try to understand how we had gotten to the point: how was it that the Church had generally allowed its concern with redemption to eclipse the theme in both Old and New Testaments of the goodness and givenness of creation? Why didn’t we attend to the structure and form of creation that much? …and how was it that modern western culture outside the Church had abandoned its belief in a creator, in a creation that was ordered and given meaning by its maker even while it tried to sustain a belief in human dignity and creativity?

“And over the years, as I have studied this and read about it and thought more about it, I came to realize that both the church and the world of the arts suffered from a diminished appreciation for the meaning of creation. Modern Christians often assume that they could relate to God apart from any deliberate relation to the stuff of creation, and modern secularists assume that they can relate to creation without recognizing or honoring the creator in any way. For both sides, creation is just a lot of raw material; creation isn’t inherently meaningful. It is meaningless and awaits our creativity to achieve significance. Modern Christians, moreover, have tended to pursue an understanding of God that was more and more abstract. It focused his attributes, on invisible realities rather than history, and as theology has aspired to be more like a science, it has assumed that we can think about God apart from his relationship with creation.

“ Of course, God’s identity is not determined by creation, but it is through God’s actions in and through creation that we know him. The Psalms make this very clear. He reveals himself through creation and his supreme revelation of himself involved his entering into creation in a sensory and perceivable way. Creation is an epiphany, it is a revealing…it is a revelation. The heavens declare the glory of God, and God’s eternal power and divine nature can be perceived in the things he has made…that is a remarkable statement. Throughout the Scriptures, especially in the wisdom literature and the Psalms, creation is depicted as an active and evident witness to God’s identity, and all of creation bears witness to God in a chorus of worship. In Psalms 89 we read the very heavens shall praise thy wondrous works and thy truth in the congregation of the saints. The heavens and the earth are depicted as testifying to God’s nature and to his coming triumph over evil. In Psalm 96 we read ‘let the heavens be glad, let the earth rejoice, let the sea roar and all that fills it. Let the fields exult and everything in them, then shall all the trees of the forest sing for joy before the Lord for he comes to judge the earth. He will judge the world in righteousness and the peoples in his faithfulness. Creation bears witness that those with ears to hear can hear, but to hear we have to approach creation with a well-ordered imagination.”

“There is a wonderful poem by Gerard Hopkins “God’s Grandeur,” and I mean it is wonderful in the strictness sense. It is full of wonder. He begins by insisting that the world is charged with the grandeur of God, and he goes on to suggest that modern men and women fail to perceive the grandeur of God. They fail to perceive what is revealed there because we are so preoccupied with practical things. All is seared with trade, bleared, smeared with toil, and all wears man’s smudge and shares man’s smell. We are too preoccupied with getting things done to actually attend to the glory present in creation, and as I have suggested, where the Scriptures present creation as an epiphany, a revelation, modern culture and a lot of modern Christians see creation as a lot of raw material resources. It is inert, meaningless stuff awaiting our creativity to become meaningful.

“So, the world is commonly regarded as material to which we do something, and not a source from which we receive something. I think that this attitude toward creation is contrary to how we should pursue the Arts, but also to how we ought to proceed in worship. Our worship should recognize that God the Maker of all things reveals himself in what he has made and that he calls us toward a receptive and grateful posture toward creation, not just toward the redemption he has provided…and that is really the posture of faithful artists. Both worship and the arts serve the function of reorienting our minds, our imaginations, and our practices so that we can properly perceive what creation is and what our position in creation should be. Art is a way of admiring and marveling and wondering at, as well as engaging in, meaningful and wonderful creation. God presents us in creation with materials and forms that artists transform, but they are always tethered to some order that is implicit in creation itself.

“Theologian Peter Lighthart has observed that the artist is always transforming, but this transfiguration is an attempt to get at dimensions of what is really there. It is not an abandonment of what is really there. Even if the artist is aiming at fantasy, art attempts to highlight patterns, correspondences, and dimensions to reality that are usually missed in our everyday experience and to force us to look again at the sunflower or the pipe or the chair. As the Russian formalists say, one of the purposes of art is to de-familiarize the familiar. The reason we do that is so that we can see it for what it is. It has become too familiar for us to recognize what it is. The artist is always responding to the reality of creation in some way—even the most abstract artistic forms—and the best artists are open to receiving something from creation before they can transfigure it. An artist has to sense creation with an exceptional acuity.

“Catholic philosopher Joseph Piper has a little book of essays called “Only the Lover Sings”—art and contemplation—only if you love something do you sing about it. Only if you delight in it, do you rejoice in it, and he is talking about the kind of rejoicing that is evident in works of art. He says there that to contemplate means first of all to see, not to think, and he is advocating a contemplative approach to creation so that we can see what it is, and then express what we have seen…a kind of seeing that is receptive and open, and not just accurate. That is the kind of seeing that is practiced by artists, and it is not unlike the tradition of contemplative prayer in the Christian tradition, and that gives us a link between worship and the arts.

“When I say the artist perceives creation, I don’t just mean trees and birds and colors and sunsets, but I mean all of the components of creation—shapes and sounds and textures—as well as various human activities within creation: the way our bodies inhabit space and time, the way words work with all their intriguing textures and resonances as well as the shape of our inner life—what sorrow feels like or sounds like or looks like. Memory, grief, affection—all of the aspects of nature and human nature have to be attended to lovingly and then reassembled or reconfigured or remixed in some way. Human creativity is not as God’s creativity ex nihilo—creation out of nothing—it is creation out of something, and it is a something that God, the God that we worship, has already blessed with meaning. Creation is meaningful revelation, and its revelation can be perceived as we are imaginatively involved with the stuff of creation. The God we worship, the maker of heaven and earth, has made as creatures whose lives are fulfilled when we engage creation well.”

“I have to confess that I get nervous when I hear Christian artists or other religious artists talk about the relationship between faith and art only as if art is an expression of spirituality or art is a gateway to the transcendent. It may be that, but I think they run the risk of presenting Christianity in disembodied terms. We should not be ashamed of the fact that our faith integrates spirit and body, but our faith calls us to regard the stuff of creation in all of its materiality as good, and thus offers the best starting point for the practice and pleasure of art.

“Christian worship has always been involved imaginatively with the stuff of creation. The poetry of the Psalms was recited by our Lord and his disciples so that he was engaged with the sound of words as well as the meaning of words. Music was a part of Christian worship—at least since choirs of angels greeted the nativity of the incarnate Christ and possibly earlier. Whether Mary sang her wonderful song which we call the Magnifica, a wonderful song inspired by her miraculous pregnancy or whether she simply spoke it we don’t know, but it is still sung week after week in churches around the world. Artful expressions and worship have been present in less obvious ways. It is notable that the communion table contains bread and wine, not wheat and grapes. It is not organic material in its most natural state that serves as a memorial meal that unites us with God, bread and wine are the products of human creativity. They are not simply of the natural blessing of God’s harvest, even grain and grapes require attention and care to bring them to fruition. Wine is an even more artful product and bread demands attentiveness to the details of creation. Bakers and vintners are not people we usually think of as artists, but what they do has a lot in common with what artists do: they take the stuff of creation and transform it into something newly delightful and beautiful. Bread, wine, and art all serve practical purposes, but they often go beyond necessity toward delight.

“Again, theologian Peter Lighthart has observed that art is a making that imitates the making of God, and it is most God-like when it is purely gratuitous, when it is not meeting a need—creation is gratuitous, it is not something that God needed to do, but we rejoice and give thanks both in worship and in the arts that he chose to do so. In worship, we honor the creator for the gift of creation and of salvation. In works of art we imitate God’s act of delighted and gratuitous making, and in the Lord’s Supper we receive a great feast, a table set for us not because we deserve it or even because we need it. God’s salvation could have been less extravagant, more perfunctory than a feast, just as the wine that Jesus made from water could have been merely passable rather than a really good wine. The wedding guests thought it was any way, and the inspired texts of the gospel seem to remind us of that. The gifts that God has given are given generously as well as gratuitously. Now, when we receive a great gift, we are delighted in the gift, and in the generosity of the giver, and so it is with a reception of a powerful work of art.

“When I hear the thoughtful and attentive performance of a carefully crafted piece of music or when I watch a masterfully constructed film, I often have a sense of gratitude not just to the performers and the composer or the director, but to God! I am grateful to live in a world where such joys are possible. The gratitude felt by the recipients of a gift resonates with the delight known by the giver of the gift. It is win-win, and that is a pattern built into creation since creation is the work of a dynamic three-personed God and the members of the Trinity enjoy an eternal giving and receiving of love among themselves. The doctrine of the Trinity reminds us of the personality and dynamism of God…qualities suggested in the ancient term applied to the Trinity by theologians [is] perichoresis. Perichoresis refers to the mutual indwelling of the persons of the Trinity, and by extension it refers to God’s relationship to the world whereby everything is in him and has its being in him. The ‘chor’ in perichoresis, by the way (if you have studied any Greek), may recognize that it shows up in our word choreography. Perichoresis literally means dancing around. So, the relationship among the persons of the Trinity is a dance—Father, Son and Holy Spirit dancing around each other and the Christian life which involves God in us and we in God is our entry into that dance.”

“What I am trying to do with all this theology is to make a case that artistic and imaginative and creative activity is not simply a pleasant and rewarding ornament that we might use to decorate our worship services or to increase enthusiasm to make them less boring, artistic activity is evidence to us of the kind of creatures we are, the kind of creator that God is, and the kind of world that we live in, a world that he has placed us in to love and serve him and others as we exercise our stewardship over that world. Since worship is in the words of one writer “the school of the Church,” our hearts and our minds are shaped through the experience of worship to properly perceive things as they are, and not only spiritual things, but all aspects of creation. After all, when Jesus commissioned the Church with the task of making disciples, he begins by declaring his authority over heaven and earth, not just their spiritual lives…and when we pray the Lord’s Prayer, we ask that God’s rule over all earthly things would become more and more evident on earth as it is in heaven. And so in worship we learn to perceive and name reality in a Christian way, and works of imagination can assist in those lessons.

“Since I have already mentioned the subject of music briefly, an observation from theologian and musician Jeremy Begby is appropriate here. In his book Resounding Truth: Christian Wisdom in the World of Music, Begby notes that in the western musical tradition guided by the Church quote “we have been placed in a world vibrant with its own God-given integrities and with the opportunity of interacting fruitfully with those integrities and that music is one means we have been given to do just that. When churches order their ministry of music with those kinds of integrities in mind, then music becomes a tool to reshape our imagination and to renew our minds.

“Art provides us with ways of perceiving reality aright. Not all art does this, or very well, and not all of us have allowed our imagination to be encouraged that kind of perception—we are in too big a hurry or it doesn’t seem practical enough; we have other things on our plate. Just as our thinking can be taken captive to worldly conclusions, so our imaginations can become preoccupied with novelty or with the merely interesting or with something that is trivializing or flattering. Just as we can surrender our bodies and the various consequences and configurations of our life in the body to patterns of disobedience, so we have the opportunity to present out bodies and all that we do in our body life in worthy and thoughtful sacrifice to God. The orienting of all aspects of our embodied life to God is the worship that we owe him.

“We learn that from Romans 12. And so, the use of our hands and our eyes and our ears and our voices in creativity activities that resonate with God’s own music in creation is a most suitable offering to bring him. In Romans 12, Paul warns about being conformed to this world and in no matter are we more in danger of worldly conformity than in our posture toward creation. All sorts of intellectual and social pressures suddenly persuade us to ignore the Biblical testimony of God’s identity as creator as well as the nature of our engagement with creation. The rationalism of the Enlightenment, which guides modern science and technology, encourages us to assume a god-like stance over the material world and at the other extreme, modern materialism suggests that we are at the mercy of something utterly different and incomprehensible.

“The Gospel picture of creation is radically different. Theologian Colin Gunton has said that we can know the world, not infallibly, not with a name of a kind of omniscience because we are both a part of it and able to transcend it through our personal powers of perception, imagination, and reason…and perception, imagination, and reason come together most intensely in artistic modes of knowledge and expression. The world is a creation intended for us to inhabit. It is not simply a meaningless, cosmic accident, and thus art can be powerful, it can resonate deeply in our lives, and even people who believe that the world is the product of a cosmic accident often cannot help when they work creatively to behave that way. Imaginative expressions in the visual arts and poetry and music have existential power because at some level, they convey to us something about the various connections and likenesses that God has placed in creation.

“This is especially evident, I think, in poetry where metaphor is involved in the recognition of likenesses, and it is an idea that came up in a conversation that I enjoyed a number of years ago—someone less famous than Johnny Cash—Richard Wilbur, who is probably our greatest living poet. Wilbur and I talked about the centrality of metaphor and poetry, how poetry works by likening one thing to another. In Psalm 1, a righteous person is compared to a tree sustained by its life and fruitfulness in life-giving water. The power of metaphor, Wilbur observed, “puts almost every poet in danger of being religious. If anything can be compared to anything else, if the world can be seen as a linkage of similes and metaphors and figures, then poetry itself comes very close to declaring that all things are co-natural, that they are of one nature and that brings you to the threshold of saying all things have had a maker.” Wilbur went on “I remember ages ago reading the final book of poems by poet Joseph Warren Beach, who claimed to be an atheist, and I took it around to him and he was in Cambridge at that time, and I said Joseph look at these two lines. Don’t you think that they amount to a religious affirmation? He read them and said ‘well, I can see that they do. I must say that I seem simply to have submitted to the spirit of poetry at that moment. It is an awesome thing to submit to the spirit of poetry even if for a moment.’”

“Worship that avoids imaginative expressions runs the risk of reducing our religious experience to mere ideas or mere therapy, when in fact our religious experience is rightly understood as cosmic. The scale of the Christian story incorporates the intensely intimate and the vast incomprehensibles of the cosmos, and we need works of imagination to convey that whole story to us, to refresh our gratitude to God, to reorient our engagement with all that he has made, and to baptize our imaginations. Art that resonates with the order in creation conveys to us a deeper character of our creator and the character of the order he has placed there.

“In Isaiah 45, there is this wonderful passage where we read of God: “For thus says Yahweh, the creator of the heavens, he is God who shaped the earth and made it, who set it firm. He did not create it to be chaos; he formed it to be lived in. I am Yahweh and there is no other. I have not spoken in secret, in some dark corner of the underworld; I did not say offspring of Jacob search for me in chaos. I am Yahweh. I proclaim saving justice; I say what is true.” In closing, I want to comment on that observation from Eugene Peterson in his recent book Christ Plays in Ten Thousand Places. He says at the beginning of that book…and that line by the way “Christ plays in ten thousand places” is from a poem by Gerard Manly Hopkins—I think it is the poem the “King Fisher,” which is about the glory evident in a bird…Peterson writes, ‘it is the task of the Christian community to give witness and guidance in the living of life in a culture that is relentless in reducing, constricting, and enervating life’ [repeated once more].

“I think that with that task in mind the Church and its ministry in discipleship and mission should proceed in three steps. First, we need to identify the ways the culture around us has misshaped or misunderstood how to live life well in God’s creation, how it has sundered what should be united. Second, the church in its teaching and discipling should encourage the convictions and practices necessary to restore a proper wholeness to life, which includes recognition of all the glories and wonders of creation. Third, motivated by the need to love our neighbors, care for widows and orphans in their misery, and having demonstrated to the world the ways in which redeemed humanity is a fulfilled humanity, the church has to find the false gods under whose captivity people are suffering. I am afraid in our time there are a lot of false ideas that penetrate the world of the arts, and part the task of the church is to recognize those false ideas so that we can, in fact, be liberated. This is a problem that should concern the church, and not just those in Christian arts—thank-you very much.”