My editorial policy for these excerpts is explained at the bottom of this post.

Motivated Belief (part 3)

Jesus had a comparatively short public ministry, but it had enormous local impact, drawing crowds who were anxious to hear his words and who often sought the healing ministry that he exercised. Then, on a last visit to Jerusalem, it all seemed to fall apart. The authorities, civil (Roman) and religious (Jewish) acting together, moved in to avoid trouble. Jesus was arrested and hastily executed, suffering the painful and shameful fate of crucifixion, the kind of death reserved for slaves and rebels and seen by pious Jews as being a sign of God’s rejection (“any one hung on a tree is under God’s curse,” Deuteronomy 21:23). Except for a few staunch women, his followers ran away, overcome by despair and disappointment. From the place of execution there came the cry “My God, my God, why have you forsaken me?” (Matthew 27:46; Mark 15:34).

Giotto di Bondone, The Arrest of Christ (Kiss of Judas)
(ca. 1304-06), fresco, Cappella Scrovegni, Padua

On the face of it, Jesus’s death seems a moment of pathetic failure, the final disillusionment of the followers of a rejected man whose grand pretensions had suddenly and definitively been found wanting. If that really was the end of the story of Jesus, I believe that most of us would never have heard of him. At best he would have seemed to be no better than other first-century messianic pretenders whose causes also finally failed. So the first remarkable thing about Jesus is that he is known to all of us. We need to look closer into the New Testament to find out why, against all reasonable expectation, his story continued beyond his death.

Amid the variety of its component writings, there are certain common themes that recur in the New Testament. Three of the most important themes are:

(1) All the [biblical] writers believe that the story of Jesus continued because God raised him from the dead on the third day after his crucifixion. We shall have to pay further attention to this extraordinary claim, but the existence of the New Testament, and the character of its contents, are unintelligible without the recognition that this is what its writers are affirming.

(2) In wrestling with what they believe to be their experience of the risen Christ, the writers are driven, in their different ways, to speak of Jesus in a quite extraordinary manner. They know that he was a man living in Palestine in their own times, yet in the accounts they give they often seem driven to employ not only obvious human categories, but also to use language that is only appropriate to deity. The Pauline epistles are probably of the earliest Christian writings known to us, certainly antedating the gospels. Already Jesus of Nazareth is being referred to in remarkable terms. Paul begins almost all his letters with some such phrase as “Grace to you and peace from God our Father and the Lord Jesus Christ” (Romans 1:7; 1 Corinthians 1:3; and so on). Not only is Jesus being bracketed with God in a manner that would, for example, have been inappropriate for a pious Jew to use in relation to Moses, the servant of God, but he is also accorded the title “Lord.” While this word (kyrios) had a widespread secular usage amounting to no more than politeness of address, its Hebrew counterpart, adonai, also had a special Jewish religious usage as an acceptable circumlocution in place of the unutterable divine name, YHWH, a particular significance which the religious context of Paul’s greeting could scarcely fail to invoke. The gospel of John portrays Jesus as claiming unity with God (John 10:30, words uttered in a situation where the hostile crowd are shown as having no difficulty in detecting what they see as the blasphemous implication), and it assigns to Jesus the use of images (the bread of life, the true vine, and so on) which carry implications of more than human status. The Writer to the Hebrews proclaims that “in these last days [God] has spoken to us by a Son, whom he appointed the heir of all things and through whom he also created the worlds” (Hebrews 1:2). Examples could easily be multiplied.

It is clear that when it comes to Jesus, the New Testament writers cannot rest content with the standard Jewish repertoire for speaking of people with special gifts from God—the categories of prophet, teacher, healer—but, against all their instincts as monotheistic Jews, they are driven to use divine-sounding language about him. Remember that they are referring to a near contemporary, and not to some shadowy figure of a legendary past. The New Testament very seldom out and out calls Jesus God (the confession of Thomas in John 20:28 is perhaps the clearest example), but its pages manifest a continual tension between the use of human and divine manners of speaking about him. The problem thus posed is unresolved in the New Testament itself, but succeeding Christian generations had to address it and eventually the Church was led to the distinctive and extraordinary doctrinal concept of the incarnation, the affirmation of the presence of deity in the life of this first-century Jew, who truly was the Son of God.

(3) Coupled with this recourse to divine language, and fuelling its fire, was a firm conviction among those first-generation Christians that the risen Christ had brought into their lives a new and transforming experience of saving power. Paul wrote to the Corinthians, “if anyone is in Christ, there is a new creation: everything old has passed away; see everything has become new!” (2 Corinthians 5:17). I believe that an adequate Christology (a true understanding of the nature of Jesus) must satisfy the criterion of affording an adequate soteriology (a true understanding of the power of Christ in human lives, to which the Church has continued to give its testimony down through the centuries). The doctrine of the incarnation implies that in the Word made flesh a unique bridge was established between the created life of humanity and the uncreated life of God, and in this meeting of divine power and human nature there lies a way of understanding the fulfillment of the soteriological criterion.

​
Giotto di Bondone, Resurrection (Do not Touch Me) (ca. 1304-06), fresco, Cappella Scrovegni, Padua

These three lines of testimony need to be presented for consideration by anyone seeking to understand the significance that Jesus of Nazareth holds for Christian belief. In the context of science the discussion of the persuasiveness of that belief cannot be conducted satisfactorily without a detailed engagement with these claims. The task is indispensable to honest enquiry and it is made all the more important today by the fact that many people seem to have so little knowledge of what the New Testament actually says.

The pivot on which the claim of a unique and transcendent significance for Jesus must turn is clearly the resurrection. If in fact he was raised from the dead to a new and unending life of glory, then it is indeed credible that he has an altogether unique status and role in salvation history. If, sadly, his life ended in failure and his body was left to molder in the grave, then he seems at best little different from many other prophetic figures who have suffered martyrdom for holding fast to the integrity of their beliefs. The quest for motivated Christian faith has to begin by focusing on the question of the resurrection. I believe that it would be a serious apologetic mistake if Christian theology thought that operating in the context of science should somehow discourage it from laying proper emphasis on the essential centrality of Christ’s resurrection, however counterintuitive that belief may seem in the light of mundane expectation.

As a preliminary one must first face the general issue of miracle. It was as clear in the first century as it is today, that it is wholly contrary to any reasonable natural expectation that a man should be resurrected within history. While there were parties in first-century Judaism which expected a general resurrection at the end of history [for example, the Pharisees], none expected the resurrection of a specific person to take place within history, even if there was some hope that a prophetic figure, such as Elijah, might have been stored up in heaven in order to be returned for a further spell of earthly life at some critical juncture in Jewish history. It is important here to recognize the distinction between resuscitation and resurrection. The former applies to someone like Lazarus, who is portrayed in John’s gospel as being called out of the tomb after an apparent death (John 11), but who was undoubtedly expected by all to die again in due course. Resuscitation is only a temporary reprieve from mortality. Resurrection, on the other hand, implies a transition from this mortal life to a new form of glorified life, lived without end in the presence of God. Resurrection is a permanent victory over mortality. The possibility of resurrection lies wholly outside the context of scientific explanation. If the resurrection of Jesus happened, it could only have been through a special exercise of divine power. In short, resurrection is, in the strict sense of the word, a miracle.

The real problem of belief in miracle is properly a theological issue, not a scientific one, since claims of unique historical occurrences lie outside science’s competence to adjudicate. All it can do is reinforce the commonsense recognition that something like a resurrection does not usually happen. The real challenge to belief in miracle lies elsewhere. It is theologically inconceivable that God should act capriciously as a kind of celestial conjurer, doing a turn today that God did not think of doing yesterday and won’t be bothered to do tomorrow. The theological problem of miracle is that of discerning divine consistency in the face of a claim of radically novel action. How that consistency is understood depends upon a proper understanding of what is involved in speaking of God in personal terms. I have already said that divine action is not to be assimilated to a kind of impersonal and unchanging process, similar to that which characterizes the law of gravity. If personal language is to mean anything when used about God, it must imply a divine freedom to respond in particular and different ways to particular and different situations, including even the rational possibility of unprecedented action in unprecedented circumstances.

Once again we encounter the unavoidable necessity of hermeneutic circularity. Of course, persons are not normally resurrected in history, but if there is something truly unique about Jesus (the Son of God), then his story could conceivably have included unique events. Equally, if he was resurrected, this was surely a sign that he indeed did have an altogether unique status. However, if he was just another prophet, then the story of his resurrection is likely to be no more than a touching legend. Both possibilities have to be considered. To believe in the resurrection rightly requires significant motivating evidence, a question to which we shall turn shortly, but its possibility should not be ruled out absolutely from the beginning, before even considering what evidence there might be for this counterintuitive belief. Moreover, it is important to note that the Christian understanding of Christ’s resurrection is that it occurred within history as the unique seed event from which a resurrected destiny for all people will come about beyond history (“for as all die in Adam, so all will be made alive in Christ”; 1 Corinthians 15:22). In this sense, what Christian theology sees as unique about the resurrection is its timing, rather than its occurrence. Further consideration will be given to this point in the succeeding chapter.

​Giotto di Bondone, The Last Judgment (detail, ca. 1304-06),
fresco, Cappella Scrovegni, Padua

[The succeeding chapter, which will not be part of this series, deals with eschatology. Polkinghorne’s reference in the penultimate sentence to the unique timing of the resurrection can be fleshed out by quoting from the chapter on eschatology: “The eschatological destinies of human beings and of the whole universe lie together in the world of God’s new creation. <SNIP> In Christian thinking, the seed event from which this new creation has already begun to grow is the resurrection of Christ. His tomb was empty because the matter of his corpse had been transmuted into the ‘matter’ of the new creation, to become his risen and glorified body in which he appeared to the first witnesses.” In other words, the resurrected Jesus is “the first fruits of them that sleep,” in the glorious words of 1 Corinthians 15:20.]

Looking Ahead

In about two weeks, we will see how Polkinghorne brings his search for “motivated belief” to bear on the biblical narratives about the Resurrection.

References and Credits

Excerpts from John Polkinghorne, Theology in the Context of Science (2009), copyright Yale University Press, are reproduced by permission of Yale University Press. We gratefully acknowledge their cooperation in bringing this material to our readers.

Editorial Policy

Most of the editing for these excerpts involves breaking longer paragraphs into multiple parts, altering the spelling and punctuation from British to American, removing the odd sentence or two—which I indicate by putting [SNIP] at the appropriate point(s)—and sometimes inserting annotations where warranted [also enclosed in square brackets] to provide background information. Polkinghorne uses footnotes a bit sparingly, and I usually find another way to include that information if it’s important for our readers.

"Anyone approaching the Resurrection accounts in the belief that he knows what rising from the dead means will inevitably misunderstand those accounts and will then dismiss them as meaningless" (p. 243).

In fact, if Jesus' Resurrection were "merely" coming back to life in any way that we might comprehend, then it would be of little significance.

"Now it must be acknowledged that if in Jesus' Resurrection we were dealing simply with the miracle of a resuscitated corpse, it would ultimately be of no concern to us" (p. 243).

So what then does Resurrection mean? For Benedict it represents a new dimension of reality breaking through into human experience. It is not a violation of the old; it is the manifestation of something new.

"Jesus had not returned to a normal human life in this world like Lazarus and the others whom Jesus raised from the dead. He has entered upon a different life, a new life -- he has entered the vast breadth of God himself..." (p. 244).

Because it is something entirely new, it cannot represent a violation of natural law as understood by science.

"Naturally there can be no contradiction of clear scientific data. The Resurrection accounts certainly speak of something outside our world of experience. They speak of something new, something unprecedented -- a new dimension of reality that is revealed. What already exists is not called into question. Rather we are told that there is a further dimension, beyond what was previously known. Does that contradict science? Can there really only ever be what there has always been? Can there not be something unexpected, something unimaginable, something new? If there really is a God, is he not able to create a new dimension of human existence, a new dimension of reality altogether?" (p. 246-7)

Thus, in this view, Resurrection (as with all true miracles) is not contrary to science, but an indicator that science does not (yet?) describe the full expanse of reality. Indeed, some may argue that science itself contains similar "indicators." The 11 (or so) dimensional universe required by some versions of string theory, the multiverse theory of the universe where ours is but one of an infinite array of universes with variable physical laws, quantum entanglements, "spooky" action at a distance, the mysterious emergence of consciousness from inorganic matter -- all push the limits of human reason and imagination, suggesting to some that reality may be far more complex than the human mind can grasp.

For a moment, let us entertain the possibility that Resurrection is as Benedict interprets it: not a violation of natural law but an indicator of something beyond our scientific understanding of the universe. This has interesting implications for understanding how believers and skeptics approach the issue. If Resurrection does not violate science, then science does not necessarily constitute an impediment to accepting the reality of Resurrection. If the difference between the skeptic and believer is not science, then is it just a matter of imagination? The believer imagines greater possibilities for the universe than the non-believer. While this is possible, it seems questionable. To my knowledge, no research has found differences in imaginative abilities between religious and non-religious people. Moreover, contrarian examples easily come to mind: Isaac Asimov was an atheist but hardly lacking in imagination when it came to science fiction. I tend to think that both believers and non-believers can imagine (with varying degrees of effort, I'm sure) the new possibilities implied by Resurrection.

Thus, if it is neither imagination nor science that prompts skepticism about Resurrection, then what is left? I suggest that it comes down to a question of authority: At what point does one allow imaginative possibilities to have authority over how one lives? To the believer, Resurrection has an authority that science fiction does not. Resurrection is not thought-provoking entertainment. It requires far more than just imagining greater possibilities for the universe. It requires a change of life, here and now. Unlike the microscopic hidden dimensions of string theory, the new dimension implied by Resurrection has "broken though" into everyday reality and demands a response -- even if that response is to actively ignore it.

Now, what convinces the believer that Resurrection merits such authority when other imaginative possibilities such as extraterrestrial life or time-travel do not? The answer here appears to be historical commitment. There's no record of people committing themselves to the point of martyrdom to other imaginative possibilities as they have to Resurrection. The earliest example of such commitment being found, of course, in the dramatic post-crucifixion turn-around of the Apostles. Such an astounding change of heart, followed by an unwavering commitment capable of altering human history demands a categorically unique explanation: Resurrection.

The believer's argument, however, remains unconvincing to the skeptic. However impressive they might be, a change of heart and steadfast commitment do not necessarily add up to a new dimension of reality. Extraordinary claims require extraordinary evidence. Fair enough. So a key question regarding the interpretation of Resurrection is this: Is the post-crucifixion history of Christianity extraordinary? Does it compel the dispassionate observer to concede that a categorically unique event could plausibly be its best explanation?

It ought to be upon questions such as those above that skeptics and believers respectfully engage one another, rather than the simplistic and often acrimonious sloganeering that has increasingly become the norm.

Despite this usage, most of us know that randomness has something to do with probability, and that it often implies a lack of conscious intentionality. But what do mathematicians and scientists mean when they say something is random? Can a random process lead to an ordered, even predictable outcome? Is there evidence that God makes use of random processes to fulfill his creative purposes?

These are big questions, and we won’t address them all today. But I think randomness is an important topic to cover for two reasons: 1) it is integral to many processes in biology (and math, physics, chemistry, etc.), and 2) it is commonly misunderstood to be incompatible with Christianity.

As I said above, most of us know that randomness has something to do with probability. If you pick a card “at random” from a shuffled deck, you have a small probability of drawing an ace (4 out of 52, or a 7.7% chance). If you flip a coin, you have an equal probability of getting heads or tails.

Randomness also seems to imply a lack of intentionality or purposefulness. After all, you might hope for an ace when you draw a card, but you can’t choose one on purpose. You might call heads when you flip a coin, but you can’t know beforehand what the outcome will be. Thus the outcome is indeterminate, but is it purposeless? Not necessarily. Indeterminacy simply means the result cannot be predicted from the outset.

It should be noted that indeterminacy does not imply that God does not have foreknowledge of future events. Christians ought not to be uncomfortable with the idea of God interacting with his creation through chance. We often describe a seemingly-random (i.e. unplanned by us) sequence of events as being “providential,” or planned by God.

In biology, it is very hard or impossible to calculate precise probabilities for most processes, so when we say a process is random, we typically mean it is extremely unpredictable. Eventually we will discuss randomness within biological evolution, but first we must consider some simpler processes, like the self-assembly of a virus.

Viruses are remarkably efficient entities. Coiled tightly within a protein-based shell is a small amount of DNA needed for self-replication. The shell, called a capsid, is made of many repeating protein subunits and is therefore highly symmetrical (see figure). Important biomedical insights have certainly been gleaned from structural studies of viruses, but viruses also teach us about the emergence of order from non-order.

The virus life cycle has four main steps: 1) enter a host cell, 2) hijack the cell’s replication and translation machinery to make many copies of itself, 3) assemble into many virus particles, and 4) exit the cell to invade another host.

When I first learned about this process, I found it very hard to believe it just “happens.” The idea that a bunch of molecules bumping into each other inside a crowded cell could spontaneously assembly into a fully-functional virus seemed a bit far-fetched. Many viral capsids have over 100 protein subunits that must interact with each other in just the right way, or it won’t work. Surely there must be something driving this process, right?

There is! Random motion. I had to see it to believe it. I distinctly remember sitting in class during my first year of graduate school when the professor demonstrated self-assembly of a virus using a 3D model as shown in the following video. In less than 30 seconds, you can watch a jumbled heap of proteins become a beautifully ordered structure.

As the narrator explains, sub-assemblies form and break apart en route to the most stable structure, the full capsid. As the sub-assemblies begin to form, further associations with free subunits become more favorable and as a result occur rapidly, while the final steps may take considerably longer. While the subunits in the model are rigid, in reality the proteins take on multiple conformations, allowing the capsid to “breathe.”

Amazing as it is, the system we just considered—one virus capsid in a jar—is pretty simple. One wonders how self-assembly can happen in a crowded cell, where there are countless other molecules diffusing around, potentially getting in the way. We can’t directly see how it happens in a cell, but we can reconstitute the process in a test tube using different combinations of constituent molecules.

Consider two viruses, where each protein subunit in one virus is the mirror image of the corresponding subunit in the other. Putting the two viruses together by hand would be pretty tricky, because the constituent parts look so similar. But random motion can do the job in short order:

From this model, we can see clearly, in real-time, how distinct complex structures can arise from their parts randomly interacting with one another. Many large viruses also use special scaffolding proteins to assist in the assembly process, and some even use their own genomes as a scaffold. In addition, two closely-related viruses that happen to infect the same cell can exchange parts to create a new virus. This is one way viruses can evolve quickly to evade the host’s immune system.

Here we have seen how viruses demonstrate a principle inherent in God’s world—that order can emerge out of chaos from random processes. In my next post, we will look at some other biological processes that make use of—rather, depend on—randomness. This will set the stage for us to see that such processes can not only assemble a structure within seconds or minutes, but also generate complex, information-bearing molecules over billions of years. Even though the freedom inherent in nature sometimes produces unintelligently-designed structures (like viruses, which can kill us), we see that God has made, and continues to oversee by his providence, a good creation that, at least in part, is capable of creating itself.

Next weekend, we’ll continue this series about randomness and God’s divine will. Up next: how God created the body to heal itself, and how can random mutations can be both harmful and benign.

Tonight and tomorrow, Christians around the world stop to remember and celebrate the birth of Jesus in Bethlehem just over two thousand years ago. The familiar narrative of Joseph leading Mary to the stable to give birth to the Messiah, of the angels telling the shepherds in the fields of the great event that was happening nearby, and of the three men from the east who came to pay homage to the new King of Israel is re-told or acted out in countless churches, schools and homes. And from countless pulpits, the message goes out that those events are not just a quaint story and an excuse to give gifts, but the central mystery of our faith—that God himself became one of us in order to redeem us and the cosmos from our bondage to sin and death. That mystery—that the Creator God is also the Redeemer Christ—has been to focus of our worship since the first days of the church, and is the subject of the 7th-century Latin hymn Conditor alme siderum, presented here in a new setting from Alex Mejias and High Street Hymns.

While this recording includes only verses one and three from the original text (given in full below), it adds a refrain that catches the spirit of the whole hymn and emphasizes the longing we still feel even in our Christmas joy—the “already, but not yet” state in which we find ourselves today, living between that first Advent and the second Advent yet to be: “Come, O come to us!” For while we know that God has come to us in Jesus—that his death and resurrection have redeemed us and the universe—we are still waiting for that final consummation, depending on the Spirit to be working out our salvation even now. Until the time when, as the hymn says, “all hearts must bow,” the entire BioLogos community invites you to join us in the blessed work of declaring, celebrating, and following the Christ who is both Creator and Savior.

Creator of the Stars at Night

Alex Mejias is the founder and director of High Street Hymns, a non-profit music ministry that exists to spread the Gospel and worship the Triune God in spirit and truth through hymns, psalms and spiritual songs. Alex grew up in New Jersey and outside Washington, DC, receiving a BA in Religious Studies from the University of Virginia and a J.D. from the University of Virginia School of Law. For the past 15 years he has been leading worship for churches and ministries, writing and recording both new and old hymns, and touring the east coast as a singer-songwriter. Alex is also committed to the power of the creative arts to advance the Gospel and promote justice and healing in the name of Christ, serving, supporting, and collaborating with several other non-profit ministries.

When he opened the sixth seal, I looked, and behold, there was a great earthquake, and the sun became black as sackcloth, the full moon became like blood, and the stars of the sky fell to the earth as the fig tree sheds its winter fruit when shaken by a gale. The sky vanished like a scroll that is being rolled up, and every mountain and island was removed from its place. (Revelation 6:12–14)

The non-concordist view of science and Scripture argues that Biblical texts about creation were never intended to concord with modern scientific theories. Thus, Genesis 1 is not cryptically describing the Big Bang or instant fiat, a young earth or old earth, special creation or evolutionary creation. It is not “literal” language describing the physics of the universe; it is “literary” genre describing God’s sovereignty over creation and most likely his covenantal relationship with his people.

But the argument against literalism of language of the creation of the heavens and the earth is also applicable to the language of the destruction of the heavens and the earth, or what the Bible calls, “the last days,” “the end of the age,” “the end of days,” or “the Day of the Lord.” Christians often refer to this as “the end times,” but the technical theological term is eschatology, which means “the study of end things.”

Regarding the end times, the modern Evangelical popular imagination has been deeply influenced and at times dominated by a theological construct that is best reflected in the 1970s bestselling The Late Great Planet Earth by Hal Lindsey and the newer bestselling fictional phenomenon Left Behind by Tim LaHaye and Jerry Jenkins.

This view believes that the Bible foretells an as-yet future scenario on the earth of a rapture of Christians, followed by the rise of an “Anti-Christ,” a world dictator who initiates a Great Tribulation on the earth, requires a “Mark of the Beast,” and assembles global forces for a battle of Armageddon against Israel, resulting in the Second Coming of Christ who replaces the universe with a new heavens and earth to rule forever. The technical theological term for this view is futurism, the belief that prophecies about the end times are yet to be fulfilled in the future.¹

In this article, I will address the hermeneutic or interpretive approach used by this futurist perspective and apply it to the particular aspect of creation language, or in this case, decreation language -- the collapsing universe and the destruction of the heavens and the earth.

In short, the language of cosmic catastrophe often interpreted literally as referring to the end of the space-time universe is actually used by Biblical authors to figuratively express the cosmic significance of the covenantal relationship between God and humanity.

The tendency of modern literalism is to interpret descriptions of signs in the heavens and earth as being quite literal events of the heavens and earth shaking, stars falling from the sky, the moon turning blood red, and the sky rolling up like a scroll. The problem with this hermeneutic is that it assumes the priority of modernity over the ancient world. Rather than seeking to understand the origins of symbols and images used by the writers within their ancient context, this literalism often suggests the writer was seeing events that would occur in our modern day but did not understand them, so he used his ancient “primitive” language to describe it.

So for instance when the apostle John saw modern day tools of war in his revelation, such as battle helicopters, he did not know what they were so he described them in ancient terms that he did understand such as locusts with the sting of scorpions, breastplates of iron, a crown of gold and human faces, whose chopper blades made the “noise of many chariots with horses rushing into battle” (Rev 9:3-9).

I was taught this modernist interpretation and lived by it for many years. When I read about Jesus explaining the “end of the age” I would assume he meant the “end of the space-time universe” because that’s the kind of language I, a post-Enlightened modern scientific mind, would use to describe such an event. When he spoke of the moon turning blood red and the sun being darkened, I assumed such events were easy miracles for God, so if you considered them figurative, you were falling down the slippery slope of neo-orthodoxy. When Jesus said stars would fall from the sky, you had better bet stars would literally fall from the sky (a primitive description of meteors²) or else you’re a liberal who doesn’t believe in the literal accuracy of the Bible.

But all that changed when I sought to understand the prophetic discourse on its own terms within its ancient cultural context instead of from my own cultural bias. I now propose that the ancient writers did understand what they were seeing, but were using symbols and images they were culturally steeped in, symbols and images with a history of usage from the Old Testament, their cultural context – not mine.

In this essay, I will argue that the decreation language of a collapsing universe with falling stars and signs in the heavens was actually symbolic discourse about world-changing events and powers related to the end of the old covenant and the coming of the new covenant as God’s “new world order.” In this interpretation, predictions of the collapsing universe were figuratively fulfilled in the historic past of the first century. The technical theological term for this view is preterism, the belief that most or all prophecies about the end times have been fulfilled in the past.³

Notes

1. The Left Behind series is a particular version of futurism called Dispensational Premillennialism. For a more in depth presentation of these varieties of eschatology see Bock, Darrell L. ed., Three Views on the Millennium and Beyond. Grand Rapids, MI: Zondervan, 1999.
2. Interestingly, as soon as the interpreter thinks falling stars are meteors, he has just engaged in figurative speculation, which is not literal.
3. Some examples of orthodox scholars who hold to this view are Sproul, R.C. The Last Days According to Jesus. Grand Rapids, MI: Baker, 1998; and Gentry, Kenneth L. Jr. Navigating the Book of Revelation. Fountain Inn: SC, Goodbirth Ministries, 2009.

Introduction

One of the reasons that some of us are hesitant to accept evolutionary creation is that it seems to make God responsible for the suffering and death of innumerable creatures over millions of years—before humans ever existed or sinned against their creator. Since we believe in and worship a God who is loving, benevolent, and all-powerful, it sounds quite implausible that our God would have created a world like that; therefore, any scientific evidence for evolution must be incorrect.

Other people look at the scientific evidence for evolution and find a compelling case that it has taken place during our earth's history. On this basis they may conclude that if evolution is true, then the belief in an all-powerful, perfectly good God must be false!

The trouble with both of these views is that they tend to invoke a completely abstract, philosophical god, not the living God of the Bible—the God who became a human being, experienced unimaginable suffering, and died in a grotesque and humiliating public display. The death of Jesus completely defied the expectations (and common sense) of his followers, as well as the expectations of any “rational” understanding of the way the Creator of the universe should act in the world. On the cross, in the person of Jesus, God took upon himself far more suffering than any creature has ever experienced.

If God himself is willing to die, particularly in such a gruesome way, then perhaps we should at least consider the possibility of God allowing the death of other creatures, too. But would this really be compatible with what we know of God through Scripture? In this essay, we will explore this quandary through a “theology of the cross”, a concept articulated by pastor George Murphy in his book Cosmos in the Light of the Cross.¹

Theology of the cross

Before we jump into the theological problems associated with evolution, let’s take a look at how we understand Christian theology itself. For the reformer Martin Luther, any theology (or science) that tries to reach knowledge of God apart from the cross is bad theology.² Instead, Luther pointed to a theologia crucis, in which the true God is seen first and foremost “through suffering and the cross”. To make his point even clearer, Luther insisted that “the CROSS alone is our theology”.³ It is the lens through which we view everything.

Of course Martin Luther, having lived in the 16th century, was not aware of the vast history of life on our planet (or any other aspect of modern science, for that matter), but George Murphy draws from Luther’s teachings the foundation that all human knowledge begins with the Word made flesh and crucified.⁴ With the cross of Christ as the ultimate framework through which we view reality, we are bound to view the processes of nature quite differently. As Murphy explains it,

A theology of the cross is an explication of belief in a God who becomes a participant in the history of the universe and thereby shares in the suffering, loss, and death that are part of worldly experience.⁵

God does not sit idly by and watch unaffected as his creatures suffer, but neither does he swoop in and make everything completely effortless and easy. Instead he chose another way, the crucifixion of Jesus—certainly not the approach that we would have preferred! The apostle Peter went so far as to try to talk Jesus out of it, but he was met with a stern rebuke (Matthew 16:21-23).

Why is evolution so disconcerting to Christians?

The problem of suffering throughout all of human history is troubling enough for us to reconcile with a loving, personal God. But in addition to that, the discovery of vast numbers of fossils reveals that death has taken place on a far greater scale than we had ever imagined. Both the wide variety of extinct creatures and their sheer numbers is quite staggering, and it raises questions about our Creator:

The picture of a God who is immune from suffering and death but who forces organisms through millions of generations and extinction is disturbing to those who believe in a God of love.⁷

The mass extinction of life on earth was already well established by the early 19th century—decades before Darwin’s research—and extinction can be empirically verified independent of any theory of evolution.⁸ The fact that the earth’s crust is a veritable graveyard of long-lost creatures is deeply troubling, and as late as the 1790’s, distinguished intellectuals such as Thomas Jefferson denied the very possibility of extinction.⁹

But in addition to the reality of species extinction, the theory of evolution by natural selection proposes that new species also arise in an environment containing widespread pain and death. Both the creatures that are now living and those that are gone are tainted by an “acrid smell of death”.¹⁰ It makes us wonder, if our Creator is not the God of the dead, but of the living (Mk. 12:27), where is God’s presence in the evolutionary picture?

In all honesty, creation through evolution is not what we would expect from God, but Scripture is full of examples in which God acts in unexpected ways. After all, God’s choosing to undergo an agonizing death on a cross is not what we would expect from the all-powerful Creator of the universe, either. In both cases, new life comes about through pain, suffering, and death. As George Murphy puts it,

A priori ideas about God have to be overcome, and God's character has to be learned from God's self-revelation.¹¹

God’s fullest self-expression is in Jesus Christ himself, one who is intimately familiar with and personally endured creaturely pain and death. The theology of the cross reveals that God's self-revelation takes place in situations of suffering, loss, and apparent hopelessness, much like situations that occur through natural selection.¹²

The crucifixion is disconcerting too

Not only is creation through evolution an unexpected and unsettling process, but so is the crucifixion of Jesus! Killing someone by hanging them on a cross is an unbearably painful, prolonged, humiliating form of death. It was such a horrific type of public execution that it wasn't until after the Roman Empire stopped the practice of crucifixion—and people no longer witnessed it personally—did the cross become a visual object of devotion.¹³ Our culture is sufficiently removed from crucifixion that we are desensitized to its original significance, but to connect it to our current context, imagine the reaction you would get by wearing jewelry designed to look like an electric chair.¹⁴

Once we are more attuned to the brutality of crucifixion, it seems all the more striking that the cross is the sign of God’s work, what George Murphy calls “the trademark of God”.¹⁵ The suffering and death of Jesus is featured prominently in the Gospels, but the crucifixion-resurrection pattern is strongly resonant within the Old Testament, too. Israel suffered and toiled as slaves in Egypt for centuries before they were rescued in the Exodus, bringing life to a people who were spiritually dead. Centuries later, the nation of Israel would experience death again when the Babylonians destroyed the Davidic monarchy, burned their Temple, killed their people, and sent many into exile.¹⁶ Neither Israel (God’s chosen people) nor Jesus (God’s own son) were spared from death and suffering; rather, suffering seems to have been the way in which God re-forms and renews humanity to fully bear His own image.

Redemption extends to all of creation

Fortunately, God’s story does not end with death. God gives new life after his creatures have been subjected to terrible circumstances. Redemption was promised to Israel itself—Ezekiel’s vision of the valley of dry bones describes how God would renew His chosen people (Ezek 37:1-14). Later, the astonishing resurrection of Jesus made salvation possible not only for Jews, but for all people in Christ (Gal 3:26-29). Ultimately, the New Testament makes it clear that God’s renewal will encompass the entire Creation:

For God was pleased to have all his fullness dwell in him, and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross. (Colossians 1:19-20)

With all wisdom and understanding, he made known to us the mystery of his will according to his good pleasure, which he purposed in Christ, to be put into effect when the times reach their fulfillment—to bring unity to all things in heaven and on earth under Christ. (Ephesians 1:8-10)

Christians are accustomed to thinking of the death of Christ in regard to humans, but our culture rarely acknowledges God plan for the redemption of His entire creation. This is partly attributable to the fact that discussions of creation and origins are often separated from the topic of salvation.¹⁷ In doing so we tend to marginalize Jesus as we argue about Genesis. Rather than fall into this trap, if we view nature through a theology of the cross, we will see Christ as both the alpha and the omega point in discussions of life’s history and life’s future. With this perspective, we are more apt to sense our solidarity with the rest of creation as we wait in eager anticipation of a glorious future:

The creation waits in eager expectation for the children of God to be revealed. For the creation was subjected to frustration, not by its own choice, but by the will of the one who subjected it, in hope that the creation itself will be liberated from its bondage to decay and brought into the freedom and glory of the children of God. (Romans 8:19-21)

Conclusion

As part of the Church’s conversation about the problem of natural evil, this essay is meant to be a brief introduction to a “theology of the cross”. One can explore this concept in greater detail in Murphy’s book The Cosmos in the Light of the Cross. While there is a lot more to be said, let me conclude with the following observation: though evolution may not be compatible with some interpretations of Christianity, evolutionary creation is certainly compatible with the crucified Christ and the theology of the cross. In the person of Jesus, God suffers with the world and ultimately redeems it. As George Murphy puts in, “The world's pains are God's stigmata.”¹⁸

Explore this Topic Further

• Miller, Keith. “And God saw that it was good”: Death and Pain in the Created Order. BioLogos series
• Murphy, George L. The Cosmos in the Light of the Cross. Harrisburg, PA: Trinity Press, 2003.
• Murphy, George L. “Cross, Evolution, and Theodicy: Telling It Like It Is”. In The Evolution of Evil. Edited by G. Bennett, M.J. Hewlett, T. Peters, and R.J. Russell. Göttingen: Vandenhoeck & Ruprecht, 2008.
• Southgate, Christopher. The Groaning of Creation: God, Evolution, and the Problem of Evil. Louisville, KY: Westminister John Knox Press, 2008.

Notes

1. Murphy, George L. The Cosmos in the Light of the Cross. Harrisburg, PA: Trinity Press, 2003.
2. Murphy, p34
3. “CRUX Sola Est Nostra Theologia,” in D. Martin Luthers Werke, Kritische Gesammtausgabe (Weimar: Hermann Boehlau, 1892), 5:172. The captitalization is in the original. Cited in Murphy, p26.
4. Murphy, p108
5. Murphy, p4
6. Murphy, p43
7. Murphy, p3
8. Some Christians ascribe animal death to some combination of Adam’s fall and Noah’s flood, but this does not resolve the problem that the animals are still suffering and dying through no fault of their own. See Keith Miller’s BioLogos series Death and Pain in the Created Order for the limitations inherent in a fall-based theodicy.
9. Rudwick, Martin. The meaning of fossils: Episodes in the history of paleontology. Chicago, University of Chicago Press, 1985.
10. See Jeff Schloss’ BioLogos essay Evolution, Creation, and the Sting of Death
11. Murphy, p63
12. Murphy, p122
13. Murphy, p27
14. This example is drawn from an evangelical outreach event held by a Christian student group in Innsbruck, Austria. On campus one day, they started conversations with their classmates by asking the question, “Would you wear an electric chair on your neck?”
15. Murphy, George L. The Trademark of God: A Christian Course in Creation, Evolution, and Salvation. Wilton, Conn.: Morehouse-Barlow, 1986.
16. Murphy, Cosmos in the Light of the Cross, p 31-32.
17. Murphy, p35
18. Murphy, p87

[T]he purpose of Jesus’ “art” was to give verbal, visual, and dramatic forms to those complicated and confounding relationships and symmetries and harmonies between Himself (and the Father and Spirit) and the world, ourselves included in the latter. Such creative expressions did and do not make everything clear, but rather resist simple clarity, forcing their hearers to come at the whole complicated, opaque truth from a position of intellectual and spiritual humility.

Speaking in parables is indeed similar to an artist’s craft. Neither are systematic, logical arguments aimed at intellectual persuasion. Rather, they create impressions, whole new worlds of meaning intended to turn old worlds on their heads. Further, they do not always clarify, but actually can by design obscure a deeper reality. To apprehend that deeper reality, one must—like a patron facing a timeless painting—continue to seek, ponder, and meditate on what is being said.

Parables are radical pieces of communication meant to disorient the hearers and then reorient them to an entirely new way of thinking. The reason Jesus does so much story telling is because stories—not debate or other “proofs”—are best suited for such a whole scale reorientation. Jesus’ preaching, after all, was about the kingdom of heaven (or of God). This kingdom was not about where one goes after death, but a here-and-now transformation of how people thought about God and their relationship to him.

Jesus “explains” this new kingdom in several ways, one of which is the Sermon on the Mount (Matthew 5-7), where Jesus lays out the types of behaviors that should now characterize the people of God. These new behaviors contrast again and again with the old and are fully at odds with what the religious leaders of the time were teaching the people. Jesus’ kingdom is counter-cultural.

But Jesus more often “shows” the people what this kingdom looks like by telling a good story, which regularly begins, “The kingdom of heaven is like….” Sometimes the best way to get an idea across is to paint a verbal picture, which is precisely what Jesus does in the parables.

Jesus’ stories are not like Aesop’s Fables (as interesting as they are), where there is a moral to the story. The parables are not about playing nice with each other. They actually plant you in a different world where things are running according to a wholly different set of rules of the kingdom of heaven.

We can see this by looking at one of Jesus’ favorite topics in the parables: how Jews related to Gentiles. Jewish identity was an extremely important and touchy issue in Jesus’ day. Even though the Jews had returned to their land after the exile (539 BC), they had been guests in their own land—first of the Persians, then Greeks, and now the Romans. How Jews could maintain their ethnic and religious identity in such a pressure cooker of pagan Greek and Roman ideas, not to mention the embarrassment of pagan rulers telling them what to do, was a sore point.

So, one can understand why Jewish attitudes towards tax collectors, for example, are a repeated concern in the Gospels. Tax collectors were fellow Jews who were traitors to their own people by collecting taxes for the Romans. They were even spoken of in the same breath as prostitutes (e.g., Matthew 21:31-32).

No “good Jew” committed to maintaining his or her identity amid a pagan world would lower themselves to work alongside the Romans. Yet, what does Jesus do? He associates with these (and other) “sinners” on a regular basis, and even calls a tax collector (Matthew) to be among his select group of followers. By his actions Jesus demonstrates that his kingdom operates by different, counter-intuitive, counter-cultural rules.

These types of concrete actions were supported again and again by Jesus’ parables. Such a radical change in how Jews viewed God, the world, and their place in it—where sinners and other outsiders were welcome—required a communication strategy that was up for the task.

Stories are that communication strategy. Parables were Jesus’ canvas for “painting” a new vision for what life in his kingdom should look like. And in Jesus’ kingdom, there was no longer any place for maintaining those fundamental ethnic and religious distinctions by which the Jews had been operating.

We can go to virtually any parable to make this point, but the well-known parable of the Good Samaritan works as well as any (Luke 10:30-37). We recall that what drove Jesus to tell this story was the question asked by the “expert in the law” (v. 25): “Who is my neighbor?” Jesus’ answer was this parable, and it carries a double punch.

First, the Jewish leaders step around the beaten man on the road—certainly a non-Jew—feeling no obligation to come to his aid. The point is that the leaders of Israel, of all people, should know enough of God’s character to stop and help him. They shouldn’t ask whether he is “one of us,” an insider. All one needs to know is that this human being needs help. In Jesus’ kingdom, carefully drawn lines of ethnic and religious separation are a thing of the past.

But second, on a deeper level, Jesus’ point is far more threatening. By calling upon a Samaritan as the “good guy” in this story—with all of the backdrop of cultural hostility—Jesus is making a more pressing point than “be good to everyone” (which is where the Sunday School lesson typically ends). The hated Samaritan sees the man lying there, and without asking questions about who he is—whether Jew, Samaritan, Greek, Roman, or anything else for that matter—helps him. The Samaritan, of all people, acts like a neighbor toward the man who needed help, the very thing the Jewish leaders failed to do.

By telling Jewish leaders that they have something to learn about their own God from, of all people, Samaritans, is not a suggestion to be more open-minded and tolerant. It is nothing less than a rewriting of the Jewish narrative or religious and ethnic identity. Jesus uses a story to paint a vivid mental and emotional picture for his hearers. No other medium would do.

It is sometimes thought that Jesus told stories because he wanted to persuade the masses, the common people who are not used to debating fine points of theology like the scribes and priests. This is partially true, but it is also true that the radical message of the kingdom of heaven required a means of communication that was best suited for it. Like any work of art, stories “create” new ways of seeing the world—and it is, after all, a new world that Jesus means to create.

Let me put this another way: Jesus himself communicated the deep mysteries of a new way of being through the use of such things as vivid imagery, symbolism, metaphors, and other devices common to artistic expression. In fact, the incarnation, God in human flesh, is not a debate or argument about the nature of God that appeals primarily to the intellect. It is a vivid—and true—demonstration, a portrait, of a radically new and mysterious way of thinking about God, the world, and our place in it.

If this is how God chooses to communicate at the incarnation—the very climax and epicenter of his story—we should not be surprised to see God painting vivid portraits elsewhere in Scripture. This is especially true of Genesis and creation. Something so fundamental to God’s story may need to be told in a way that transcends the limitations of purely intellectual engagement. Genesis may be written more to show us—by grabbing us with its images than laying out a timeline of cause and effect events—that God is the central figure on the biblical drama.

Originally posted February 1, 2011.

A Christology for Science

The theologian Robert Barron has nicely clarified much of what lies behind recent conflicts over human origins that feature supposedly biblical truths contending against supposedly scientific conclusions.

In his words, “recent debates concerning evolutionist and ‘creationist’ accounts of the origins of nature are marked through and through by modern assumptions about a distant, competitive, and occasionally intervening God, whether the existence of such a God is affirmed or denied.”¹ Barron’s response to these modern debates is a sophisticated exposition of classical Christology aimed at his theological peers. My effort is much simpler and is aimed at academics in general, but it comes from the same christological perspective.

Christ as Creator, Sustainer, Redeemer

Classical Christian orthodoxy as expressed in the creeds that summarize the Scriptures begins at the beginning: nature owes its existence to and is sustained by Jesus Christ. From this starting point several important ramifications follow naturally.

One is the implication that the best way of finding out about nature is to look at nature. This implication comes directly from the christological principle of contingency. As described in the Gospels, individuals who wanted to learn the truth about Jesus had to “come and see.” Likewise, to find out what might be true in nature, it is necessary to “come and see.”

The process of “coming and seeing” does not lead to infallible truth about the physical world since there is no special inspiration from the Holy Spirit for the Book of Nature as there is for the Book of Scripture. But “coming and seeing” is still the method that belief in Christ as Savior privileges for learning about all other objects, including nature. This privileging means that scientific results coming from thoughtful, organized, and carefully checked investigations of natural phenomena must, for Christ-centered reasons, be taken seriously.

From this perspective, the successes of modern science in recent centuries testify implicitly to the existence of a creating and redeeming God. To once again quote Robert Barron, scientific activity by its very nature “implies . . . an unavoidable correspondence between the activity of the mind and the structure of being: intelligence will find its fulfillment in this universal and inescapable intelligibility.” But how can this implication be justified? According to Barron,

The universality of objective intelligibility (assumed by any honest scientist) can be explained only through recourse to a transcendent subjective intelligence that has thought the world into being, so that every act of knowing a worldly object or event is, literally, a recognition, a thinking again of what has already been thought by a primordial divine knower.²

In lay language, the “transcendent subjective intelligence” and the “primordial divine knower” guarantee the possibility that a researcher’s mind can grasp something real about the world beyond the mind. The Scriptures—in John 1, Colossians 1, and Hebrews 1 — provide a name for that “intelligence” and that “knower.” In these terms, the existence of nature and the possibility of understanding nature presuppose Jesus Christ.

A second implication arising from the centrality of Christ in creation concerns the interpretation of Scripture. Classic biblical texts about the purpose of the Bible reinforce the foundational principle that the believers’ confidence in Scripture rests on its message of salvation in Jesus Christ. Thus, in John 20, the Gospel story has been written down so “that you may believe that Jesus is the Christ, the Son of God, and that by believing you may have life in his name” (20:31). In 2 Timothy 3, the inspired or God-breathed “holy scriptures” have as their main purpose instruction “for salvation through faith in Christ Jesus” (3:15). And in 2 Peter 1, “the word of the prophets made more certain” as these prophets were “carried along by the Holy Spirit” (1:19, 21) deals preeminently with “the power and coming of our Lord Jesus Christ” (1:16).

As these passages suggest, salvation in Christ anchors the believer’s confidence that all of Scripture is trustworthy.³ But because of that supreme fact, the effort to understand how Scripture is trustworthy for questions like the ordering of nature should never stray far from consideration of Christ and his work. Yet as we have seen, “Christ and his work” includes, as an object, the material world of creation, and as a method, “come and see.” In other words, following the Christ revealed in Scripture as Redeemer means following the Christ who made it possible for humans to understand the physical world and offered a means (“come and see”) for gaining that understanding.

Final and ultimate disharmony between what “come and see” demonstrates about Christ and what “come and see” reveals about the world of nature is impossible. This Christ is the same one through whom God has worked “to reconcile to himself all things . . . making peace through his blood, shed on the cross” (Col. 1:20) and in whom “all things were created” and in whom “all things hold together” (1:16-17).

Yet it is indisputable that on some science-theology questions, trust in Christ (and therefore trust in Scripture) has seemed to conflict with trusting in what Christ-authorized procedure (“come and see”) reveals about a Christ-created and Christ-sustained world. The parade of difficult questions arising from the effort to bring together standard interpretations of Scripture and standard interpretations of the natural world is a long one. Trying to answer these questions has been a consistent feature of the modern scientific age.

• In the nineteenth century, many earnest believers were wondering, if “coming and seeing” in geology and astronomy led to the conclusion that material existence has a very long history, should the “days” of Genesis 1 be understood as long periods of time or should a new interpretation of Genesis 1:1 be adopted that posits a “gap” between “in the beginning” and “God created”?

• More recent advances in both historical understanding (the ancient Near East) and empirical science (genetics, biology, astronomy) have prompted questions about the creation accounts of early Genesis. Well-trained scientists with strong Christian convictions have followed the Christ-rooted procedure of “coming and seeing” in their study of physical evidence for the origin of the universe and have concluded that much of standard evolutionary theory seems well grounded.⁴ Similarly, well-trained biblical scholars with strong Christian convictions have followed the Christ-rooted procedure of “coming and seeing” in their study of ancient Near Eastern cultures and have concluded that the early chapters of Genesis seem to be directly concerned about attacking idol-worship that substituted the sun or the moon for God.⁵ Given the combination of these two streams of testimony, should it be thought that early Genesis is not concerned with modern scientific questions but is very much concerned about encouraging worship of the one true God who is the originator and sustainer of all things?

• Even more recently, the rough consensus on evolutionary change assembled from many scientific disciplines makes for even more complex questions: for example, if human evolution seems indicated by a wide range of responsible scientific procedures (“come and see”), how might responsible biblical interpretation understand the New Testament stress on Christ (very definitely in historical time and historical space) as overcoming the sinfulness inherited from Adam and Eve, whom Scripture, at least on a surface level, also represents as individuals in historical time and historical space?

All such questions caused understandable consternation when they were first raised, since they challenged specific interpretations of Scripture that had been tightly interwoven with basic interpretations of the entire Bible. Even after long and hard thought, such questions continue to pose definite challenges.

Answering such questions responsibly requires sophistication in scientific knowledge and sophistication in biblical interpretation — exercised humbly, teachably, and nondefensively. Unfortunately, these traits and capacities have not always predominated when such questions are addressed. But the difficult questions will almost certainly only continue to multiply because of two ongoing realities: the Holy Spirit continues to bestow new life in Christ through the message of the cross found in Scripture, and responsible investigations lead plausibly to further evolutionary conclusions from the relevant scientific disciplines.

This excerpt was drawn from chapter 3 of Mark Noll's book Jesus Christ and the Life of the Mind. If you would like to read the whole chapter, click here. First posted August 30, 2011.

Notes

1. Robert Barron, The Priority of Christ: Toward a Postliberal Catholicism (Grand Rapids: Brazos, 2007), 221. For convenience, I return several times in the following paragraphs to this book by Robert Barron. But there are other parallel efforts, for example from the physicist and Anglican theologian John C. Polkinghorne, in books like Belief in God in an Age of Science (New Haven: Yale University Press, 1998), and Science and the Trinity; The Christian Encounter with Reality (New Haven: Yale University Press, 2004).
2. Barron, Priority of Christ, 154.
3. See above on providence.
4. Barron, Priority of Christ, 13.
5. A Summa of the Summa, ed. Peter Kreeft (San Francisco: Ignatius, 1990), 174 (from Thomas Aquinas, Summa Theologica, I, 22, 4).

Suppose a man falls among thieves, or wild beasts; is shipwrecked at sea by a sudden gale; is killed by a falling house or tree. Suppose another man wandering through the desert finds help in his straits; having been tossed by the waves, reaches harbor; miraculously escapes death by a finger’s breadth. Carnal reason ascribes all such happenings, whether prosperous or adverse, to fortune. But anyone who has been taught by Christ’s lips that all the hairs if his head are numbered [Matt. 10:30] will look further afield for a cause, and will consider that all events are governed by God’s secret plan.

In this passage, Calvin presents belief in “fortune” as evidence of carnal reasoning, and statements like this one have contributed to a widely-held notion that modern scientific understandings of the role that randomness plays in nature is inconsistent with belief in divine providence. In other words, if “randomness” equals blind and capricious “fortune,” then how can God be said to be working all things to his ends?

But Calvin could not have known of the very different understanding of randomness held by today’s scholars. Physical scientists, mathematicians, and statisticians have not yet agreed on a single unambiguous definition of the term “randomness,” but among these scientists, the term consistently refers to a family of related concepts focusing on unpredictability of the outcomes of single events and the absence of pattern in sequences of outcomes. I like this statement by John Polkinghorne, “Chance doesn't mean meaningless randomness, but historical contingency. This happens rather than that, and that's the way that novelty, new things, come about.” In Polkinghorne’s view, chance is an agent of creativity and can be perceived as being purposeful.

In fact, there are abundant examples of phenomena in nature in which randomness plays a role one could understand as being purposeful. For example, osmosis is a marvelous mechanism that enables all 10 trillion cells in our bodies to be nourished – it depends on the random motion of molecules. The human immune system is able to defend the body against attacks from millions of different microorganisms using a relatively small number of building blocks and random combinations of these to fashion defenses specific to each adversary. We never take a breath and find it to be all nitrogen or carbon dioxide – random motion of molecules keeps oxygen close to uniformly distributed throughout the atmosphere.

In 2007, a British statistician, David Bartholomew published God, Chance, and Purpose in which he argues that God “can have it both ways”—that he can use low level randomness to accomplish divine purposes while simultaneously maintaining order at a higher level. Of course, we cannot prove that God ordained these random processes to achieve divine purposes in the world. But to a person of faith, such an interpretation in both consistent with the observations we make in science and with the Scriptural notion of God’s providential care for the world.

Considerations like these led the John Templeton Foundation to provide a generous grant of $1.69 million to support a new research initiative on the theme of Randomness and Divine providence. Beginning this past summer, the program has the purpose of providing support for solid theoretical exploration of the kinds of ideas and possibilities expressed above—involving theology, philosophy, natural science, mathematics, and statistics. The grant will support individual scholars and teams of scholars who are willing to devote a significant amount of time between March of 2013 and June of 2015 to such work, and the project’s request for proposals suggests the following as questions researchers might pursue:

• How might God work providentially through indeterminate processes? Can recent advances in understanding the nature of randomness offered by algorithmic information theory, physics, biology, and other sciences provide insight into this question?
• Can we bring clarity to the concept of "randomness"? Philosophers and scientists have tried on occasion to give precise definitions of when a process is random, but more work needs to be done on the question. How do (or should) conceptions of randomness vary across academic disciplines?
• What are some possible implications of randomness for hiding or unfolding divine creativity and purpose in the world? Could God use randomness to (1) generate creativity, (2) hide divine actions, or (3) unfold information? Why might God do so?
• How might we identify and come to understand a significant collection of nondeterministic processes in which agents could intentionally employ randomness to bring about purposeful results?
• How might we mathematically and physically model random processes in ways that help us understand how divine providence could be exercised in a "chance-governed" world?
• How do "laws and orders" in nature interplay with "chance and randomness" in bringing about results that can be interpreted as aspects of divine providence?
• Might randomness be evidence of limitations in human knowledge but nothing more? Or might it be evidence of ontological indeterminism? Might this be tested?
• What implications does randomness have for aspects of God’s relationship with the physical world such as God’s relationship to time and God’s role in causation? How might randomness be reconciled with God’s foreknowledge?
• How might an understanding of providence based on an extended Molinism and/or open theology incorporate randomness? For example, could an extended Molinism provide a plausible account of the relationship between quantum mechanics and divine providence?
• What are some theodical implications of randomness, particularly for the issue of natural evil?
• How have the theological traditions of Augustine, Maimonides, Aquinas, Luther, and Calvin addressed chance and fortune? In what ways might they incorporate ontological randomness?
• How do or could religions other than the Judeo/Christian tradition understand and incorporate randomness?
• How is the concept of randomness understood by advocates of secularism, naturalism, and new atheism? What are the strengths and weaknesses of these usages?
• How might an understanding of randomness in the world alter our conceptions of divinity, especially our understanding of divine providence?

Despite the range of issues mentioned above, research is by no means restricted only to these topics. In fact, the structure of the program is designed to foster collaboration and build community between scholars, with the end of expanding the range and integration of their work: two conferences will be held to bring scholars together with each other and then with members of the public—one at Calvin College in 2013 and the other at Fuller Theological Seminary in 2015. To get more information and to learn how to submit a proposal, see the project website; then join us in exploring the truth that all creation glorifies God—even randomness!

In my previous essay, I discussed “Darwin’s finches” and how surprisingly little Charles Darwin himself had to say about them. In fact, it was actually the British ornithologist David Lack (1910-1973) who conducted the critical research that immortalized the finches in biology textbooks and popular lore. In 1973, the eminent German zoologist Ernst Mayr wrote:

Already well known among professional ornithologists, his work on the Galapagos finches gave David Lack world fame… There is no modern textbook of zoology, evolution or ecology which does not include an account of his work.¹

Ernst W. Mayr

Decades have passed since Mayr wrote these words, and David Lack’s name has largely faded from public discourse. On the other hand, the Galapagos finches have become one of the most recognized symbols of evolution in the world today. Does it really matter whether Lack or Darwin gets credit for describing the evolution of these remarkable birds?

Insofar as evolutionary theory contrasted with religious belief, it makes a big difference. In a culture that is eager to equate evolution with atheism, it should come as no surprise that these birds are only known as “Darwin’s finches”. Darwin’s personal struggles and ultimate rejection of Christianity are well documented, and people are eager to link his loss of faith to his evolutionary theory. David Lack, on the other hand, began his scientific career as an agnostic, but shortly after publishing his famous book on the evolution of Galápagos finches, he converted to Christianity! ²

A Christian at the forefront of evolutionary biology

Lack’s Christian conversion did not mark the end of his scientific achievements, either. In fact, he continued as a prolific researcher until just weeks before he died. Among his many achievements, he was Director of the Edward Grey Institute of Field Ornithology (1945-1973), Fellow of the Royal Society, and President of both the International Ornithological Congress (1962-66) and the British Ecological Society (1964-65). His fellow scientists held him in great esteem:

He was described as one of the most outstanding among world ornithologists; he was certainly this, but he was also one of the world’s leading evolutionists. All the time one saw developing his use of birds as material for the study of wider, deeper, biological problems.³

David Lack at the International Ornithological Congress, 1962.

Clearly David Lack was an outstanding scientist, and his commitment to Christianity did not tarnish, hinder, or undermine his research on evolution. But we might also ask, what was Lack like as a Christian? Did he keep his faith hidden from view, afraid that it might compromise his reputation as a scientist? Ernst Mayr, who interacted with David Lack professionally and personally for nearly 40 years, had this to say:

I have known only few people with such deep moral convictions as David Lack. He applied very high standards to his own work and was not inclined to condone shoddiness, superficiality and lack of sincerity in others. This did not always go well with those who preferred to compromise in favour of temporary expediency. David had been raised in an environment in which great stress was layed on moral principles and this attitude was later reinforced by his Christian faith. This explains his extraordinary unselfishness and modesty, and his great devotion to his family, to his students, to his friends, and to all the things that he lived for. The equanimity, indeed serenity, with which he faced death after his terminal cancer had been diagnosed is further evidence of the strength which his faith gave him.⁴

Like Asa Gray⁵ before him, and Francis Collins⁶ after, David Lack was an sincere, devout Christian, as well as a leading scientist who employed evolutionary theory to make brilliant discoveries about the natural world. Though Lack did not see any conflict between his scientific and Christian beliefs, he was sympathetic to the concerns of his fellow Christians. Therefore, ten years after publishing his masterpiece on Darwin’s Finches, Lack wrote another book entitled Evolutionary Theory and Christian Belief: The Unresolved Conflict.

Originally published in 1957, this book deals with the very same science and faith questions that Christians struggle with today— topics like randomness and chance, death in nature, miracles, and evolutionary ethics. While it would be unreasonable to expect anyone to completely resolve these matters, Lack offered numerous insights both as a devout Christian and one of the world’s leading biologists.

Let’s take a brief look at how Lack addressed some of these questions.

Blind Chance or Divine Plan?

Evolutionary theory does not invoke supernatural forces in explaining the history of life on Earth; instead, it relies on naturally-occurring processes to account for the vast diversity of life. Additionally, it explains animal behavior largely in terms of survival and reproduction, without appealing to any higher purpose of life. Taken together, does this imply that God is absent, and that our lives are ultimately meaningless?

David Lack responded,

Behind the criticism that Darwinism means that evolution is either random or rigidly determined lies the fear that evolution proceeds blindly, and not in accordance with a divine plan. This is another problem that really lies outside the terms of reference of biology. It is true that biologists have inferred that, because evolution occurs by natural selection, there is no divine plan; but they are being as illogical as those theologians whom they rightly criticize for inferring that, because there is a divine plan, evolution cannot be the result of natural selection.⁷

When rendering judgment on the ultimate meaning of life, biologists are speaking from their person beliefs, not from scientific authority. Moreover, Lack pointed out that many science enthusiasts have employed the concept of “randomness” in ambiguous and misleading ways:

Mutations are random in relation to the needs of the animal, but natural selection is not. Selection, as the word implies, is the reverse of chance.⁸

In support of his view, Lack pointed out that convergent evolution has produced uncanny resemblances between distantly-related species across the world, notably among marsupials in Australia. Different evolutionary trajectories can lead to very similar results.⁹

Death in Nature

After addressing concerns about the seeming “randomness” of evolution, Lack turned to another great concern, the role of death in natural selection:

Various writers–some Christian and others agnostic–have been troubled about natural selection not only because it seems too random, but also because it is so unpleasant.¹⁰

Image courtesy John Marsh Photography via Flikr

Genetic mutations are generally harmful, and for evolution by natural selection to produce new forms of life, an awful lot of organisms must die. For many Christians, it is inconceivable that a loving and merciful God would allow death on such a vast scale.

But Lack also pointed out that rejecting evolutionary theory doesn’t actually get rid of the problem of death. Regardless of what we think about evolution, the brute fact of mass extinction remains. Fossils of innumerable animals, plants, and microorganisms clearly demonstrate that the vast majority of species that have ever lived are now dead. It may be quite troubling for us to observe that our planet is a giant graveyard of natural history, but rejecting evolution will not change this fact.

Some Christians conclude that death could not have been part of the divine plan; instead, it must be the work of the devil, or the result of human sin. But this interpretation contains an implicit assumption that death is always evil. Is this really true? David Lack offered two intriguing insights:

Blue-cheeked Bee-eater (Merops persicus) pair in
courtship, seen in Basai, Gurgaon, India.
Image courtesy Koshy Koshy.

1. For a population to maintain a stable size, all births must be balanced by a corresponding number of deaths. A world in which no animals die is a world in which no animals are born. That means no reproduction, no courtship, and by implication, no singing birds—much to the dismay of ornithologists and people in love!

2. Some people, taking cues from Isaiah 11:6-7, suppose that in a perfect world, animals only eat plants. But in fact, plants themselves depend on the bacterial decay of dead organisms. If animals didn't die, then essential nutrients would disappear from the ground, and plants could not continue to grow. Eventually, there would be nothing left for animals to eat, and all life would cease.¹¹

Miracles

Many Christians are uncomfortable with evolutionary theory because it denies a miraculous, supernatural origin of life. They fear that if those miracles are denied, it might lead people to reject the possibility of miracles altogether, including the central feature of the Christian faith—the resurrection of Jesus from the dead.

As a devout Christian, David Lack certainly affirmed the fundamental tenets of the gospel. But at the same time, he explained to his readers that invoking miracles to account for unusual features of the natural world is not particularly helpful when trying to deepen our understanding of God’s great multitude of creatures:

[The biologist's] research depends on repeated observations. It need not, as popularly supposed, consist solely, or even mainly of measurements and experiments, but unless events are repeated, they cannot be assessed by science. Hence truly unique events come outside the domain of science, though biologists are not usually convinced when told they must, therefore, leave such problems as miracles to others. For one of the chief ways in which research has advanced is through the discovery of apparent exceptions to the known rules, and if further study shows the exceptions to be replicable, new regularities are revealed from which modified rules can be propounded. This method has been so successful that the biologist tends to doubt whether there are any types of irregularity, or seeming irregularity, that will not yield to it.¹²

But just because a scientist cannot repeat a particular event doesn’t mean it didn’t happen. Both natural history and human history contain unique events that only happened once. As we peer into the past, the difficulty of discerning fact from fiction inspires us to further investigate the mysteries that surround us.

Conclusion

David Lack’s book Evolutionary Theory and Christian Belief was quite insightful, but his enduring achievements took place in evolutionary biology, a place where many Christians are afraid to tread. While it is significant that he himself found no contradiction between his faith and his science, perhaps the greatest testament to the compatibility between Christian faith and evolution is the life he led as a believer in both. As we saw in Ernst Mayr’s candid praise, Lack reflected the light of Christ through both his personal and his professional relationships.

Today, many voices in our culture still insist that evolution is incompatible with a sincere faith in Jesus, but a careful look at history demonstrates otherwise. In the future, perhaps more people of faith will have confidence to study biology knowing that one of the most iconic symbols of evolution—the Galapagos finches—owe their fame in large part to a devout Christian named David Lack.

Notes

1. Mayr (1973) “David L. Lack.” Ibis: 433.
2. Larson, E. J. Evolution's Workshop: God and Science on the Galapagos Islands. New York, Basic Books, 2001: 218. See also Lack, David. (1973) “My life as an amateur ornithologist.” Ibis: 431.
3. Alister C. Hardy (1973). "David L. Lack." Ibis: 436.
4. Mayr (1973) “David L. Lack.” Ibis: 433.
5. For more about Asa Gray, see the BioLogos FAQ “How have Christians responded to Darwin’s Origin of Species?”
6. See Francis Collins’ autobiography The Language of God: A Scientist Presents Evidence for his Belief (New York: Free Press, 2007) (book info)
7. Lack, David. Evolutionary Theory and Christian Belief: The Unresolved Conflict. Methuen & Co., 1957: 67.
8. Lack, p65.
9. For more on convergent evolution and the possibility that evolution could be compatible with some form of divine purpose, see the work of Simon Conway Morris, especially The Deep Structure of Biology: Is Convergence Sufficiently Ubiquitous to Give a Directional Signal? Templeton Press, 2008.
10. Lack, p72.
11. Lack, pp75-76.
12. Lack, p82.

For more, be sure to read Randall Pruim's recent series Randomness and God’s Governance, Kathryn Applegate's post That's Random: A Look at Viral Self-Assembly, and our FAQ How Do Randomness and Chance Align with Belief in God's Sovereignty and Purpose?.

Author's Note

I am so thankful that I grew up in a Christian environment, which both kindled and nurtured my relationship with Jesus Christ. The Biblical instruction I received from my parents, pastors, and teachers has been invaluable as I walk out my love for the Lord from day to day. However, there was one specific topic growing up which was not fully addressed, namely evolutionary theory.

Coming from a conservative Christian background, evolution was given little or no thought because of its seeming contradiction to the creation story in Genesis. To me, evolution meant a monkey became a human, and as far as I knew, I had never seen that happen! So, of course, it appeared too improbable to hold any truth. When it was discussed, an inadequate picture of its ideas was often painted, which caused immediate suspicion and rejection of the theory. I don’t think this was intentional, but most Christians have never learned an unbiased, in-depth theory of evolution that is completely detached from societal agendas and philosophical conclusions. Therefore, their explanations of the theory are often misinformed.

My senior year of high school, I took AP Biology, and finally learned the scientific reasoning supporting this theory. I was surprised by how logical and obvious the mechanisms of change (such as mutations, natural selection, genetic drift, and so on) were that gave rise to new species. My subsequent response was, “No wonder people believe evolution occurred.” At that point, I was convinced that microevolution (evolution within a species) existed, but I was still questioning macroevolution.

Now, being at Point Loma Nazarene University as an undergrad in the Biology-Chemistry major and a year-round, student intern at BioLogos, my understanding of evolution has expanded enormously. I have enjoyed critically thinking through the evidence for evolution and reading articles that tackle difficult issues at the interface of science and Christian faith. Ultimately, I know that God has created all things, but the processes he used surpass my small understanding.

My personal wrestling with evolution and quest for truth has led to times of prayer and studying God’s Word, which has deepened my love for him in ways I cannot express. The first chapters of Genesis, in particular, have come alive. My whole life, the creation story was a straightforward list of facts about the creation of the world; I never searched further. I didn’t even perceive the truths Genesis declared over my very identity and God’s character. The more I study his Word and handiwork, I glimpse the awesomeness and majesty of the Creator, who loves me much more than I know. There is still so much to learn, but I am confident that he will lead me into all truth as I seek him out.

I desire to give others the opportunity to see evolution accurately and to distinguish it from the traditional, philosophical, and personal conclusions that too often cloud the scientific theory. I believe these conclusions alienate Christians from evolution more than the scientific theory itself. Ultimately, I do not mean to convince someone about evolution, but simply to give them the freedom to understand it.

Therefore, my goal for this podcast is two-fold:

• First, to offer a new perspective on randomness within natural processes that removes its negative connotations (especially as it relates to evolution).
• Second, to expose why evolution is powerless to support conclusions beyond the physical realm.

This will hopefully encourage others to study evolutionary theory and draw their own conclusions about its meaning in the framework of their faith.

Many of the games I enjoyed playing involve a combination of strategy and randomness: card games of various sorts, backgammon, and board games like Monopoly and Parcheesi. Some games that rely exclusively on chance (like War and Candy Land) or too heavily on chance (like Sorry) quickly became uninteresting to me. In fact, for Sorry, War, and several other games, I introduced additional rules to change the balance of strategy and luck—for example, by allowing each player to hold a hand of cards rather than merely flip a card and follow its bidding.

When my children were young, I played many games with them, especially those involving some amount of chance. I always play to win, so games of pure strategy like chess gave me too great an advantage—at least when they were still young. I still remember the first time I played the German game Mitternachtspartie with my children and some of their cousins. The game uses a die on which the number 5 has been replaced with the image of Hugo the ghost. Each player rolls the die and moves one of his figures the specified number of squares, unless Hugo is rolled, in which case Hugo moves instead.

I quickly worked out the expected distance Hugo would move for each of my turns and the expected number of squares I would get to move my own figures each turn. Using that information, I could strategically place my figures in the opening portion of the game. I fully expected to win this first game, since my young children were going to have to learn from experience what I already knew by the mathematics of probability. I lost—badly. As it turned out, the die had two Hugos on it. So compared to my expectations, Hugo moved twice as often, and my figures moved slightly less far. That combination turned the carefully calculated positioning of my figures into a disaster.

From Fun and Games to Science

I still enjoy playing games, including games that involve chance. But these days I encounter randomness even more often in my profession. I was trained as a mathematician and now work at the intersection of mathematics, statistics, and computer science. Like many scientists, I use randomness on a daily basis as part of our toolkit for modeling and investigating all sorts of phenomena. Models known as stochastic models, which explicitly incorporate random components, often via simulation in computer software, are used to model everything from diffusion to genetics to quantum mechanics. Insurance companies and financial institutions use stochastic models to manage risk. If we include all the applications of statistics, then almost no area of science is untouched by the use of randomness.

Most of the time, scientists and game players alike don’t devote much thought to just what makes randomness tick. But they both know that the better they understand the probabilities, the more successful they are. Nevertheless, if you ask many of them what it means for something to be random, they may struggle to put it into words. I won’t try to give a precise definition either, but it is important that we have some idea what we are talking about, so let’s consider one of the prototypical examples of randomness: the tossing of a fair coin.

If I flip a coin, the result could be heads or tails. Until I flip the coin, I don’t know which it will be. In this sense, the coin toss is unpredictable. If the coin is fair, each result is equally likely, so while I cannot say in advance whether a particular result will be heads or tails, I can say something about a large number of flips: approximately half should be heads and the other half tails.

A little mathematics even allows me to determine a range around 50% in which the percentage will almost surely lie. For example, if I flip a fair coin 1,000 times, the percentage of heads will most likely be between 45% and 55% (where “most likely” means a 99% chance). If the percentage of heads lies outside this range—especially if it is quite far outside this range—I am going to be suspicious that the coin flipping process is not fair. That’s one of the key ideas in statistics: not only can we calculate the frequency with which an event occurs, but we can compare data to a stochastic model to see if they are compatible or incompatible.

There are several interesting things we can learn by considering a coin toss. First, probability calculations rely on assumptions. If the assumptions are incorrect, then the probability calculations will also be incorrect. For example, if the coin is biased (such as one that is heads 60% of the time), but we assume it is fair, then the probability calculations given above will be wrong. Of course, if the assumptions are not too far from correct, the results may still be sufficiently accurate for scientific conclusions. If we have an appropriate way to collect data, then we can test our assumptions by comparing data to projections made based on the assumptions.

Second, “random” does not imply “equally likely.” A fair coin should have equal probabilities of heads or tails, but a biased coin is no less random. It’s just different. It is not as simple to handle arithmetically as a situation in which all outcomes are equally likely, but it is not otherwise special. It is a common mistake to assume random events are equally likely when they are not (or when that assumption is not justified).

Third, randomness is about the process. It is a fun experiment to flip a penny 100 times, then spin a penny 100 times and record the side that is showing when it finally tips over, then to stand the penny on end (this takes a steady hand and a little practice) and record which side is showing after pounding the table. These are three different processes, and they do not yield the same results.

Fourth, random processes produce patterns. I sometimes ask my students to mentally flip a coin and record the results as a sequence of letters (e.g., “HTTHHTHT”). Then I have them actually flip a coin and record the results. If the sequences are long enough, I can almost always tell them which is which. The sequences imagined by the students tend to have too few runs of consecutive heads or tails. The sequences based on real coin flips usually include several heads in a row. People not familiar with randomness are often surprised at the patterns that result and assume that the process must not have been random when they perceive a pattern. Our eyes and minds are drawn to similarities and patterns—even those that are produced purely randomly. This can lead us to draw false conclusions from coincidences of all sorts.

Consider the image in Figure 1. It was constructed using a computer to randomly throw 300 darts at a square board. Every position on the board was equally likely to be hit by a dart. This does not, however, mean that the dots are evenly spaced. There are 100 smaller squares. The average is three dots per square. But your eye is likely drawn to some clusters and voids. My eye also catches a graceful downward swoop in the lower part of the upper left quarter. All of this is exactly what we should expect from this random process. If we repeated this experiment, we should expect similar results. Several of the smaller squares would be empty and some others would have two or three times the average number of dots, but these clusters and voids would appear in different places.

Finally, randomness can be used to produce patterns intentionally. Consider the two pictures in Figure 2. You may think the two pictures are identical, but they are not. However, they were each constructed using the same random process:

1. Start at the lower left corner of the big triangle.
2. Randomly choose one of the three corners of the big triangle.
3. Move half way to that corner, placing a dot at the new location.
4. Repeat steps 2 and 3, 50,000 times.

The first few steps of this process for each image are illustrated in Figure 3. Although the final images look very similar, the route taken to get there is very different. In fact, the only point the two images have in common is the starting point. As the creator of the program that generated these images, I knew full well that the result would resemble a fractal image known to mathematicians as Sierpinski’s Triangle, even though I did not know or exercise any control over how the individual points would be selected.

Despite our familiarity with children’s games and the importance of stochastic models throughout the sciences, many Christians have a reaction to randomness that falls somewhere between uneasy and antagonistic. And yet, those same Christians may well watch the evening news to learn about public opinion polls forecasting upcoming elections, take prescription drugs approved by the FDA based on statistics found in clinical trials, obtain electrical power from a nuclear power plant that uses random fission reactions, and insure their cars with companies that rely on stochastic models to set the rates. The foundation of each of these activities is a thorough understanding of randomness that begins with the simple description above.

So where does the uneasiness come from? Likely it comes from the feeling that taking randomness seriously means not taking God seriously. Or put more strongly, it comes from a fear that believing in randomness means not believing in God. Next week we’ll address that problem by asking the question, “Could God use randomness to achieve his purposes?”

In the 1950s, Cage began using various methods of “casting lots” to determine how elements of his music would be chosen and arranged—principally the Chinese system of I Ching. His controversial program was to distance himself from his own creative process, and he explored many additional strategies to transform the role of “creator” into one of “observer.” Most famous of these was his musical composition, “4.33,” which consisted of a pianist sitting at the instrument doing nothing at all for four minutes and thirty-three seconds, while musician and audience listened to the ambient sounds of the concert hall. Yet contrary to that main thrust of Cage’s work, a description of the activities during the week-long residency at the Mountain Lake Workshop where the New River Watercolor Series were made suggests that choice, constraint, and intention were integral and inescapable tools in putting randomness to work for creative ends.

Here’s art historian and theorist Howard Risatti’s description of Cage’s plan of action for the New River Watercolors, from the website of artist Ray Kass, who runs the Mountain Lake program and was Cage’s collaborator for his work there:

Following upon [a previous (1983) Mountain Lake workshop] “painting experiment,” stones collected from the New River were sorted into three groups according to size, which were separately numbered; numerous and varied brushes were divided into two separately numbered groups; likewise, feathers to paint with, colors and washes, and papers were also divided and numbered. In this way, chance procedures using pages of random numbers that were now generated by a computer program could be used to determine the specific materials utilized for each painting (e.g., which painting instruments, what type of paper and which colors, how many washes, which stones to paint around, where to locate the stones on the paper).

While this list enumerates all the specific variables that Cage and his team submitted to chance, there was an incredible level of personal engagement with the materials: Cage didn’t just show us drawings of where the I Ching said the rocks ought to be, he (or his assistants) placed them on the paper and used them as guides to paint around. Large custom brushes were constructed to lay on washes of color, and even the paints were hand mixed, combined, and diluted according to his desires.

Cage’s use of chance, then, was not a “hands off” process, but neither was it a matter of total control: Cage selected processes to create a space of play between himself and the materials he used: the feather between himself and the paper, for instance, introduced variability of resistance and spring, its ability to hold paint, the width of the line. All of these things were elements of material ‘freedom,’ areas in which Cage asked the stuff he used to make the paintings to take part in the process—to contribute its own identity to the intentional, purposeful, and determined work of creating “based on chance.” This should not be surprising, as all art, all creation that we can observe, happens as a dialectic between materials and the creator, and such engagement and interaction in no way lessons the purpose of making, the end in sight.

Kass’ book The Sight of Silence: John Cage’s Complete Watercolors, gives a much more complete account of the tools, processes, and interpersonal reactions between Cage, Kass, and the team of student assistants who helped at almost every stage of the creation of the works. The book goes to great length to honor Cage’s ideal of being present in but not controlling the outcomes (not least by nearly always putting words like “choice” in quotation marks), but the description of his process makes the centrality of Cage’s personal aesthetic and artistic motives inescapable, even more than his physical engagement. What comes through perhaps even more than the way Cage intended to allow chance to ‘guide the creative process’ is that way Cage, himself, not only set the parameters of the chance he allowed into the system, not only engaged directly with the materials during the process, but also exercised judgment over the results, both in process and at the end:

“Cage decided he didn’t want the images of the stones to overlap or go off the sides of the paper. To guarantee this restriction, he created conditions and rules to limit their possible placements.” (p. 51)

“For this single painting [Series IV, #1, pictured above] Cage chose to confine the images of the rocks to a lower area of the paper that represented the proportion of the “golden rectangle. . .” (p. 57)

“While “choice” established much of the work’s nature, “chance” highlighted the intrinsic nature of the materials to reveal a refreshing presence.” (p. 59)

“[H]e initially decided to remove [the first painting of Series III] from the group, and then, liking it more, changed his mind and returned it to the group that would be signed.” (p. 56)

This last note is particularly interesting in that it highlights the fact that Cage was claiming these paintings, naming himself as their author, and was attentive to which ones he approved of enough to call his own. There is no way around the fact that Cage was subjectively as well as objectively the maker of these works: the author of the procedures by which they came to be, but well as the judge (and sometimes redeemer) of the results. For Cage, randomness was a tool, no different than the brushes or rocks or paints is that its specific parameters were chosen at the outset, and always used within the context of his over-arching vision. Perhaps we may likewise think of God’s use of chance—constrained by and tuned to the material conditions he established at the birth of the cosmos—as a way to both engage with and allow freedom for the creation itself.

With any work of art it is reasonable to ask, “Is it beautiful?” or more tellingly, “Would I hang this on my wall?” Seeing Cage’s watercolors for first time without any knowledge of the process or the relative fame of Cage himself, some might be intrigued by the structure of the work (the proportions of the golden rectangle, the overlapping stone shapes, the colors of the paint) while others would be completely uninterested, perhaps even after hearing about how they were made and seeing them in the context of the rest of the New River Watercolor series. But if you had been there in the shop as an assistant, or even observer, if you had been party to the relationships that developed even over the few days Cage spent at the Mountain Lake Workshop, your sense of the beauty of these paintings (and perhaps even scraps of paper Cage used to try out brushes or washes), would take on a different meaning, in much the way we treasure the crayon drawings of our children not because they are spectacular art, but because they are tokens of our relationship.

I make that observation to emphasize one other aspect of Cage’s creative process: that Cage was the instigator first and foremost of relationships of creation. His process created not only paintings but the fellowship that developed as the work was being done. That social, interpersonal dimension is what gives the objects a depth of meaning beyond their material composition, and suggests the particular roles humanity has been given by God. One role is to join into the creative process as lesser, but not unimportant co-creators with him; the other is to observe, recognize and celebrate his activity in the world. Where some will see randomness as evidence of an absent God, our knowledge of this most personal and participatory aspect of creation points us to the God who is with us.

With God’s creation as with human art, we may (or may not) marvel at any one particular “work,” or even think the specifics of how it was made are interesting or attractive; but knowledge of and fellowship with the artist transforms our appreciation of the process as well as its results. When we know the maker, we come to recognize and treasure even the most “random” bits of his handiwork, and name them as his, nonetheless.

For Further Reading:

Ray Kass. The Sight of Silence: John Cage’s Complete Watercolors, 2011.

Website for John Cage Centennial Festival, Washington, DC. September 2012.



]]> Sun, 13 May 12 12:53:04 -0700 Mark Sprinkle http://biologos.org/blog/still-citizen-sparrow?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication http://biologos.org/blog/still-citizen-sparrow?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication A combination of observation and interpretation can help us better appreciate the way the whole world speaks of the glory of its Creator, including those parts we are inclined to find supremely inglorious. We are used to claims that discoveries and insights from the physical and biological sciences put hard limits on the truthfulness of the Bible, and even to strident assertions that they actually disprove its narrative. But careful and scientific study of the natural world—God’s second book of revelation—can also bring out aspects of the Bible’s story and imagery that we would have missed, especially when seen through the synthesizing lens of a poet. A combination of observation and interpretation can help us better appreciate the way the whole world speaks of the glory of its Creator, including those parts we are inclined to find supremely inglorious.

An example of the way poetry helps re-make our interpretive framework is Richard Wilbur’s poem, Still, Citizen Sparrow. Directly addressing our “natural” revulsion for death and those contaminated with it, the poem contrasts the small “darting” sparrow with the vulture—an unwelcome visitor in the sparrow’s space. Surely, the vulture must seem an awkward and ungainly abomination in the fruitful orderliness the smaller bird inhabits, for those “orchard aisles” hint at both a garden and a church. Yet the poem also presents a two-fold defense of this most un-clean of birds, beginning with the difference between how it seems on the ground and how it is in its own element, at the “tip of the sky.” “[N]o more beautiful bird is in heaven's height “, Wilbur tells us, “No wider more placid wings, no watchfuller flight.” But more than just his aeronautic skills are at issue. It is the vulture’s “rotten office”—the very thing that makes it so repulsive to our sensibilities—that Wilbur names as its saving grace.

The “naked-headed one. . . Devours death, mocks mutability, / Has heart to make an end, keeps nature new.” This description of the vulture could be a purely naturalistic assessment of the importance of biological recycling, but a turn at the poem’s fourth stanza takes its imagery in an explicitly scriptural direction. From here on, it connects the vulture with Noah, and the sparrows (and implicitly us) as those “who would have died / Gladly with all [they] knew” rather than put up with the tedium and apparent foolishness of Noah’s incessant sawing and hammering. At last, Wilbur implores the sparrows to consider how “high and lonely” was Noah’s time on the waters as “He rocked his only world, and everyone's.”

The vulture here is more than just “the hero” of the poem, as Wilbur puts it, but exactly what he stands for is not immediately clear. In terms of the great narrative of the Bible, we are used to thinking of ourselves and all humanity as “Adam’s sons,” and even as the “sons of Abraham”; in Christ, both of those images are completed and fulfilled, and all of us redeemed. But Still, Citizen Sparrow ends not with a claim of kinship with Adam or Abraham, but with this: “all men are Noah's sons.” Might Noah also be a type of Christ? How does the all-too-natural vulture connect with it, deepening our understanding the role and experience of Jesus as the Messiah?

Following Wilbur’s account of the nobility of the vulture, we can make the connection between it and Jesus’ role of overcoming death. But what unites them more subtly (and perhaps even more poignantly in this season of Lent) is shame and rejection, even exile. These terms are not at all unrelated to death, for touching the dead was one of the things that made an Israelite ceremonially unclean, and vultures’ ordinary habits might account for their similarly-rejected status in the Jewish bestiary. Elsewhere in the Bible, the characteristic baldness of the vulture provides imagery of shame, despair and humiliation, as in Micah 1:16: Make yourselves bald and cut off your hair, for the children of your delight; make yourselves as bald as the vulture, for they shall go from you into exile.

Surely the vulture is an unlikely symbol for Christ, especially when wrapped up with the character of Noah. But the key insight of the poem and the image actually lies in the relationship between the vulture and the sparrow, the latter of which serves as our stand-in. We are too often like that small bird in Wilbur’s account, wanting a more noble and glorious emblem than this of how the Kingdom bears on our world, wishing ever still to banish the unclean from our presence and keep our own lives neat and tidy. The cause of Christ is not neat or tidy, though, and brings ridicule and rejection from our peers more often than it brings honor. As we draw close to Jerusalem with Jesus, may we be willing to accept the “rotten office” ourselves, and to take his (and the vulture’s) perspective on rejection—in his story, and in our own.

“Still, Citizen Sparrow”

by Richard Wilbur

Still, citizen sparrow, this vulture which you call
Unnatural, let him but lumber again to air
Over the rotten office, let him bear
The carrion ballast up, and at the tall

Tip of the sky lie cruising. Then you'll see
That no more beautiful bird is in heaven's height,
No wider more placid wings, no watchfuller flight;
He shoulders nature there, the frightfully free,

The naked-headed one. Pardon him, you
Who dart in the orchard aisles, for it is he
Devours death, mocks mutability,
Has heart to make an end, keeps nature new.

Thinking of Noah, childheart, try to forget
How for so many bedlam hours his saw
Soured the song of birds with its wheezy gnaw,
And the slam of his hammer all the day beset

The people's ears. Forget that he could bear
To see the towns like coral under the keel,
And the fields so dismal deep. Try rather to feel
How high and weary it was, on the waters where

He rocked his only world, and everyone's.
Forgive the hero, you who would have died
Gladly with all you knew; he rode that tide
To Ararat; all men are Noah's sons.

From Richard Wilbur: New and Collected Poems. San Diego: Harcourt Brace Jovanovich, 1988: p. 318. ©Richard Wilbur.

Richard Wilbur is a poet, translator, and playwright, and was appointed as the second Poet Laureate of the United States in 1987. Please read the poem aloud, then click here to buy your own copy of Wilbur’s latest work, Anterooms: New Poems and Translations.

Perusing the writings of atheistic scientists and philosophers like Daniel Dennett, one could easily get the impression that arriving at a simpler explanation for something equates to a revelation that things are “lower, cruder, and more trivial.” But at the heart of Barr’s critique is the observation that in fundamental physics and advanced mathematics, “simpler” does not mean more chaotic and inchoate, but rather more elegant and beautiful. Those who hold to a philosophical reductionism “overlook the hidden forces and principles” that govern the processes of cosmic evolution.

Barr’s article lays out the way that the work of scientists and mathematicians exploring the fundamental principles of physics (from Kepler to Einstein to those currently running the Large Hadron Collider in Switzerland) actually suggests “that order does not really emerge from chaos, as we might naively assume; it always emerges from greater and more impressive order already present at a deeper level.” This excerpt gives his first example, the starting point from which he guides us into strangely beautiful world of particle physics, and towards the discovery that “matter, although mindless itself, is the product of a Mind of infinite profundity and infinite simplicity.”

Fearful Symmetries

“Let’s start with a simple but instructive example of how order can appear to emerge spontaneously from mere chaos through the operation of natural forces. Imagine a large number of identical marbles rolling around randomly in a shoe box. If the box is tilted, all the marbles will roll down into a corner and arrange themselves into what is called the “hexagonal closest packing” pattern. (This is the same pattern one sees in oranges stacked on a fruit stand or in cells in a beehive.) This orderly structure emerges as the result of blind physical forces and mathematical laws. There is no hand arranging it. Physics requires the marbles to lower their gravitational potential energy as much as possible by squeezing down into the corner, which leads to the geometry of hexagonal packing.

At this point it seems as though order has indeed sprung from mere chaos. To see why this is wrong, however, consider a genuinely chaotic situation: a typical teenager’s bedroom. Imagine a huge jack tilting the bedroom so that everything in it slides into a corner. The result would not be an orderly pattern but instead a jumbled heap of lamps, furniture, books, clothing, and what have you.

Why the difference? Part of the answer is that, unlike the objects in the bedroom, the marbles in the box all have the same size and shape. But there’s more to it. Put a number of spoons of the same size and shape into a box and tilt it, and the result will be a jumbled heap. Marbles differ from spoons because their shape is spherical. When spoons tumble into a corner, they end up pointing every which way, but marbles don’t point every which way, because no matter which way a sphere is turned it looks exactly the same.

These two crucial features of the marbles—having the same shape and having a spherical shape—should be understood as principles of order that are already present in the supposedly chaotic situation before the box was tilted. In fact, the more we reduce to deeper explanations, the higher we go. This is because, in a sense that can be made mathematically precise, the preexisting order inherent in the marbles is greater than the order that emerges after the marbles arrange themselves. This requires some explanation.

Both the preexisting order and the order that emerges involve symmetry, a concept of central importance in modern physics, as we’ll see. Mathematicians and physicists have a peculiar way of thinking about symmetry: A symmetry is something that is done. For example, if one rotates a square by 90 degrees, it looks the same, so rotating by 90 degrees is said to be a symmetry of the square. So is rotating by 180 degrees, 270 degrees, or a full 360 degrees. A square thus has exactly four symmetries.

Not surprisingly, the hexagonal pattern the marbles form has six symmetries (rotating by any multiple of 60 degrees: 60, 120, 180, 240, 300, and 360 degrees). A sphere, on the other hand, has an infinite number of symmetries—doubly infinite, in fact, since rotating a sphere by any angle about any axis leaves it looking the same. And, what’s more, the symmetries of a sphere include all the symmetries of a hexagon.

If we think this way about symmetry, careful analysis shows that, when marbles arrange themselves into the hexagonal pattern, just six of the infinite number of symmetries in the shape of the marbles are ex-pressed or manifested in their final arrangement. The rest of the symmetries are said, in the jargon of physics, to be spontaneously broken. So, in the simple example of marbles in a tilted box, we can see that symmetry isn’t popping out of nowhere. It is being distilled out of a greater symmetry already present within the spherical shape of the marbles.”

In the full essay, Barr gives a richer description of how this most basic kind of symmetry is just one sort of order, and how even this form points to other much more complex kinds of symmetry whose properties may be described only through the tools of complex mathematics. As he says, “the symmetries that characterize the deepest laws of physics are mathematically richer and stranger than the ones we encounter in everyday life.” But even more important than the fact that such mathematical concepts exist and are beautiful, more important even than the way such esoteric mathematical symmetries have suggested imminently practical experimental projects, is the way they point to a universe that is anything but brutish and trivial, though its elegance may be hard to see:

“It is true that the cosmos was at one point a swirling mass of gas and dust out of which has come the extraordinary complexity of life as we experience it. Yet, at every moment in this process of development, a greater and more impressive order operates within—an order that did not develop but was there from the beginning. In the upper world, mind, thought, and ideas make their appearance as fruit on the topmost branches of an evolutionary tree. Below the surface, we see the taproots of reality, the fundamental laws of physics that shimmer with ideas of profound simplicity.”

This essay appears with the permission of First Things. To read Barr’s complete essay, please click here.

Josh wrote:

Hi Aron,

Thanks for taking the time to discuss this. I am still skeptical. Please consider the following:

Suppose:

1. The evangelical Christian God exists, is omnipotent, omniscient, loves people and wants them to believe in him so that they can join him in heaven.
2. There are sincere truth-seeking people who have not seen evidence that convinces them that this God exists, but if they just saw Jesus walk on water, feed thousands with a few fish and loaves, rise from the dead, have vivid and non-contradictory dreams about heaven, etc, they would believe. It does not have to be one single awesome event. It can be many different signs to different people. If God employed a multitude of miracles and awesome ways to reach people, people will not idolize one single manifestation. They would understand that these diverse awesome signs are just different ways that God is using to show his presence and not God himself.
3. God has no other agenda more important than the agenda of loving people and having people believe in him that would prevent him from showing evidence like the ones above.

Then, I believe God would show himself more clearly to these people, but he isn't doing so, so one of the above statements must be false.

The first step in communicating yourself is to signal your presence. 'Creation' may or may not convincingly point to the existence of a Creator, but I don't see how it points to the Christian Creator and not some unknown Creator that is not the Christian God. To many people, the Bible is just a religious book, and not special compared to other religious books of other religions. Just because it is claimed to be true and to have had its accuracy preserved doesn't mean that claim is true. A non-believer who requires more substantial evidence in order to be convinced should not be required to just accept the Bible, because he has no prior reason to believe in it.

In essence, God is letting these people go to Hell because they fail to believe as a result of his failure to provide convincing evidence. In this situation, humility doesn't really matter.

Aron wrote:

Dear Josh,

In my last email, I was discussing only of this life, and what reasons God might have for partially concealing himself for the sake of our spiritual development here. The issue you raise in this email regards the final judgement and Hell. Any discussion of this must necessarily be more tentative than discussions of life on earth, because the final judgement hasn't happened yet, so we don't know right now exactly what it will be like. If the life of Jesus reveals what God is like, then God is very merciful (even though he is also very severe towards hypocrisy and unforgiveness). If Christianity is true, then Jesus will be the one doing the judging. If he was merciful when he was on earth, then he will also be merciful when he comes again.

Your objection to Christianity is this: How could a loving God possibly arrange things so that a sincere truth-seeking nonchristian, (an atheist, polytheist etc.) goes to Hell through no fault of his own?

In order to check to see if this is a problem, we should first check to see whether there are any sincere truth-seeking non-Christians who go to Hell. One could imagine two different kinds: 1) people who have never been exposed to Christianity, and therefore have no opportunity to know it is true, and 2) people who have been exposed to Christianity but claim there is not enough evidence to believe it.

With respect to the people in the category (1), how do you know that the Christian God would send them to Hell just for not being Christians? I think the Bible teaches quite explicitly that God does NOT do this. In Acts 17, Paul is trying to convince the Athenians not to worship idols. He says, "In the past God winked at this ignorance, but now he commands all people everywhere to repent." In other words, Paul explicitly says that God did not hold the idol worship of the pagans against them before they had an opportunity to hear the gospel and repent. Furthermore, it says in the book of Revelation that people are redeemed from every "nation, tribe, people, and language". Since many groups went extinct before having an opportunity to hear the gospel, it is clear that at least some people are saved without having explicitly heard the gospel in their lifetimes. Finally, Peter seems to suggest that there is some opportunity for people to believe the gospel even after they have died, when he says:

"For Christ also suffered once for sins, the righteous for the unrighteous, to bring you to God. He was put to death in the body but made alive in the Spirit. After being made alive, he went and made proclamation to the imprisoned spirits—to those who were disobedient long ago when God waited patiently in the days of Noah while the ark was being built....the gospel was preached even to those who are dead, so that they might be judged according to human standards in regard to the body, but live according to God in regard to the spirit." (1 Peter 3:18-20 and 4:5-6).

This text goes against the standard evangelical view that there is no chance to be saved after death. On the other hand, evangelicals also say you're supposed to go with the Bible rather than what any particular church says, so I think I'll go with the Bible. :-)

Now let's turn to category (2), the case of a person who has been exposed to Christianity but doesn't believe it because they claim not to have enough evidence. I think there are several different possible things that might be going on here:

First of all, just because they claim to be seeking the truth doesn't mean they really are:

(A) They might actually have enough evidence to believe in God, but dishonestly refuse to admit it to themselves, because they don't want it to be true. In this case, they are not actually sincere, and have rejected God not because of inadequacy of the evidence, but because of stubborn rebellion. In this case, there is no reason to think that they would accept God even if they did have more evidence. So it is not God's fault that they do not believe. It should be pointed out that many of the people who saw Christ multiply the loaves, heal people, raise the dead etc. nevertheless refused to believe. It is naive to think that if everyone saw miracles, everyone would believe. Rather the people who don't want to believe become more firm in their rejection of God.

(B) Or, although they don't have enough evidence to believe, they choose not to investigate to see whether it is true or not. In this case, it is their own fault that they don't have enough evidence. If people claim to base their decisions on evidence and reason, it is hypocritical if they reject Christianity without carefully considering whether there is sufficient evidence for Christ's Resurrection and other miracles to show that Christianity is true. In particular, it is utterly irrational to insist on seeing a miracle personally in order to believe if there is lots of evidence that other people have seen miracles. People don't refuse to believe in scientific results unless they personally witness the experiments, so long as multiple reliable people say they have done the experiments, that is enough. Why should religion be different?

I never assume that anybody is intellectually dishonest until I have some specific reason to think they are dishonest. But I've talked to enough atheists to know that most of them do fall into categories (A) or (B), at least to some extent. However, I'm sure that there do exist cases in which atheists are sincere. In this case:

(C) It might be that although right now they do not have enough evidence to believe, later God will give them enough evidence to believe and they will become Christians. This might happen either before or after death, for all we know.

(D) Or, although they will die without explicitly believing in Jesus, it may be that through caring for the needy, Jesus will regard them as having accepted him without knowing it. (See Matt 25:31-36)

(E) Or, although they do not have enough evidence to believe, they live wicked lives without love. Since God is love, this means that what little they do know about God, they hate (even though they do not know it is God that they are hating). If people hate God, there is no reason to think they will stop hating God if God reveals himself more clearly. Why should God reveal himself to someone who would not benefit from it?

Given all of the possibilities A-E, it is not at all obvious that there ARE any sincere, truth-seeking atheists who are going to Hell. I think that most of them aren't really sincere or truth-seeking, and also that many of them aren't going to go to Hell.

Jesus says "Anyone who speaks a word against the Son of Man will be forgiven, but anyone who speaks against the Holy Spirit will not be forgiven, either in this age or the age to come." In other words, when people reject Jesus without knowing his divinity, God forgives them and does not hold it against them. But when someone by the influence of the Spirit receives the insight necessary to understand that God is working through Jesus, and then rejects him, this is a sin that cannot be forgiven. (God forgives everyone if they repent, but the point is that people who persist in this attitude won't repent.)

It should also be made explicit that no one deserves to go to heaven; God saves people by his mercy. But God will not overrule people who insist at every opportunity that they want nothing to do with his mercy. If people would hate God if they knew him, God is being merciful by not revealing himself to them yet. It gives them a chance to grow and develop, so that maybe later they would be prepared to accept him.

The Noisy Life of Jesus

Dave as a backpacking buddy is always an out-front kind-of-guy. Scrambling up, over, and around the large boulders at the base of Mount Darwin, he was out front. Dave once led me on a road-trip study of the twelfth- and thirteenth-century Indians of the Southwest. Dave, at the time, was student president of our Phi Alpha Theta history honor society. Cliff dwellings came up in class, and Dave organized a road trip to see as many Mogollon, Hohokam, and Anasazi ruins as can be done in an October four-day weekend.

Elbows in the breeze, my boys in the way back, a car-full of students following, we drove east from San Diego to Casa Grande and Montezuma’s Castle near Phoenix. Approaching Mesa Verde we hit snow. Our last night, we camped at Canyon de Chelly, east of Flagstaff. At every site, we were frustrated by the silence of the ruins. We could imagine life in these impressive buildings and speculate on why they were built and abandoned. However, we learned no specific names, nothing of political innovations, next to nothing about major events. Unrelenting mystery engulfed every site.

The cliff dwellings are, in many ways, as impressive as the ruins of Athens and Corinth, but we know so much more about genius of the latter’s citizens. The Greeks tell us about themselves, their leaders, the heroes, their gods, their acts. We listen and learn. In the Southwest we knew we were in the presence of genius, but there we could only listen to a frustrating silence.

The life of Jesus is noisy. A cacophony of information reaches through two thousand years to communicate with us. In the Bible alone we have four organized biographical sketches, Luke’s history of the first decades after Jesus, and a bunch of letters. Intersecting Jesus and the New Testament is an amazing amount of Roman literature dealing with Syria and Palestine, which were important and unruly parts of the empire. A Jewish/Greek historian, Josephus, wrote books about Israel that contribute to our knowledge of Jesus’ time. From the Bible and Josephus, historians have much more information about Jesus and the social and political issues of Jerusalem than any person or place in Europe at the same time. On top of all of the noise of good information in the Bible and Josephus, a large library of books, called the “Dead Sea Scrolls,” were discovered in the middle of the twentieth century. We have much more information about Jesus to fight about than we have for almost any other person you read about in ancient history. Our sources are strong and diverse. We have multiple testimonies from highly credible sources, sources willing to live and die by the truth of their testimony.

Ironically, we have so much information that is essentially consistent and reliable, that we historians nitpick fights about all sorts of little things. Historians are frustrated when they don’t have information, but they become hypercritical when they have lots of information. We harmonize, then criticize, then revise, then harmonize again. We chase our tails. Many are so overwhelmed by so much information that they turn their back on the information. They declare that we can’t expect to ever know the real “historical” Jesus.

There is some truth in what they say. The discipline of history is a blunt instrument—in the university pocketknife, we are the awkward can-opener tool. Historians don’t have the knife-blade precision of controlled, repeatable experiments or the screwdriver leverage of geometrical demonstrations. By high standards of scientific precision or by high standards of philosophy, we don’t “know” historical people—be they Jesus or Caesar Augustus—really. However, by the practical standards of history, we know about Jesus as much, probably more, than we know about most ancient people, even Caesar Augustus. Those who proclaim that we can’t know the “historical” Jesus are usually folks who don’t want to listen to the noise of so many good sources. Instead of listening to hear about Jesus, they want to create a Jesus. They want to create a more modern Jesus, a rational Jesus.

Giving up on the historical—traditional—Jesus is the first step to giving up on a Christianity strong enough to withstand any overblown Darwinian claims. Darwinism’s greatest threat to Christianity depends on the bait-and-switch of substituting a rationalized Jesus for the biblical Jesus. When we get to the top of Mount Darwin, we will be able to see Mount Fiske to the south. John Fiske can remind us of the danger in substituting a rational Jesus for the real one reported in history.

The Jesus People Wish For

John Fiske was a modern-minded young man from the start. He was born in Middletown, Connecticut in 1842 with the name Edmund Fisk Green. In college he changed his name to John Fisk, and then when he became an author he added an “e” to the end. Before leaving home for college, his concerned grandmother asked after his religious belief:

“In her sore perplexity, grandma asked whether I believed in the Bible, meaning whether I believed everything in it; of course I said no. I couldn’t lie even to save her feelings. She felt bad about it. She asked me if I didn’t believe Christ was God, and of course, again I had to say no. How can a man have two natures without having two medulla oblongatas? A double ego, a double center of innervation is something to which I cannot yet subscribe.”

Fiske was a smart kid wanting to be on the intellectual cutting edge. In his junior year at Harvard, he was caught reading Auguste Compte in chapel. Much like young Solomons, Fiske wanted to be a writer. When he got famous enough, he become a traveling intellectual, publishing his lectures and reviews as they accumulated.

Like many nineteenth-century historians, Fiske wrote history largely to prove that modern people are smarter than ancient people. Such historians don’t love history for a larger sense of community and experience; they find it self-justifying and gratifyingly isolating. History, for them, is the story of progress. The historian becomes magisterial and dispenses praise and blame, honor and pity at will. Listen to Fiske’s magisterial tone when talking about the past as childlike:

“No religious creed that man has ever devised can be made to harmonize in all its features with modern knowledge. All such creeds were constructed with reference to theories of the universe which are now utterly and hopelessly discarded. How, then, it is asked, amid the general wreck of old beliefs, can we hope that the religious attitude in which from time immemorial we have been wont to contemplate the universe can any longer be maintained? Is not the belief in God perhaps a dream of the childhood of our race, like the belief in elves and bogarts which once were no less universal? and is not modern science fast destroying the one as it has already destroyed the other?”

God, elves, and the bogeyman versus modern science. The reader is shamed into joining the writer’s triumphal modernity. Biblical accounts of Jesus, of course, must be rationalized so as to fit our adult/modern minds. Many biblical reports of events and statements have to be jettisoned so that the “real” Jesus can be found.

In a review article entitled “The Jesus of History” (1870), Fiske declared that we have “but few facts resting upon trustworthy evidence” for Jesus. The words of Jesus are “preserved by hearsay tradition through the generation immediately succeeding his death,” and that generation cannot be trusted to distinguish the “authentic utterances of the great teacher from the later interpolations suggested by the dogmatic necessities of the narrators.” The early church was duped into a history of Jesus by its own “uncritical spirit,” its own lack of a rational historical method that could have preserved a genuine history. Fiske then offered a quick survey of an appropriate “method of inquiry which, in the hands of the so-called Tubingen School, has led to such striking and valuable conclusions concerning the age and character of all the New Testament literature.” Fiske particularly praises David Friedrich Strauss’s The Life of Jesus Critically Examined (1835–36) and praises early nineteenth-century German biblical scholarship. This new German scholarship supported the French tradition evident in the book that Fiske was reviewing: an anonymous work published in 1869 derived from the internationally popular French Life of Jesus written by J. D. Renan in 1863.

Renan’s book was reprinted and translated many times. In it, Renan declared his desire to get at a genuine history of Jesus. He criticized his German predecessors for their overemphasis on philosophy and wrote in a simplified critical spirit that discarded impossibilities and discounted the given narratives while offering conjectures about what really happened and what really was said. Of course, there was no actual historical resurrection. Renan’s Jesus was the Son of God because he taught that true worship is not tied to earthly places and rituals. Given the popularity of his book, we can assume that Renan struck a deep chord in lots of people who wanted a vaguely rational Jesus who was anti-clerical and might even be a liberal Protestant. Renan’s Jesus was a guy who would fit well in a faculty meeting. It was the disciples who embarrass us with pseudo-historical stories of the transfiguration, walking on water, and the resurrection.

Fiske supported books that supported the search for the rational Jesus. The Bible obfuscates more than illuminates. To find the truth, the scholar must go behind what is reported in the Bible to find the bits and pieces of the “true” Jesus that poke from underneath. This “true” Jesus unearthed by modern scholarship is the Jesus of the bait and switch. Once a rational Jesus is established, then a rational guy like Fiske can knock him down. The abstraction of Jesus can’t win against the stronger abstractions of natural history. My GPS is bigger than your GPS.

This is the central problem with the common claim of scientists. Stephen Gould, in Rocks of Ages: Science and Religion in the Fullness of Life (1999), insisted that science is about facts, experimental results, and natural reality, while Christianity is about values, ethics, and things taught in literature classes. Christianity can’t breathe in the realm of abstractions. If Christianity is about values, then I would rather be Confucian. Christianity has to be about facts, facts about a teacher who not only messed with the laws of nature, but rose from the dead, confirming his own claims, reported to us in ancient history.

Indeed, despite our technological advancement, our yearly calendars remain tied to the movements of celestial bodies, whether to the course of the moon around the earth or to the course of the earth around the sun. And putting the point above in a slightly more positive way, such naturalistic calendars serve to assure us of the dependability of the background rhythms of the physical world, against a foreground that often seems disconcertingly unpredictable and chaotic. But looking only to the material, such calendars can only give shape to the tension between our competing experiences of earthly time as something that is relentlessly marching forward, but also as something that is ever the same and ultimately futile, devoid now of the sense of wonder and mystery that the sun, moon and stars evoked in our forebears.

Yet attention to the natural rhythms and processes of the material world does not necessitate a belief that the sun and moon (or oscillating crystals) are, in fact, the only measures by which we can mark time, nor does it mean the material world really has been disenchanted by our inspection of it at scales both large and small. Unlike each imaginary “Baby New Year,” the babe born in Bethlehem does not cede His place each year, much less only a week after Christmas, but lays claim to all of time and the world as His own, forever, insisting that mystery and paradox remain at the heart of what is true about the cosmos: this includes that the material world is good and speaks of Him who made it, and that humanity occupies a peculiar place at the intersection of the material and the spiritual. Rather than demystify or “explain” who we are in strictly material terms, the past year’s worth of essays, papers, paintings and poems on this site demonstrates that looking deep into the fabric of the universe and our own human bodies via science, yet through the lens of Christ, heightens our awareness of the mystery of being human. Our accounting of human identity, of what it means to be made in the image of God, need not avoid attention to the sometimes-ordinary aspects of the material “how,” so long as we resolutely keep our eyes fixed on the “why” and “who,” as well.

Continuing this link between images of babies, childbirth and beginnings, and the problem of seeing the world in disenchanted terms, Suzanne Rhodes’s poem “Appointment” makes explicit the tension between the “ordinary” scientific and medical aspects of human pregnancy and birth and the intrinsically extraordinary fact that what is being knit together is a human person—a being capable of knowing itself and its Creator, and of being known and cherished, itself. Rhodes models a faithful tension between the material and the spiritual by first establishing a running point/counterpoint between the medical information she hears from her doctors (“facts”) and her own sense of the wisdom and meaning of the life taking shape within her (“mystery”). Despite our extensive clinical knowledge of what is happening at each stage of an average pregnancy, and even our ability (illustrated by a first snapshot of my own third son, above) to peer inside “so dark a place,” Rhodes insists that what is happening has cosmic significance, that the process moves to “music steep as stars.”

Yet notice, too, that the poet is not removing the earthy truth from the human experience—not seeking to distance the miraculous from the ordinary context in which it comes to be. Rather, it is the very physicality, the specificity, the sacrificial quality of what bringing about a new life entails that makes that life a treasured “pearl” (as we’ve discussed elsewhere, an emblem of the coming Kingdom). Technical knowledge need not, cannot, replace wonder, nor erase the import of what we can now recognize as an echo of the incarnation in each birth. Like Mary’s answer to the angel at the Annunciation of Christ, Rhodes’ last lines are an acquiescence to and affirmation of the outworking of God’s plans through the most ordinary of means, a recognition that He speaks when we are rendered mute. And finally (and perhaps most apropos a discussion of calendars and beginnings and new years), throughout Rhodes’ poem is the implication that what we can see and measure and claim as the start of something new, God has already been working on in advance of our knowledge, much less participation.

If we see only mindless futility in the natural world and its cycles, or even more in its relentless march forward, we have little choice but to despair that all our beginnings will amount to nothing. But if we understand our task as joining into what has already begun and trust that the Lord intends renewal for us and creation rather than merely novelty (or stasis, for that matter), then we can look back over the past and forward to the future with renewed hope. Further, we can commit to continuing our exploration of the world with confidence that our concerns over “how” will always be allayed by our knowledge of the “who,” that what is “new” to us is no surprise to the Creator of heaven and earth, and that even things that seem like the “quake of birth” will, in the end, leave us speaking poems of praise and thanksgiving for what the Lord has done and will yet do.

“Appointment”

by Suzanne Underwood Rhodes

Tomorrow they will tell me what I know.
After tools and taps they will talk in facts
of mystery, of the flame in so dark
a place you want to look and see God
shaping the hands and face.

They will call it by other names
but I will be hearing
blood and bones sliding in place
to music steep as stars.

I'm dreaming
while the doctor feels clay
and schedules birth on a chart unreal.
As the earthen womb sings,
making its pearl,
I allow everything:

quake of birth that will leave
the poem of dust in my mouth.

This poem first appeared in Sow's Ear Poetry Review.

Suzanne Underwood Rhodes received an M.A. in poetry from Johns Hopkins University and was a resident fellow at the Virginia Center for the Creative Arts. She has served on several boards and committees of poetry organizations and is a co-founder of the Appalachian Center for Poets and Writers. Her latest book, A Welcome Shore, is a sequel to her earlier collection of prose meditations, Sketches of Home. She has also published two volumes of poetry, What a Light Thing, This Stone and Weather of the House, in addition to a poetry textbook, The Roar on the Other Side. Her work has been featured in journals from Georgia to Alaska, and been nominated for a Pushcart Poetry Prize and the Library of Virginia Prize. Besides her literary activities, she works full-time as the director of public affairs for a charitable organization, Mercy Medical Airlift. Suzanne and her husband, Wayne, a professional photographer, have five grown children. More on Suzanne and her work may be found here, and she may be contacted here.

Part of the “answer” to the mystery of the incarnation lies in realizing that those three are not really the right questions to be asking, for they focus merely on means rather than meaning. Rather, we should recognize that the miracles of Jesus’ life—beginning with His conception and birth through Mary—are not only or most miraculous in their physical, material aspects, but as demonstrations of His identity and calling, and ultimately of our own as those who bear His image. In contrast to the manger scene familiar to most Western Christian eyes, the image pictured above is an Orthodox icon of Mary as the Theotokos, the birth-giver of God, and it offers to us an alternate way of picturing the central mystery of Christmas that Orthodox priest, curator and art historian David Goa has described as “the Church’s great image of the human vocation and call to us to claim that vocation—who we are and how we are to then live all in one simple image of our common human experience.” For, without setting aside or attempting to explain the material aspects of the virgin birth, the continuing miracle of the incarnation is that it is as much a present reality in the lives of Christians today as it was for Mary or for those in the early Church.

In a sermon dedicating another Theotokos icon, Goa warned of the danger of living in a time when Christmas imagery has become too-familiar, "that we make a fetish of virginity and the birth of a Palestinian baby; his mother and would be father; that we fill the emptiness with the glamour offered from all quarters; that we turn this feast into a family occasion: freeze frame our familial affection.” Against those temptations, this icon does not “naturalize” Christ as a perfect human baby born in a manger, but reminds us that even within Mary’s body—and though setting aside his power for a time as a fully human infant—Christ remained the Lord of all; thus, He is shown seated on the throne of the heavens and with a scroll in His hand, emblems of both arenas of His revelation of Himself. Yet far from minimizing Mary’s role, this iconography of the fullness of God emphasizes her as a model of the way every Christian can and does make a place and a way for the Lord, as well.

In speaking of the icon, Goa reminds us that, “the Incarnation is a revelation of who we are. It is a retelling of Genesis chapter 3 and that is why, in this season of retelling this story, we enter a dangerous time.” It is dangerous not just because we might miss the meaning of it, but because with every re-telling of our commissioning as image-bearers, sent to cultivate and create in God’s name, we are tempted to exert our own desires, to exercise dominion for our own sake, in our own names. Goa continues, “The mystery of the Incarnation of God in Christ is our mystery, a revelation of our created nature and a call to its fullness, . . . [thus] the Icon of the Virgin and Child is . . . the Icon of the Human Vocation. It reveals to us our capacity as persons, as women, men and children.” That vocation certainly includes seeking to understand the created world and its ways via careful and faithful study, just as it includes seeking the Lord through the scriptures and traditions of the Church; but it is most fully expressed when we use both of those resources to ease the pain and injustice we find (and have even caused, ourselves) in the world around us.

Finally, Goa notes that, “When Orthodox Christians around the world enter the church, they bring a candle to this icon and, bowing in a prayer of gratitude to God who clothed them in flesh, ask that they, too, like the Theotokos, may be open to be a birth giver of divine love in a fractured and suffering world.” Motivated by confidence that the Lord who created the cosmos is the same Lord who was born of Mary in Bethlehem, may all of us who struggle to understand the way God continues to reveal Himself in creation and in the scriptures remember that the most vital and present revelation of His love occurs by the Spirit within us, for the benefit of others. May we recognize that the miracle of Christmas was not that God chose to break the rules of biology, but that He makes a way for all of us “who were far off” to join in His reconciling, redemptive work by likewise bringing—being—the Body of Christ unto the world. May we, then, join with Mary Theotokos in her song of praise and thanksgiving that we have been called to share in the mystery of the incarnation of our God and Savior.

Dr. David J. Goa is the Director of the Ronning Centre for the Study of Religion & Public Life at the University of Alberta. All quotes were taken from Goa’s “Our Common Calling: The Icon of the Human Vocation,” given at Bethel Lutheran Church in December 2007. More on the iconography of the Theotokos and this image may be found here.

In last Sunday’s consideration of the “root” image for the coming Christ, I noted that the text of Isaiah 1:11 helps us understand Jesus to be not only the source of creation and salvation (the literal “root” of both), but also the means of their flourishing (as the growing “branch” or “shoot”) and their culmination (their “fruit”). The traditional American carol linked above goes even farther afield than the prophets for its image of Christ, turning to Song of Songs 2:3 for inspiration and a more specific tree image: it uses the familiar apple as a emblem of the very tree of life, emphasizing that the promise we have in Jesus goes beyond the merely material to encompass our complete shelter, nourishment, and passionate joy.

The text of the song (included below) was collected in New England or the Appalachians in the late 18th century, and was then set to an American Revolutionary War-era marching tune by Jeremiah Ingalls (1764-1838) of Newbury, Vt. According to early music scholar, performer and popularizer Thomas B. Malone, “Jeremiah Ingalls had a particularly successful run as a tavern keeper and church musician in Newbury between the years of 1709 and 1810, during which he published a book of fasola music called The Christian Harmony. This book contained not only the familiar fuging-tunes and anthems . . . but something rather new, folk-melodies with sacred texts, as well as call-and-response spirituals, and camp-meeting revival choruses.”

But though the lyrics’ narrative of individual spiritual weariness relieved by communion with Jesus is itself praise, and though the central drawn-from-cultivated-nature image of the apple tree reminds us of the inextricable linkage between the material world and its creator, it is the way the music is sung in this particular recording that has the most to tell us about how we might find our way forward though the overlapping contemporary cultures of science and Christian faith. This abridged version of the entire carol was recorded by Malone at the Weathersfield Meeting House in Vermont in June, 2005 during a celebration of the 200th anniversary of Ingalls’ book—an event that brought together new and seasoned practitioners of the traditional American form of congregational music known as “shape note” or “fa-so-la” singing.

Also called “Sacred Harp” music (for the instrument that God has provided to every individual and, hence, to every gathering of worshippers), shape note singing requires participants to have only limited technical knowledge in order to join voices and hearts in praise and celebration of the works of the Lord in creation and in human lives. The resulting music is much more about the act of making music together in community—perhaps especially in community with those you may have just met—as it is about making music to be listened to. There are other available versions of this tune (for instance, here you can listen to a snippet of a considerably more precise and “professional” version of the song from the album Carols from the Old and New World, sung by Theatre of Voices as directed by Paul Hillier), and the song text has been set to new music several other times this century (including the most well-known version by Englishwoman Elizabeth Poston and another by Stanford Scriven), but this version preserves the original song’s feel of a common struggle to find our way in the world as well as the specific words of the text. And though even the setting published by Ingalls can be sung by highly-trained musicians, a simple repertoire of harmonic rules, a specific notational style, and a basic commitment to the underlying goodness and truth of the music itself is sufficient to link groups of amateur singers across centuries as well as across miles; it is doubtful that the versions recorded in more formal settings are “better” or more true to the heart of the music and its message than are un-recorded, “come as you are” shape-note versions sung in the myriad church congregations where they are still (or are newly) being sung.

That tension between getting every note right, on one hand, and, on the other hand, understanding music as a means of expressing and deepening both human and divine relationships in sometimes motley company, is suggestive for thinking about the tension that exists between technical and popular understanding of science, among other fields where there is a divide between amateurs and professionals. Especially in a culture so enamored of specialization and compartmentalization as is ours, experts in whatever field perennially run the risk of missing the forest for the trees (apple or otherwise), of forgetting that knowledge and expertise are fulfilled when integrated into the context of the greater human community—made part of that wider conversation on meaning.

This does not mean, of course, that the depth and subtlety of knowledge gained by years of study, research and practice by professionals (scientists included) should or can be discarded by non-experts, either. Instead, it is a reminder that—especially for believers instructed by Paul to think of ourselves as co-equal and interdependent parts of Christ’s Body—the authority of knowledge must be both given and received in humility for the good of the whole church and, through the church and by its example, for the good of all. Those who understand, study, and contribute to music or any other great tradition of knowledge have a gift to offer non-experts, even if they hear the results of their gifts rendered as a “joyful noise,” rather than a “studio-quality” recording. For both sides of the amateur/expert divide, keeping one version in mind while listening to (or singing) the other gives the richest, most fruitful sense of the music (or science) as both worship and art, precisely because such an attitude and demeanor of self-giving emulates the life lived and given by Jesus, himself.

“Jesus Christ, The Apple Tree”

traditional, collected by Joshua Smith/arranged by Jeremiah Ingalls
(verses omitted in this recording given in italics)

The tree of life my soul hath seen
Laden with fruit and always green;
The trees of nature fruitless be,
Compar’d with Christ the appletree.

This beauty doth all things excel,
By faith I know, but ne’er can tell,
This beauty doth all things excel,
By faith I know, but ne’er can tell,
The glory which I now can see,
In Jesus Christ the appletree.

For happiness I long have sought,
And pleasure dearly I have bought;
I miss’d of all, but now I see
‘Tis found in Christ the appletree.
[refrain]

I’ll sit and eat the fruit divine,
It cheers my heart like spir’tual wine
And now this fruit is sweet to me,
That grows on Christ the appletree.

This beauty doth all things excel,
By faith I know, but ne’er can tell,
This beauty doth all things excel,
By faith I know, but ne’er can tell,
The glory which I now can see,
In Jesus Christ the appletree.

This fruit doth make my soul to thrive,
It keeps my dying soul alive;
Which makes my soul in haste to be
With Jesus Christ the appletree.

This beauty doth all things excel,
By faith I know, but ne’er can tell,
This beauty doth all things excel,
By faith I know, but ne’er can tell,
The glory which I now can see,
In Jesus Christ the appletree.

This copyrighted recording was made available by Thomas B. Malone via a Creative Commons license on his website. The site is devoted to Ingalls' music and life, features similar recordings of many of his and others’ shape note arrangements and provides information on joining an annual singing event in Vermont, about which Malone says: “No experience is necessary, and books are provided.” Malone’s own page on the Apple Tree Carol is here, and the direct link to this mp3 is here.