More Than One Christian View

Many parents and pastors are wondering what to tell their children about creation and evolution. While Sunday school classes often cover Genesis 1 around kindergarten (with kids coloring pictures of what God created on each day), most curricula do not address science again before kids leave for college. Yet issues of creation and evolution can be addressed in age-appropriate ways throughout Sunday school. Elementary school children already learn about idol worship from other Old Testament stories, so teachers have an opportunity to contrast Genesis 1 with the idol-rich creation stories of other cultures. Middle school students can be given basic tools for considering creation and evolution such as the contrast between the “how” questions answered by their science lessons in school and the “who” and “why” questions answered in Scripture. Middle and high school students can find role models by reading the testimonies of scientist Christians.

Youth need to be encouraged to discuss their questions and doubts, while affirming core beliefs. When asked why they left the faith, scientists often mention that the church was not open to their questions and told them to “just believe.” Churches can demonstrate openness to questions by teaching youth about multiple Christian views on an issue. Students need to hear that some Christians accept the science of evolution and others do not, and have a conversation about the reasons why. Too many young people have struggled when they felt they had to choose between clear scientific evidence and the beliefs they grew up with. Even when parents and leaders are unsure about evolution, they can help students by saying, “While I have concerns about evolution, I’ve heard that some Christians accept the science of evolution while still believing in the God of the Bible.”

Difficult issues like origins cannot be addressed in a single event. People need time to ponder the issues, and spaces to talk it through. One church did a six-week sermon series, with parallel curricula for all ages in Sunday school, so that families could work through it together. Another church did a sermon series and discussion group for adults for four weeks, to prepare parents before a four-week series for the youth group. Other churches encourage small groups to read a book on science and faith and discuss a chapter a week. (Since all authors have their favorite view, I recommend discussing at least two books from different authors to learn about multiple Christian positions.)

More Than Evolution

In our science-saturated culture, evolution is not the only science topic the church should be considering, and not even the most important. With church members encountering the latest medical advances as patients and family members, a discussion on bioethics would be very relevant. Since young people are usually the first to use hot new gadgets, they should be considering the appropriate Christian use of technology . As the issue of climate change becomes more pressing every year, churches need to talk about it, and not avoid it because it is so political. The Evangelical Environmental Network offers many resources for churches, emphasizing ways that creation care benefits the poor and the unborn. One group of churches, with the help of Calvin College, joined together to clean up the local creek that drains the watershed in which the parishioners live, work, and worship. Many of the congregants were not even aware of the size of the watershed or the pollution level in their own creek. This was a hands-on opportunity for all ages, directly caring for their own corner of God’s green Earth.

More Than Controversy

With so many issues to discuss, Christians can easily get the feeling that science is always attacking the faith. It is essential to balance such conversations with positive responses to God’s creation. After all, the primary response to the natural world in the Bible is to praise the God who made it. The first time I led an adult Sunday school class on creation and evolution, I was amazed how much the participants appreciated simply ending each session with a Psalm reading or creation hymn. Thoughtful frowns turned into relaxed smiles as the group remembered our unity in Christ and the centrality of God as the Creator.

Creation themes can be incorporated throughout worship. One church asked the congregation to submit their favorite creation photos at the end of the summer (from backyard flowers to National Parks), then wove the images into a worship service with creation songs and readings from the Psalms. In addition to flowers and mountains, modern science has revealed incredible glories that can inspire our praise and reflection. Several contemporary Christian musicians have begun to artfully incorporate the wonders of the natural world into their music; Chris Rice sings of “cratered moon and Saturn’s rings,” and Third Day praises the “God of wonders beyond our galaxy.” In one church, an elder brought in modern science when leading the congregation in prayer with these words: “Creator God, out of nothing you created all that is. You hurled the galaxies through time and space. . . . The universe is your hourglass, the continental drift your minute hand, the Grand Canyon your second hand. You are infinite.”

Preachers can incorporate science in the same way they make references to movies, current events, or best-selling books in sermons. To notice these connections, take some time to encounter science: read the science section of the New York Times, visit a local science museum, or ask scientists in the congregation about their work. A visit to a planetarium might give a new appreciation for the vastness of the universe, which could illuminate a sermon on the vastness of God’s forgiveness in Psalm 103:11–12. Pastor John Van Sloten learned about the neural networks in the brain and incorporated it into a sermon on the vine and the branches of John 15.

Preachers are understandably concerned about avoiding scientific errors when preaching, but this should not prevent engagement with science. Some pastors do their own research to get the details right because they enjoy digging into a science topic. Other pastors bring in a scientist (live or by video) so that they do not have to explain the technical material themselves. Others play to their strengths by choosing topics with fewer technical details, such as the Christian motivation for doing science or exposition of Bible passages relevant for scientific questions. Many of the questions Christians have are really about biblical interpretation and Christian theology, areas where the pastor is an expert. Minor technical errors made in good faith are forgivable, but a sermon that argues that mainstream science is wrong on some point can be devastating for the faith life of teenagers who are learning the correct science in school.

Beyond Sunday morning worship and preaching, science can show up in many areas of church life. During a youth camping trip or church picnic, include a nature walk concluded with praise. After a winter evening worship service, invite a local amateur astronomer to set up a telescope in the parking lot to show people the moon and planets. Convert a vacant lot near church into a community garden, so kids can experience firsthand how God provides food from the Earth.

More Than Programs

In all these activities, remember that views on science are “caught” more than “taught.” Congregants will naturally pick up on the attitude of the pastor or ministry leader, whether skeptical of science or celebrating science as the study of God’s creation. Visitors will pick up on this too, so these attitudes are part of being a church that welcomes and ministers to scientist Christians . Recently I was invited to speak at a church on the expansion of the universe and the possibility of a multiverse. Several enthusiastic young people in attendance had clearly caught the love of science from the church leaders who planned the event. One girl came up afterward with her dad, both of them marveling at God’s creation. They were amazed not just with the particular things I had discussed, but with the way in which God has embedded wonders at every level of understanding. Everyone can marvel at the starry skies, school kids can learn about the planets and asteroids, and scientists with PhDs can study dark matter and string theory. No matter how deep we look, we keep discovering more and more ways that creation declares the glory of God.

For Further Reading

For more resources on a full range of science topics, visit the The Ministry Theorem collection at http://ministrytheorem.calvinseminary.edu/. You will find sample sermons, curricula for children and adults, worship resources, essays by a dozen scientist Christians, and much more.

In concordist interpretations, God made the earth using the sequence of events described in Genesis 1. In non-concordist interpretations, God created the earth using a different timing and order of events than those described Genesis 1.

How should Christians go about choosing among all of these interpretations? Such a decision should be based on consistent principles and prayerful reflection, not just on “what sounds good.” Here are our own conclusions.

Weaknesses in Concordist and Non-Concordist Interpretations

Both concordist and non-concordist interpretations of Genesis 1 arise from good motives, a desire to show that the Bible does not conflict with nature’s testimony.  But both types of interpretations have their pitfalls.

For concordists, the temptation is to interpret every Bible verse to match the current scientific picture. The meanings of particular phrases can be bent out of shape to match a particular scientific finding. For example, Hebrew words that literally meant birds or plants to the original audience are redefined to meet some modern scientific category such as insects or single-celled organisms, just to make the order of events line up. By focusing on trying to match the details of the ancient text to twenty-first century knowledge, the concordist may miss meanings in the passage that were clear in the original cultural context, including important spiritual insights. Moreover, concordists can be forced to regularly change and update their interpretations as modern scientific knowledge grows and changes. For instance, the Gap Interpretation twisted the meaning of Genesis 1:2 outside its original intent; later it failed to match new scientific evidence.

For non-concordists the temptation is to interpret every Bible verse that appears to disagree with science as figurative without first studying the text. By interpreting a text that was intended tobe understood literally as metaphoric, they may bend the meanings of particular phrases to refer to purely spiritual ideas and ignore the historical meanings they had in the original cultural context. At one extreme non-concordists can apply the same strategy to all Bible passages and even interpret Jesus’ miracles and resurrection as spiritual symbols simply because they think that miracles are scientifically impossible.

For both concordists and non-concordists the temptation is to let science drive the interpretation of Scripture more than it should. When an apparent conflict arises between science and a biblical text, it can and should motivate us to consider a biblical passage more closely. The scientifically discerned testimony from God’s book of nature can even be a useful tool for deciding between two or more biblical interpretations that are otherwise equally valid. But the interpretations themselves are not determined by science; they must be driven by theological considerationsand be consistent with the rest of Scripture.

To avoid these risks we need to look at what the best biblical scholarship has to say about the passage rather than at how it fitswith science. Finally, we must take care that the desire to resolve conflicts does not distract us from the main message God has forus in the text. Our primary calling as Christians is to live our lives according to the clear messages of God’s Word; it is a lesser calling to debate the subtleties of interpretation of less clear passages.

Genesis 1 in Its Original Context

To choose among the various interpretations, we recommend using a consistent approach based on the principles of biblical interpretation discussed in chapter 4.  The first principle, that each passage should be interpreted in light of the rest of the Bible, provides some guidance. For instance, the Bible’s teaching on God’s truthfulness and his glory displayed in creation might lead us away from the Appearance of Age Interpretation.  The differences between the Genesis 1 and Genesis 2 accounts might point toward a non-concordist interpretation.

The second principle of interpretation gives more direction. It reminds us first to work out what the passage meant in its original literary, cultural, and historical context, and then figure out what meaning it has for us today. How do the various interpretations fit this principle? Of the four concordist interpretations discussed in chapter 5, the Young Earth Interpretation seems to come closest to what ancient peoples would have heard in the text. The Gap and Day-Age concordist views would have baffled the original audience, since these ancients would have had no concept of geological ages; if they could not fathom time periods of millions or billions of years, the text must have meant something different to them.

Of the four non-concordist interpretations of Genesis discussed in this chapter, the Proclamation Day Interpretation, while it has some basis in the text, seems least likely to be the meaning heard by the original audience. The proclamations are implemented as soon as God says them, and there is no reference to a different timing or sequence of events in terrestrial time. In our view a combination of the Ancient Near East Cosmology, Kingdom and Covenant, and Creation Poem Interpretations come closest to what the original audience would have heard. The differences between the Genesis text and the pagan stories highlight the sovereignty of God and the goodness of creation. The elegant poetic structure and inspired phrases reinforce the theological messages of the Kingdom and Temple interpretations.

Genesis 1 for Modern Readers

With a better understanding of what the original audience heard,we have insight into God’s message for them and thus for us. If God’s purposes in Genesis 1 did not include teaching scientific facts to the Israelites, then we should not look here for scientific information about the age or development of the world. For modern readers, as for the original audience, the message of Genesis 1 is its powerful theological truths. God does not use theBible to teach us the physical processes he uses to make the rainfall or the earth orbit the sun or to form the mountains. Instead, in a beautifully crafted and impressively short text, God teaches us all about

• his sovereignty.
• the goodness of creation.
• the honored status of humankind as his image bearers.

God has given us a text that speaks of the physical world in simple terms, based on how it appears, in order that all peoplemight understand it.  The common language of this text has made it accessible to people of many times and cultures, aiding the communication ofthe gospel around the world.

Does a non-concordist interpretation of Genesis 1 mean that we have sacrificed a literal understanding of the gospel? No. TheGospels were surely heard by their first audience as historical eyewitness accounts by the disciples, and everything about the emphasis and tone in those books indicates that Jesus’ resurrection and miracles are essential events in the story. That is how we should read the Gospel stories still today. In Genesis 1, on theother hand, the first listeners heard nothing new about the physical universe; all the emphasis was on who created the world and humanity and why they were created.

What does this mean for science? It means that Genesis 1 is not a science textbook. The text was never intended to teach scientificinformation about the structure, age, or natural history of the world. Thus, comparing Genesis 1 to modern science is likecomparing apples to oranges. Or perhaps more accurately, comparing Genesis 1 to modern science is like comparing Psalm 93:1 (“The world is firmly established; it cannot be moved”) to modern astronomy. Genesis is neither in agreement nor in conflict with the sequence of events found by astronomy and geology.

As scientific knowledge increases and changes over the centuries, its understanding of the physical structure and historyof the earth will change. But through all of those centuries the theological truths of Genesis 1 remain the same: there is one sovereign God who makes light from darkness, creates an ordered world from chaos, and fills an empty world with good creatures. Humans need not fear the capricious whims of a pantheon ofgods but can instead trust in the one true God who made us in his image and declares us “very good.”

For more discussion of Biblical interpretation, see chapters 4, 5, and 6 of Origins. Next week, we'll look at an excerpt on astronomy and the age of the universe.

Excerpt from Chapters 5 and 6 of Origins: Christian Perspectives on Creation, Evolution, and Intelligent Design (Grand Rapids, MI: Faith Alive Christian Resources), 2011. Reprinted with permission. To order purchase a copy of the book or e-book, please call 1-800-333-8300 or visit our website www.faithaliveresources.org.

Want a free copy of Origins?  For a limited time, donations of $50 or more will receive a  copy of the book! Plus, from now through April, your gift will be doubled thanks to a matching grant from a generous donor. You can learn more here.

In this video Conversation, Denis Alexander addresses two prominent barriers for Christians to accept evolutionary creation. The first is Biblical interpretation. When contemporary Christians interpret the early chapters of Genesis literally, they do so out of a desire to take the text seriously. Yet the early church fathers saw these chapters as figurative—and that figurative interpretation did not lesson the important foundational truths taught in these passages. The contemporary literal reading is actually a modern approach to the text in that our scientific mindset inappropriately shapes the interpretation. Since science did not even exist at the time that Genesis was written, an overly literal interpretation can actually cause us to miss the inspired message that the Biblical authors were communicating.

The second barrier is the rhetoric of the New Atheists, who claim that it is impossible to accept evolution while still believing in God. Christians should challenge this. Traditional Christian views are not in conflict with modern science. Instead, they see nature as God's work, with St. Augustine writing that "nature is what God does." As humanity develops a scientific understanding of nature, we will only learn more about the handiwork of God. 

Genesis 8:1: But God remembered Noah and all the wild animals and all the domestic animals that were with him in the ark. And God made a wind blow over the earth, and the waters subsided; 2 the fountains of the deep and the windows of the heavens were closed, the rain from the heavens was restrained, 3 and the waters gradually receded from the earth.

The Flood narrative of Genesis 7-9 has played a prominent role in science and religion debates for over three hundred years and gave rise in earlier centuries to geological theories such as old earth catastrophism. While literary studies have uncovered the chiastic structure of the Flood story (see Gordon Wenham, “The Coherence of the Flood Narrative” Vetus Testamentum 28 (1978):336-48) and with it the theological pivot point of the entire narrative (Gen. 8:1 – “And God remembered Noah…), much of the popular attention remains on the questions regarding details (Is there THAT much water in the world to cover ALL the mountains to a depth of 15 cubits? Could you really fit two or seven of every animal species in an ark that size?)

Looking at a smaller matter, we find at the beginning and the middle of the narrative indications of an ancient Near Eastern worldview. As the story is told, the flood was not merely the result of excessive rain, but actually the convergence of the waters above the earth with the waters below the earth. It is, as one translation puts it, as if the sluice gates at the deep and of the heavens were thrown open and water poured in from above and below. This is a consistent picture from the Old Testament of a three-tiered universe—a dome above the earth holding back the heavenly waters, a flat earth with water on its surface, and water under an earth which is held up by pillars.

That the story is told using the cosmology of its time should not be unduly unsettling, nor that the story is reinterpreted as new understandings of the universe come into favor. By way of example, consider John Calvin and his understanding of the structure of the universe. Although committed to the principle of sola Scriptura, Calvin recognized that the Bible would have been written in terms its original recipients would have understood.

Calvin inherited the medieval cosmology of his time, a way of viewing the world heavily influenced by Greek thought and one which was about to receive shocks from astronomers such as Copernicus and Galileo. But not just yet. Calvin still subscribed to the common conception of his day in which the four elements—earth, air, fire, and water—comprised the earthly sphere and possessed unique characteristics. The nature of air and fire was to rise, while the nature of earth and water is to sink. Earth, being heavier than water, should sink to the center of the cosmos and water should compose the next layer. Both earth and water are spherical, i.e., naturally form spherically around the cosmic center. Thus the heavier spherical element of earth should be encased entirely within the lighter spherical element of water.

Notice what this does to the flood story. For Calvin, the amazing thing is that the world isn’t constantly under water and subject to flooding. In the cosmology of Calvin’s day, it does not take an act of God to cause a universal flood, but rather an actively present and restraining hand of God to keep the waters back in everyday circumstances and make inundation by water something other than universal.

Obviously, Calvin was wrong. Or perhaps we should say that medieval cosmology was flawed and justifiably gave way to new conceptions of the universe. The answer is not to return to an ancient Near Eastern cosmology, but to reinterpret cautiously within new and better cosmologies and to pay closest attention to the text and the theology of scripture.

The geological and planetary sciences bring their own unique contributions and are of more interest than the latest expedition to discover the ark on Mt. Ararat. Is the flood story a universalization of a catastrophic regional event that burned itself into the psyche of ancient cultures in the Mediterranean basin? Various theories regarding a Black Sea venue for a catastrophic flood event are still in process of being sorted out. It’s intriguing. Or the question where the water on Planet Earth comes from? Was it always here as an emanation of vapors from the earth’s crust in its early formation, or has it accumulated over eons through the steady bombardment of earth by small, icy comets? It’s an intriguing scientific question that is in the midst of determination through testing.

Preaching Suggestions

When preaching on the story of the Flood, it is easy to get lost in the debates over particulars. As mentioned elsewhere, to tackle all the peripheral issues threatens to turn a sermon into a geology lecture. Other settings are better suited to addressing those questions, and those are best addressed open-endedly.

A brief explanation of ancient Near Eastern cosmology can be helpful to contextualize the story. If there are those who are tempted to think that a cosmology embedded in the Bible must be inspired and definitive, one can note that cosmology has changed by the New Testament. The Bible itself isn’t wed to a particular structure of the universe.

What is important is to keep the theology of the text front and center, and in that theology there are at least three non-negotiables from the flood narrative. First, human sin and violence threatens to undo a good creation (the flood is a de-creation event, a return of the waters mentioned in Genesis 1:2). Second, God remembers Noah, and never forgets his promises. Third, the end of the flood is a covenant with the whole earth regarding the stability and endurance of the natural order.

By Luci Shaw

Blessed be God for thaw, for the clear drops
that fall, one by one, like clocks ticking, from
the icicles along the eaves. For shift and shrinkage,
including the soggy gray mess on the deck
like an abandoned mattress that has
lost its inner spring. For the gurgle
of gutters, for snow melting underfoot when I
step off the porch. For slush. For the glisten
on the sidewalk that only wets the foot sole
and doesn’t send me slithering. Everything
is alert to this melting, the slow flow of it,
the declaration of intent, the liquidation.

Glory be to God for changes. For bulbs
breaking the darkness with their green beaks.
For moles and moths and velvet green moss
waiting to fill the driveway cracks. For the way
the sun pierces the window minutes earlier each day.
For earthquakes and tectonic plates—earth’s bump
and grind—and new mountains pushing up
like teeth in a one-year-old. For melodrama—
lightning on the sky stage, and the burst of applause
that follows. Praise him for day and night, and light
switches by the door. For seasons, for cycles
and bicycles, for whales and waterspouts,
for watersheds and waterfalls and waking
and the letter W, for the waxing and waning
of weather so that we never get complacent. For all
the world, and for the way it twirls on its axis
like an exotic dancer. For the north pole and the
south pole and the equator and everything between.

Editor's Note: If you'd like to see other great posts like this, go to the BioLogos Navigator topic Worship & Arts.

Augustine had a great deal to say about those chapters in Genesis that are especially controversial within Christianity today. In fact, Augustine dedicated about as much as any other Christian writer to the first few chapters of Genesis, so there is little guesswork we have to do in ascertaining what he believed Scripture to claim about creation. First of all, Augustine clearly rejected the notion that God had created the earth in six 24-hours periods. Instead, he believed that the universe was created instantaneously, and that the six days reported in Genesis were a metaphor for the various levels of dimensions of the created realm—something akin to what ancients referred to as the ‘Great Chain of Being’. But this is not to say that Augustine believed that the world was created as it is today in that instant. Rather, he affirmed that God created the world with inchoate potential for further development, like an acorn that will grow into a great tree when planted in the ground.

Augustine therefore affirmed that Creation has evolved and continues to evolve, though not driven by random natural processes, as affirmed by classical Darwinism. Instead, such evolution is governed providentially both via the inchoate potentialities present in the world from its beginning and by God’s ongoing governance of the universe.⁴ We should be careful not to turn Augustine too quickly into a modern advocate of theistic evolution, but the similarities are nevertheless significant. Augustine affirmed these ideas not on the basis of an attempt to accommodate Scripture to scientific discovery, but based upon his own reading of Scripture! Indeed, I think it fair to say that the great father of Western Christianity was something of a proto-evolutionary theist, and therefore one whose work deserves far more attention by those seeking to be faithful to both Scripture and Christian tradition while making sense of the claims of contemporary science.

Of course, we need to be careful not to push such claims too far. Augustine himself resists such a move by recognizing both the contingency of human interpretations of Scripture and the dangers of unintentionally imposing our own views on Scripture. A rather long, but significant quote from Augustine makes this point all too clear:

Let us suppose that in explaining the words, “And God said, ‘Let there be light,’ and light was made,” one man thinks that it was material light that was made, and another that it was spiritual. As to the actual existence of “spiritual light” in a spiritual creature, our faith leaves no doubt; as to the existence of material light, celestial or supercelestial, even existing before the heavens, a light which could have been followed by night, there will be nothing in such a supposition contrary to the faith until unerring truth gives the lie to it. And if that should happen, this teaching was never in Holy Scripture but was an opinion proposed by man in his ignorance.

On the other hand, if reason should prove that this opinion is unquestionably true, it will still be uncertain whether this sense was intended by the sacred writer when he used the words quoted above, or whether he meant something else no less true. And if the general drift of the passage shows that the sacred writer did not intend this teaching, the other, which he did intend, will not thereby be false; indeed, it will be true and more worth knowing. On the other hand, if the tenor of the words of Scripture does not militate against our taking this teaching as the mind of the writer, we shall still have to enquire whether he could not have meant something else besides. And if we find that he could have meant something else also, it will not be clear which of the two meanings he intended. And there is no difficulty if he is thought to have wished both interpretations if both are supported by clear indications in the context.

Usually, even a non-Christian knows something about the earth, the heavens, and the other elements of this world, about the motion and orbit of the stars and even their size and relative positions, about the predictable eclipses of the sun and moon, the cycles of the years and the seasons, about the kinds of animals, shrubs, stones, and so forth, and this knowledge he holds to as being certain from reason and experience. Now, it is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn. The shame is not so much that an ignorant individual is derided, but that people outside the household of the faith think our sacred writers held such opinions, and, to the great loss of those for whose salvation we toil, the writers of our Scripture are criticized and rejected as unlearned men.

If they find a Christian mistaken in a field which they themselves know well and hear him maintaining his foolish opinions about our books, how are they going to believe those books in matters concerning the resurrection of the dead, the hope of eternal life, and the kingdom of heaven, when they think their pages are full of falsehoods on facts which they themselves have learnt from experience and the light of reason?

Reckless and incompetent expounders of holy Scripture bring untold trouble and sorrow on their wiser brethren when they are caught in one of their mischievous false opinions and are taken to task by those who are not bound by the authority of our sacred books. For then, to defend their utterly foolish and obviously untrue statements, they will try to call upon Holy Scripture for proof and even recite from memory many passages which they think support their position, although they understand neither what they say nor the things about which they make assertion.⁵

I am tempted here to let Augustine have the final word, but I think there are three final points worth highlighting here as a way of connecting this quote to the two books theory and thereby concluding our discussion of Augustine:

1. The Book of Nature is clearly revelatory of God’s providential work in Christ, and even nonbelievers are capable of comprehending its complex order through the proper use of reason and experience (i.e. science properly understood).
2. The Book of Scripture is clearly revelatory of God’s providential work in Christ, and therefore is true and authoritative in all matters. The problem is that we often misinterpret Scripture by imposing our own preconceptions upon it rather than allowing it to speak for itself.
3. God’s two books can and should be read together in harmony when we are open to allowing them to speak for themselves on their own terms. Ultimately, they cannot contradict each other because the source of both is the same God and if they seem to be in contradiction it is because we have misread one or both of them, and we need to be willing therefore to allow ourselves to be open to thinking about either one in different ways, trusting that God will ultimately lead us to see the truth of the whole.

Notes

4. In truth, these two kinds of providence are one and the same for Augustine because God in some ‘stands’ outside of time as its eternal creator. So, for Augustine, eternality is not everlasting time, but the complete lack of temporality altogether. In this sense, all of creation at all times is eternally present to God, and there is ultimately no difference between God’s governance over creation at its beginning from God’s governance at any other moment in its history. In a way, God governs all of history all at once.
5. This quote is excerpted from St. Augustine, The Literal Meaning of Genesis, 2 vols., translated and annotated by John Hammond Taylor, SJ (Paulist Press, 1982), volume one of which can be read here.

A careful study of this chapter is important because it gives us a beautiful picture of the proper relationships we should have with God, the natural world, and each other. Numerous posts could be written on each of these relationships, but in this post I’d like to focus on how Genesis 2 describes our relationship to the rest of creation. These relationships are given deeper significance when we recognize that the garden is being described as a temple-like “sacred space,” not just an ordinary garden. There are numerous clues in the passage that this is the case. John Walton writes that the Garden/temple parallels “are givens that are simply assumed by the author and audience” ¹ of Genesis, but we completely miss them if we take fail to read the text the way the ancient author and audience would have.

Temples and Gardens

In the Ancient Near East (ANE), all sacred space was conceived of as something like a temple; it was a place where humans would serve God and experience their closest access to Him. Thus in ANE cultures, a temple complex was seen as being the apex and a microcosm of creation and the earthly abode of the god(s). Descriptions of temples often pictured a river flowing from under the temple and flowing out through an adjacent garden, symbolizing the fertile extravagance of the divine provision. A temple garden would be no mere backyard vegetable patch, but rather an elaborate, beautifully landscaped botanical park.

The same temple/river picture can be seen in the description of the eschatological temple in Ezekiel (ch. 47) and Revelation (chs. 21-22, where the final temple is God Himself). Sound familiar? In Genesis 2 we also have a river flowing “from Eden [‘Abundance’] to water the garden” (v. 10).² Not only is the Garden filled with “every beautiful tree with edible fruit” (v. 9), but the area itself is rich with gold, resins, and gemstones (sometimes translated “bdellium and onyx”), the same materials later used to decorate Israel’s tabernacle, temple, and priestly garments. Furthermore, many scholars are convinced that the design of temple’s Menorah (candlestick) deliberately echoes the Garden’s Tree of Life, and some also think that the Ark of the Covenant in the temple parallels the Tree of the Knowledge of Good and Evil.³

Made for Sacred Service

As inhabitants of this temple-garden, it comes as no surprise that Adam and Eve enjoyed a special closeness to God’s presence (Gen. 3:8 pictures God taking an evening walk through the Garden). But as inhabitants of the Garden, they had special responsibilities as well; they were told “to farm it and take care of it” (v. 15). The two Hebrew words used here have a broader range of meaning than their English translations suggest. As John Walton writes, the broader meaning of the word here translated “to farm” (particularly when used in a sacred context) “is often connected to religious service deemed as worship (e.g., Ex. 3:12) or of priestly functionaries serving in the temple precinct (e.g., Num. 3:7-10).” ⁴

The usage in Genesis 2 seems to have two layers of meaning: “farm/cultivate the Garden” (since it is an agricultural space) and “serve/worship God” (since the Garden is also a sacred space). The dual meanings are as intertwined in Hebrew grammar as they are intended to be in practice. The second Hebrew word (translated “take care of”) has a deeper religious meaning as well. The word can refer to protecting farmland from external threats, but in a danger-free sacred space like the Garden, the word more generally refers to “performing duties on the [temple] grounds,” that is, to “sacred service.”⁵

Walton therefore translates these two Hebrew words as “serve and preserve.” These same words appear again together several times in Numbers to describe the priest’s duties in the temple. Because of all this, Gordon Wenham describes Adam as “perhaps…an archetypal Levite” with a “quasi-priestly” role in the garden.⁸ Eve was created as Adam’s companion and “helper” in his work, a word which nowhere in the OT refers to a subordinate assistant, but rather to one who is at least equal to the one being helped.⁹

Genesis 2 should banish from our minds any idea that creation care is somehow “secular” work for a Christian, or that it is not even our responsibility. This was the first task given to humanity, to serve and worship God by cultivating and protecting the natural world. The centrality of our responsibility in this regard is even clearer when we back up to the beginning of the chapter. We know there was a river “flow[ing] from Eden to water the garden” (v. 10), symbolizing that “all fertility emanates from the presence of God.” ¹⁰ Nonetheless there could be no cultivated plants in the garden because “there was still no human being to farm the fertile land” (v. 5). With no gardener and no rain, the ground was watered indiscriminately; a human was needed to irrigate the waters and support a garden.¹¹ Therefore, God “formed the human from the topsoil” (Hebrew wordplay equivalent to “human from the humus”) before planting the garden. God certainly could have watered it another way without needing us, but He chose not to, and the resulting collaborative picture here is a beautiful one. All provision flows from God, but He has chosen to give us an essential part in further channeling his provisions in the natural world. Far from countering God’s creative work by destroying nature, we are intended to work with Him to preserve and further it.

Of course, though created primarily to glorify God, the world was also made to provide us abundantly with the food and resources that we need to live (Gen. 2:16). Yet we don’t need to look far to see that we have often failed in our responsibility to properly care for creation. We live in a fallen world, and sin has fractured the intended harmony of our relationships with God, creation, and each other (as described in Genesis 3:14-24).

I recently heard a striking crystallization of this fallen perspective in Spencer Tracy’s narration in the opening scene of the sprawling 1962 western film “How the West Was Won.” As the camera flies over majestic Western fields and mountains, the narrator tells us that “This land has a name today, and is marked on maps. But the names and the maps all had to be won, won from nature and from primitive man.” This is the fallen perspective – advancing our human purpose on earth is done through defeating nature and other people (derogatively labeled “primitive,” as well) apart from God. This perspective perfectly illustrates the conflict-based relationships that sin brings about, already described for us back in the first chapters of the Bible.

Are we doomed, then, to live helplessly in this way? If this is just the way the world is and the way we are, shouldn’t we just accept that? Apart from Christ the answer would be “yes,” but the New Testament makes it clear that though we are still fallen, the saving work of Christ has brought about a profound change in us. As N.T. Wright makes clear in his book Surprised by Hope, Jesus taught (and the Resurrection vindicated) that the Kingdom of God “was and is breaking in to the present world, to earth.” ¹² Christ’s Resurrection was the first act of the future new creation. If we are truly “born again” into this new reality, this new way of living, we must strive (in the Spirit’s power) to live lives of wholeness and right relationships, putting our sinful nature to death (Colossians 3). In doing so, we would be wise to include Genesis 2 as we seek to follow God’s will and God’s Kingdom, “on earth as it is in heaven” (Matt. 6:10).

In part 2 of this series, David describes how Genesis 1, Genesis 2, and modern scientific accounts offer complementary and mutually enriching perspectives in our understanding of God's creation.

Notes

1. John H. Walton, Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible (Grand Rapids, MI: Baker Academic, 2006), 125.
2. Biblical quotations are from the Common English Bible unless otherwise noted.
3. Both symbolized divine wisdom that humans had to receive from God obediently, with the proper “fear of God” that the Old Testament wisdom literature stresses as a prerequisite. Disobediently eating the Tree’s fruit would lead to death and disobeying God would lead to expulsion from the Garden. Similarly, disobediently touching the Ark brought death (Num. 4:15, 2 Sam. 6:1-7) and disobeying God’s instruction led to Israel’s exile from their Eden, the land of Canaan.
4. John H. Walton, Genesis (Grand Rapids, MI: Zondervan, 2001), 172.
5. Ibid., 173.
6. Ibid., 192.
7. See Numbers 3:7-8, 8:26, 18:5-6.
8. Gordon J. Wenham, “Sanctuary Symbolism in the Garden of Eden Story,” in “I Studied Inscriptions from Before the Flood”: Ancient Near Eastern, Literary and Linguistic Approaches to Genesis 1-11, ed. Richard S. Hess and David Toshio Tsumura (Winona Lake, IN: Eisenbrauns, 1994), 401.
9. Walton, Genesis, 176.
10. Ibid., 170.
11. This follows Walton’s illuminating exegesis of this passage in Genesis, 164-65.
12. N.T. Wright, Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church (New York: HarperOne, 2008), 201.

We tend to think of creativity in terms of flashes of insight and brilliance, of novelty, and especially of unexpected things bursting upon the scene. But creativity is no less creative and no less remarkable when it proceeds step by step, according to discipline, according to rule. We notice significant ruptures in the flow of things and upheavals of the regularity and predictability of life, faith, or science, precisely because such revolutions happen against a background of the ordinary. Even when the rules are interrupted and disturbed, they are usually not obliterated but modified. We and the rest of creation begin again by applying them anew and continuing on in light of what has changed.

Artist Linnéa Spransy makes this paradoxical ‘rules and rupture’ quality of life the method, not just the subject of her art, bringing a fascination with the mathematical underpinnings of the natural world together with her commitment to the kind of renewal-through-brokenness that comes with following Christ. As she says, “the boundaries between art, worship and natural sciences are fluid. I go [to that place of intersection] to be more amazed by the strangeness of existence, to experience awe and wonder.”

Confronted with the scriptural assertion that “eternity is written in [our] hearts,” Spransy wondered how we even begin to understand what that means. What might visual corollaries for such a statement be? How do we represent the tension between freedom and constraint, that dynamic dance of continuity and change, of predictability and surprise, that exists at every level of our experience and study of the world—from quantum physics to genetics to geology—and that seems fundamental to the ways of the Lord with us, as well? Her answer began to form around the study of fractals, mathematical rules whose reiteration in nature leads to endlessly new things. In her own work, a similar fractal sensibility leads to visual representations of something eternal.

Spransy says that every painting she completes “is the manifestation of a predetermined scheme – a system of small limits, with a clear beginning and end. These scripted pieces of visual choreography are allowed to accrue to show me their beauties and surprises, allowing discovery in the midst of certainty.” In other words, images like Frenetic Sequence, 2011, above, are not pictures of natural systems or objects, but representations and results of the processes and relationships by which natural systems and objects come to be. They are built from the inside out, as it were.

To begin a piece, Spransy assembles a library of “research drawings” that play out the various rules and rule sets she intends to use—essentially a kind of preliminary modeling of the visual system she wants to explore. Sometimes these are based on fairly simple mathematical or geometric rules that tell her when a line or shape will turn or divide or end. Other times she uses several different sets of rules at the same time—whether mathematical or derived from biological relationships such as those between base pairs on the DNA strand, or the way bacteria will move towards available sources of food in a Petri dish. But though these rules are established at the outset of a new piece, when she begins a new large-scale work, the outcome is anything but mechanistically predetermined, for several reasons.

First, the physical context in which she’ll be exploring each basic “module” or set of rules is different from that of her research drawings, having moved from a sheet of paper onto large prepared canvases that are five or six feet on a side. She does not transfer the small drawing from the paper to canvas, but regards that earlier work as preparation and practice of the process out of which the final work will emerge. Second, because the works are hand-drawn, there is always the element of her own agency and engagement with both the materials and the rules. There is an inescapably subjective quality to the way she responds to both materials and means. There is also subjectivity to the way she engages with the lines and shapes she has already laid down. Put another way, the abstraction of the rules is always mediated by and expressed through specific, very concrete and physical circumstances.

Finally, Spransy’s process includes what she thinks of as cataclysmic events or moments of chaos: intentional ruptures of the emergent system by gestures that overwhelm and obliterate sections of what she’s already done. Often she will shield sections of the existing system from the coming trauma either by masking them off or by subtly manipulating the flood of color—tilting the canvas to preserve sections of what was there. Afterwards, she will continue scribing and painting lines from the original system on top of or adjacent to the new areas of color, but in ways that respond and adapt to the new visual ecosystem. In this way, layers of work are built up, obliterated, and built up again.

Again, there is an inescapable agency at work in what—from the imagined standpoint of the system itself—must seem a randomly destructive occurrence, but Spransy’s point in breaking into the system is to test the limits of its creative, integrative capacity. By creating “environmental pressure” in this way, then coaxing the fragments and remnant information to multiply and reassert their orderly identities again, she asks, “How flexible are the rules?” The finished paintings are not rote recitations of fractal or statistical formulae, then, but objects with both a physical and a relational history. They are records of a thoughtful, physically engaged, but also humble exploration of how the confluence of order and chaos creates meaning.

Though Spransy denies that there can be such a thing as a “perfect analogy,” her artistic practice has spiritual underpinnings and spiritual implications, as well as visual results. Like many working scientists, she is seeking a way of understanding how the creator engages with His creation, and a better grasp on how we creatures should make our way in response. On one hand, her attentiveness to the basic orderliness of the material creation has a corollary in the familiar disciplines of faith, including reading the scriptures, prayer, and responding with mercy to ruptures in human lives and communities. But on the other hand, her embrace of surprise and chaos is, as she says, an “invitation to the otherness of God,” and a recognition that radically “dissimilar things sometimes occupy the same space.” In combination, those divergent elements help Spransy’s works hover at the boundary between knowing and un-knowing, between control and accident, between freedom and determinism.

Spransy notes that “even in the aftermath of great destruction, life is given great opportunity. In science we’re actually happy and excited when there’s a break in the rules.” This insight, clarified and lived out in her life as well as her artistic practice, directs us to consider not only the necessity and goodness of diligent pursuit of the rules, but also to reconsider the goodness of what we are otherwise inclined to see as calamity and chaos. Indeed, Spransy’s work points us back to the central paradox of the Christian faith: that the most radical disruption of the natural systems of the world occurred two thousand years ago in Palestine with the coming of Christ—singular proof that rupture does not necessarily end in destruction, but may be our means to redemption.

Linnéa Gabriela Spransy grew up in rural Oregon in a community attentive to Christ’s call to live in community with one’s neighbors, but was herself equally aware of God’s presence in the natural world around her. She received her BFA in Drawing from the Milwaukee Institute of Art and Design, and her MFA from the Yale University School of Art. In the midst of exhibiting in solo and group shows in university and commercial galleries, she moved to Milwaukee to study the Bible and consider how it might re-frame her sense of self and her career as an artist. In 2005 she relocated to Kansas City to help found the Boiler Room, a prayer-focused intentional community where she lives and in which she is the artist in residence. She continues to show her work widely, has pieces in pubic and private collections, and was the subject of a recent film-making project: Linnéa: Freedom Through Limits. More of her art can be seen on her website.

Originally posted February 4, 2012

To say, “I believe in the Church” is to embrace and live into a reality that precedes us, encompasses us, and continues beyond us. Indeed, if we are to truly be the Church in the present, I believe that it is incumbent on us to listen to those who have gone before us, and recognize that our own “here and now” is not the whole of the Christian story. Moreover, paying attention to the voices in the history of the Church can reveal to us our own contemporary blindfolds and assumptions, and might even enable us to approach Scripture with fresh eyes.

As a case in point, over the next three posts I’d like to walk us through a number of what I call “pre-modern” church fathers’ readings of Genesis 1 so that we might hear how Christians have read this text across the last 1600 years. For, while exploring the history of interpretation of any biblical text can teach us several important things, the biblical account of creation in Genesis 1 is a particularly instructive case.

Many, many Christian readers interpreted Genesis 1 during the early, medieval and Reformation eras of the church, but my survey focuses on the accounts given by Origen, Augustine, Aquinas, Luther, and Calvin. Every one of these church fathers held to at least two strong, shared assumptions: first and foremost, they all believed Scripture is the inspired Word of God—an infallible revelation given by God to reveal God and God’s truths for the church. I will return to this point later to show that what these readers meant by “infallible” is not necessarily the same as what many modern readers mean today, but the fathers’ firm conviction in the absolute trustworthiness of the biblical text is something contemporary evangelicals have in common with our predecessors in the faith. Secondly, they all asserted that any good reading of Scripture has the ultimate goal of edifying the Church. A faithful reading is performed in, with and for the Church, for the Church’s strengthening and/or repentance.

Beyond these two essential points about the text itself, all five of these church fathers focused upon several shared theological teachings in their readings of Genesis 1:

• First, the world is created. In other words, the world is not eternal; it has a beginning and an end.
• Second, God created the world.
• Third, God created the world from nothing. This is the Christian doctrine of creation ex nihilo.
• Fourth, the Creator is also Trinity: Father, Son, and Holy Spirit.

The first three of these beliefs—the world is created, God created the world, and God created the world from nothing—set up a clear distinction between God the Creator and created creatures who depend upon God for their creation—that is, the supreme distinction between Creator and creature. This distinction is necessary to demonstrate that only God is God; there is no other God. There is no room for the world or anything else to claim existence outside of or beyond God. God is the beginning of all existence.

Finally, the church fathers’ agreement that Genesis 1 teaches us about God’s Trinitarian nature of Father, Son, and Holy Spirit gives us a sense of the complete and self-sufficient yet still relational quality of the Creator. In sum, Origen, Augustine, Aquinas, Luther, and Calvin agreed that the account of creation in Genesis 1 tells us in some kind of literal way how the world came to exist, but equally that Gen 1 is intended to teach us these key theological truths.

An infinite source of wisdom

One of the key issues debated amongst these early readers of Genesis 1 was a question of methodology: how should one read the text? The pre-modern Church held firmly to the belief of both the divine inspiration of Scripture and Scripture as an infinite source of God’s wisdom, revelation and teaching. This meant that the pre-modern Church believed that there was not just one singular correct meaning of a biblical text, but that there were many possible faithful readings of any given text.

Such an assertion involved the belief that since God is infinite, so also is God’s Word infinite. To assume that there is only one singular correct meaning of Scripture is in essence to “box God in” or offend the absolute sovereignty of God—namely, limiting what God may teach or say through God’s own very Word. Hence, from very early on in the Church’s history, the church held that Scripture has literal and spiritual meanings. The late-2nd / early 3rd-century church father Origen, for one, was a keen proponent of the spiritual reading of Scripture. He maintained that Genesis 1 has both a literal meaning and a spiritual or allegorical meaning. He wrote, “There is certainly no question about the literal meaning, for these things are clearly said to have been created by God,” but then he continued, “but it is also profitable to relate this text in a spiritual sense.”¹

The spiritual meaning of the text, according to Origen, is that the creation account is not simply about how the world was created, but it also sets forth the Christian’s journey in faith from infancy to maturity. Or, put another way, the days of creation are an illustration of the ethical journey of Christians toward righteousness. Thus according to Origen, for example, the separation of waters from the dry land (in verse 9) points to the call for the Christian to seek heavenly things rather than earthly things.² Though they may be literally the creation of the sun, moon and stars, the lights in verse 14’s “Let there be lights” spiritually signify Christ and his Church—Christ who is the “light of the world” and the church who has been called to reflect this light into the world (John 8:12).³ Hence, though Origen affirmed the literal reading of this text as teaching that God created the world, the weight of his focus fell upon reading Genesis 1 as a road map for the Christian’s journey in righteousness towards becoming more Christ-like.

The renowned late 4th/early 5th-century church father Augustine also believed in reading Genesis both literally and spiritually, though he placed more emphasis on the literal reading than did Origen. Augustine commented on Genesis 1 several times, including Against the Manichees and A Literal Interpretation of Genesis. In the both of these accounts, his primary intention was to set forth that the world is created by God out of nothing—hence light vs. dark or good vs. evil cannot be rightly believed to be dualistic entities. In fact, God is the only Supreme Being, and God created everything else out of nothing—not out of God’s self (which leads to pantheism or pan-entheism), nor out of something else existing alongside God (which would lead to dualism or the belief that there are two or more equal entities that can claim to be gods). All of these theological teachings were set forth to deliberately counter the heretical teachings of the Manicheans in Augustine’s day. Hence, one might argue that Augustine’s “literal” reading of Genesis was very much focused upon certain theological teachings of Genesis 1.⁴

But Augustine did not stop there. He also provided a number of ways in which the literal words of Genesis 1 may point to a spiritual meaning. For example, Augustine writes that the 7 days of creation represent the 7 ages of the world. Moreover, Augustine—much like Origen—also read the 7 days of creation in terms of the Christian’s spiritual journey in faith. Thus, Day 1 is the light of faith, day 2 is a time of learning and discernment; day 3 is the separation of heavenly and earthly things; day 4 is development in spiritual knowledge; day 5 involves good works; day 6 is being made in the image of God to gain mastery over carnal desires, and day 7 is a day of perpetual rest.⁵

Key theologians of the early church (such as Origen and Augustine, as we’ve discussed) read Scripture with multiple senses and meanings—with a literal sense and multiple spiritual senses. However, not all fully agreed with this methodology. Though most all would certainly hold to multiple senses of Scripture, some readers insisted upon a more profound attention to the literal sense, and the use of the literal sense to help restrain or hold in check the possible spiritual readings. Such 3rd- and 4th-century Church fathers, as St. Basil the Great, John Chrysostom, St. Ambrose, and Theodore of Mopsuestia insisted upon a much more restrained literal reading of Genesis 1.⁶

Yet even those who insist upon a more literal—or more historical—interpretation of Genesis 1 still contended that the primary purpose of any reading was to edify the Church, which entails setting forth the key theological teachings of Genesis 1, rather than focus on the material specifics. Again, such teachings include that the world is created, that God create the world out of nothing, and that the creation account demonstrates the great order and harmony of creation as a testimony of the God’s glory, beauty, and goodness.⁷

More than one thousand years later, 16th-century Protestant Reformers Martin Luther and John Calvin strongly argued for a literal reading of Genesis 1 over and against an allegorical one. Luther wrote, “God’s purpose is to teach us not about allegorical creatures and an allegorical world, but about real creatures and a visible world apprehended by the senses.”⁸ Calvin maintained, “For to my mind this is a certain principle, that what is here treated is the visible form of the world.”⁹

Yet Luther and Calvin also insisted that the central purpose of Genesis 1 is to set forth the theological teachings that the world is created, that God created the world out of nothing, and that creation demonstrates God’s providence, divine purpose, goodness and benevolence.¹⁰ While these historical readers do not all agree on whether Genesis 1 should be read allegorically, what becomes crystal clear is that for all of these interpreters, in one way or another, a “literal” reading of Genesis 1 retains as its focus the theological teachings of the text. In our next installment, we’ll look briefly at some of the difficulties our expositors perceived in Genesis 1 when they did attempt to read it literally.

Notes

1. Origen, Homilies on Genesis, 60.
2. Origen, 49, 50.
3. Origen, 53-55.
4. Augustine, Against the Manichees, 57, 58 and Genesi ad litteram, 145-46.
5. Augustine, Against the Manichees, 83-88, 89-90. The seven ages are the following: Day 1 = the infancy of the world that stretched from Adam to Noah; Day 2 = childhood, stretching from Noah to Abraham; Day 3 = adolescence, encompassing the biblical history from Abraham to David; Day 4 = the age of youth, from David to the Babylonian captivity; Day 5 = youth to old age, stretching from the Babylonian Exile to the first advent of Christ; Day 6 = old age, the coming of Christ until the 2nd coming; and Day 7 = on the even and including the 2nd coming of Christ.
6. St. Basil the Great, Hexameron 9.1.
7. Ibid, 7.6, 1.7-9, 1.2-4.
8. LW 1:5.
9. John Calvin, Commentary on Genesis, 79.
10. LW 1:3, 4, 10, 18, 36, 39, 47, 49. Calvin, Commentary on Genesis, 70, 89, 80-82, 88.

Photo credit: Jan Bacon

Singer/songwriter Andy Zipf’s “Stumble on the Line” is built around the image of a river flowing through a canyon it has sculpted—an image that can easily be played out as a picture of the way that the Lord has been at work preparing a path for us in the material world, complete with signposts to his former and present activity. Zipf’s imagery of flowing water as a powerful (even dangerous) but also refreshing force echoes the similarly-complicated place of springs and rivers and seas in the scriptures; his description of his own path through the canyon calls to mind the Psalmist’s affirmation that his help comes not from the idols erected on the heights, but from the maker who has crafted both heaven and earth. Here, the river has literally made the canyon, carving it through the “years and layers,” and leaving the evidence of that long work as a sign to all who journey through.

But though Zipf’s canyon provides shelter, a good measure of necessary constraint, and even encouragement to keep moving along the river-course, the thrust of the song is that seeking God is a complicated, sometimes difficult endeavor, whether we are looking for Him through what He has made or through what He has said. The lyrics suggest that walking with the Lord is a path of halting discovery and intrigue, of our learning to notice the way God’s actions in the past are written subtly into the world around us. But Zipf also implies that this is a path that requires obedience, since we are also confronted with the fact that He sometimes speaks to us directly and unequivocally, saying, “follow me.” The song does not take its name and refrain from the river itself, then, but from how we tend to navigate and respond to the terrain it has carved: we “stumble on the line.”

Though pursuing the text’s geologic conceit a bit further is possible, what is more poignant for all of us engaged in the science and faith dialogue is that “Stumble On the Line” is at its heart a love song addressed to the “you” that is the river—the one who has carved the path and along whose banks the singer and we pick our way. Our attentiveness to this terrain of faith does not come first from our desire to analyze and categorize the “evidence” of how it came to look as it does, or even to demystify the mechanism by which a message might be written “in a line of stones.” Rather, what leads us on is the desire to know how to relate to the water itself. The song describes not just a physical path, then, but one of the heart and will.

Indeed, the personal address of the song focuses our attention on the fact that the subtlety or obviousness of the signs along our way have much less to do with whether or not we heed them than does the basic dividedness of our hearts. As Zipf says, we alternate between “trying to reach” and “trying to leave” the One we love. Put another way, we do not reject how God has written his past activity into the layers and years of the earth, or spelled out his intentions for us in the future because they are not obvious, but for the same reason we reject any and all of His claims on us at one time or another: because we wish to be the ones who forge the path, write the story, and sing the song. Our pride—whether in our science or our righteousness—is what keeps us blind and deaf to His leading in our daily path. And yet, even—perhaps especially—in response to our pride, God makes a way for us to gain a better perspective, and leads us on towards Him through whatever means we need.

To return to the language of the song, there is a beautiful ambivalence to the word “stumble,” that contains reminders that following the Lord involves being ever surprised by His ways (we “stumble on” his truth as an unexpected discovery), and ever broken by our own ways (we “stumble on” our pride as an impediment to seeing and following). Yet in both cases, our stumbling leaves us in the same position: on our knees before the one who is both maker and guide. In the last few repeated lines of the piece Zipf affirms that we must and will continue to stumble on in this path of love, whether we come to each stumbling place through surprise and joy, or pride and brokenness. From that position of humility and worship we have the proper perspective to see and affirm that the God who creates is the God who speaks is the God who redeems—the Lord who meets us on our knees, lifts us up, and guides us into the steps of His righteousness.

“Stumble On the Line”

© 2009 by Andy Zipf

I walk a weathered canyon
you're the rapids, running through it
years and layers start to show
in the soil, there is a swelling, beating rhythm to it
earnest prayer I used to know

on the one side, I reach you
on the other, try to leave you
in between the faults of my youth
I stumble on the line to love you

came upon a message,
hidden in some shallow water,
written in a line of stones
telling me to go on down the canyon, follow after. . .
so I keep on. . .

on the one side, I reach you
on the other, try to leave you
in between the faults of my youth
I stumble on the line to love you

I walk a weathered canyon
you're the rapids, running through it
years and layers start to show
in the soil, there is a swelling, beating rhythm to it
earnest prayer I come to know

on the one side, I reach you
on the other, try to leave you
in between the faults of my youth
I stumble on the line to love you.

Though now based in Washington, DC, Andy Zipf began life in the Midwest (Indiana, Illinois, Iowa), but moved to Pennsylania and then New Jersey before his family settled in northern Virginia. He began his career as a professional singer and songwriter shortly after high school, and has performed over 400 times in the last four years—in living rooms, coffee houses, churches, concert halls, and bars. Though “Stumble on the Line” comes from Andy’s 2009 ep “Our Voice Is a Weapon,” his third full-length album and seventh studio release, “Jealous Hands,” became available in July, 2011. More details on Andy and downloads of his music may be found on his website.

No Football Coaches

When I explain this position to students, I like to start with a little puzzle. Many years ago, after attending an academic conference in a major city, I was driving through the rural countryside some distance away, en route to an historic house that wasn’t well marked. As I got closer to where I thought I might start seeing some signs directing me to the house, I noticed a fair-sized hotel, restaurant, and bar off to one side of the road. What really caught my attention was a sign, prominently displayed at the start of the driveway, warning off a certain clientele: NO FOOTBALL COACHES, it said. Unfortunately I’d forgotten my camera, but this is pretty much what I saw.

When I show it in class, I ask the students to guess what this was all about: why such a sign outside of such a place? The stories they come up with are pretty good. My favorite involves two neighboring high schools, arch rivals, with the football coach at one having an affair with the wife of his opposite number, resulting in fist-fights in that bar every fall, when friends of one man or the other would go at each other in the bar, which was on the highway connecting the two school districts. After a few students have tried their luck to no avail, someone asks, where did this take place? Was it maybe in England, where football means soccer and coach means bus? Give that student an A, I say. It was England, on a highway running between York and Manchester. Now, who can fill in the blanks? Almost right away, a student will explain that soccer fans in England can be pretty rambunctious, and that a busload of them might not make the best impression on the rest of the clientele at a respectable country inn and pub. Thus, the manager would rather not have their business.

The take-away message, of course, is that there is always a context in which the meaning of a text is embedded. Unless you know something about the time and place in which a text is composed, you aren’t going understand what it actually says. The same is true for any part of the Bible, including the opening verses of Genesis. That’s the bottom line for the Framework View: if you don’t know anything about literature and culture in the Ancient Near East, you won’t understand what Genesis is really saying.

Core Tenets or Assumptions of the Framework View

(1) The “days” in Genesis have nothing to do with historical time; they are literary devices, employed by God in order to communicate the story of the creation in terms that we can understand.

This sounds like an example of the principle of accommodation, and it should. The activities of the six days of creation are arranged into a “framework” of two triads (days 1-3 and days 4-6), with parallel types of activities in each triad.

Thus, light is created on the first “day,” and on the fourth “day” God makes the Sun and Moon, the two great lights in the firmament that produce light and “rule over” the day and the night. The air and sea appear on the second “day,” and on the fifth “day” God fills them with birds and fish, etc. In other words, the order of events seems to be more logical than chronological. The key element is the fourth day: as we noted in our discussion of Concordism, the Sun was not made until the fourth day, yet it was expressly given the task of producing the day and the night and we’ve had “evening and morning” since the first day. What’s going on here? How can this be taken “literally”? Advocates of the Framework view see a solution in the parallel triads.

Another way to see this focuses on the second verse in the Bible, which reads (in the American Standard Version, a translation that follows the Hebrew closely), “And the earth was waste and void; and darkness was upon the face of the deep: and the Spirit of God moved upon the face of the waters.” God is confronted by darkness, a watery abyss, and a formless earth—each of these features posing a problem for God, who deals with them in the subsequent six “days.” First, on “days” 1 to 3, God prepares the heavens and the Earth to be a home for the great creatures to come, by separating light from darkness, separating waters above the firmament from waters below the firmament, and causing the dry land to “appear” and to “put forth” vegetation. Then, on “days” 4 to 6, God makes the creatures and puts them in the places God has prepared—the Sun and Moon in the “firmament of heaven (day 4), birds in the air and fish in the seas (day 5), and finally “the beasts of the earth” and “man” on the land (day 6).

We emphasize that the Framework View is simply about the Bible, not about science. The Earth and the universe can be as “young” or “old” as anyone wishes to claim, because the literary form of early Genesis leaves this an open question. The “days” were probably meant to be understood “literally” as ordinary days, but only in the context of a literary form that was not meant to be understood literally, when taken as a whole.

What about the seventh “day”? Because it lacks a “morning” and an “evening” in the text (have you ever noticed this?), some authors interpret the seventh “day” as a prophetic reference to God’s own eternal rest, which has not yet begun and which we will share with God in the eschatological future. An OEC book I discussed in my column on Concordism, Robert Newman’s Genesis One and the Origin of the Earth (1977), advocates this interpretation (see pp. 65-66), and so do some advocates of the Framework View.

(2) When seen against the cultural and literary context of the Ancient Near East (ANE), it is clear that Genesis was written to combat the polytheism and pantheism of other creation stories. It was not written to provide a scientifically accurate account of the creation.

This is why the Sun and Moon are not even named on the fourth day: they were worshipped as divine beings by many people in the ANE, and the Hebrew author(s) of Genesis intentionally omit their names as an act of defiance against worshippers of those two false gods. (Remember: for the ancient Egyptians, the Sun was the chief god.) Furthermore, the stars are mentioned simply as an afterthought, at the end of verse 16: “And God made the two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also.” This was done deliberately, as a way of belittling the Babylonians and others who worshipped them. Indeed, the whole creation account stands in the face of polytheism, by affirming that the one true, invisible God has actually created all visible things, including the heavenly bodies. Nothing we see is divine: this is the essence of monotheism, stated bluntly and boldly.

(3) It is not possible to find a close match between what is proclaimed in Genesis—that God is the creator—and the details of natural history. We should not approach this text with inappropriate expectations.

For many readers, the crucial question awaits: according to the Framework View, is Genesis 1-3 historical in any meaningful sense? Here there is a division of the house, with authors falling into either of these two camps:

(1) Genesis 1-3 is an historical narrative (though not strictly chronological), not a creation myth. As Lee Irons and Meredith Kline emphasize in The G3N3S1S Debate, “The framework interpretation does not teach that creation was a nonhistorical event” (p. 220). The universe was actually created, Adam and Eve were the first humans, and the Fall was a real historical event. Some OECs like this approach, which can be seen as a looser type of Concordism than the day-age theory; Bernard Ramm’s “moderate concordism” might be understood as fitting into this category, even though he did not discuss the Framework View per se.

(2) Genesis 1-3 is not an historical narrative; it resembles some other, older ANE creation stories. Conrad Hyers advances this view in his book, The Meaning of Creation: Genesis and Modern Science ; see below. Some aspects of the story reflect this: the days, the progression from chaos to order, and the creation of humans from mud or clay. These are common to other ANE stories, and they are present in Genesis because that’s what hearers in the ANE expected such stories to include. Other aspects of Genesis, however, are profoundly unlike other ANE stories: the transcendence of God and the de-deification of nature. These constitute the crucial, timeless, substantive message that God has revealed to us. Theistic evolutionists tend to like this non-historical approach, which is not usually seen as a kind of Concordism.

Historical Comments

The Framework View is modern, but its attitude toward the Genesis “days” is similar to that held by Augustine. As I explained in an earlier column, he taught that God created all things at once and told us about it in the pattern of six days, in order that we could understand it. The days themselves, however, were “unknowable” and not meant as a “literal” description of the passage of time.

In the 19th century, the German scholar J. H. Kurtz put forth an interpretation that Ramm called the “pictorial day” view, which he considered to be a type of “Moderate Concordism,” the overall position that Ramm himself favored. Kurtz described the creation story as “prophetico-historical tableaux, [in] which are represented before the eye of the mind, scenes from the creative activity of God, each one of which represents some grand division of the great drama, some prominent phase of the development” (The Bible and Astronomy, 1861 Philadelphia edition, p. 110). His Scottish contemporary Hugh Miller, one of the most prolific and influential evangelical writers of his day, endorsed Kurtz’ interpretation, holding that “the form and nature of the revelation” in Genesis was “conveyed by a succession of sublime visions” (The Testimony of the Rocks, 1857 Boston edition, p. 180).

The Framework View itself, with the “days” arranged in parallel triads, was first proposed in 1924 by the Dutch scholar Arie Noordzij and made more widely known by another Dutch scholar, N. H. Ridderbos. His book—Is There a Conflict Between Genesis 1 and Natural Science?—was translated into English in 1957. Subsequently, Kline and the French theologian Henri Blocher have been its most prominent supporters.

An Assignment: It’s Your Turn to Read and Write

I’ve done most of the heavy lifting in this series, but now it’s your turn. As a way of getting into all three of the views we’ve studied thus far (not simply the Framework View), I’d like everyone to read an article by Conrad Hyers, “Dinosaur Religion: On Interpreting and Misinterpreting the Creation Texts,” Journal of the American Scientific Affiliation 36 (September 1984): 142-48. The questions below are intended as helpful suggestions; feel free to discuss other matters as well!

1. What does Hyers mean by “dinosaur religion”?

2. What is Hyers’ most basic objection to “creation science,” the YEC view?

3. What does Hyers believe to be the true message of Genesis One?

4. Overall, do you agree with what Hyers says? Why or why not? Whether or not you agree, do you have any critical comments?

NOTE: Hyers wrote a sequel, “The Narrative Form of Genesis 1: Cosmogonic, Yes; Scientific, No,” Journal of the American Scientific Affiliation 36 (December 1984): 208-15, in which he employs an interpretive scheme highly similar to the Framework View, although that term is not used. I encourage you to read this also, but our discussion will focus on the first article.

Looking Ahead

In our next column on August 14, we begin a lengthy discussion of Theistic Evolution. Although that is the view advocated (under an alternative name) by BioLogos, I will approach it no differently. After explaining its central tenets, we’ll examine them critically and outline its history. Between now and then, I’m keen to see your responses to the assigned reading. If you gotten this far, you’re more than just a casual reader. Tell us what you think of Hyers’ ideas.

One thing I ask from the LORD,
this only do I seek:
that I may dwell in the house of the LORD
All the days of my life,
to gaze on the beauty of the LORD
and to seek him in his temple.

Psalm 27: 4

I belong in the ranks of those who have cultivated the beauty that is the distinctive feature of scientific research.

Marie Curie¹

All of the biologists I know are undeniable lovers of their objects of study...

Konrad Lorenz²

Beauty in Science

As a biologist, I am fascinated by the fluorescent-on-black images of cells, 3D rotations of protein structures, and cross-sections of colourful tissue samples that grace the covers of scientific journals. I have spent whole weeks staring down a microscope at the beautifully transparent bodies of developing fish embryos, and whenever possible I illustrate my written work with photographs of the natural world. I’m not alone. In the institute where I did my PhD we had a basement full of microscopes and imaging technology, and it was considered important to have beautiful images in your presentations—movies were even better. The journal Nature: Cell Biology always features striking images on its covers, and in an editorial these photographs were described as works of art in their own right. In fact, ‘scientific art’ has become a recognised genre, and displays of science-related images are increasingly popular in research institutes, museums, science festivals and other public spaces.

Indeed, a number of practicing scientists have devoted their time outside the lab to communicating the beauty and wonder of science to the general public. (See sidebar.) One of these is Dr. Lynne Quarmby, a cell biologist who’s passionate about explaining her work to people outside of the scientific community. She writes a regular column, a ‘nexus of mystery, art, literature, beauty and science,’ for the online literary magazine Numéro Cinq.

If we can recognize and acknowledge that our direct biological senses, as wonderful as they are, give us only a tightly pinched and cloudy view of the world, then we open ourselves to unimagined beauty.

Lynne Quarmby, Numero Cinq, 2011³

Biologists often label themselves according to the ‘model organism’ that they work on. I was a zebrafish person, and Quarmby is a Chlamydomonas person. Chlamydomonas is not an STD (you’re thinking of Chlamydia), but a gentle single-celled algae that is in all likelihood swimming around the standing water in your garden as you read. This microscopic creature is easy to grow in the lab (a jam jar on a sunny windowsill will do), its genome has been sequenced, and it is a surprisingly powerful tool for studying human disease.

Chlamydomonas was not an obvious choice for medical research, but the secret is in the cilia. Cilia are hair-thin appendages that wave around in a coordinated fashion to move their owner from A to B. But these algae don’t spend their whole lives swimming around. When they reproduce, their cilia are absorbed back into the cell body (scroll to the 4th video here). When conditions are stressful, the cilia simply drop off. Quarmby and her students studied Chlamydomonas mutants that hold on to their cilia, and discovered a family of proteins involved in the regulation of both cilia and cell division.

At the same time as Quarmby was studying the behaviour of cilia in Chlamydomonas, medical researchers were identifying genes that are mutated in humans. The same proteins involved in cilia and cell cycle control in Chlamydomonas were affected in some patients with polycystic kidney disease. What’s the connection? Cell biologists knew that most of our cells have cilia on them, but assumed that they were not important. Our cells generally do not swim around, unless they’re sperm. It turns out that these tiny appendages are involved in a whole range of vital cell functions. The cilia on kidney cells are important for sensing the flow of urine, and without these the kidney cannot function properly.

Perhaps beauty is in the eye of the beholder when it comes to unicellular flagellates, but what I appreciate is the detail. To see the minutiae of cell structure is stunning, particularly when you know how difficult it is to achieve images like the ones in this article in the journal Cytoskeleton, or even the image of an adult rat head, below. And little Chlamydomonas, a microscopic pond dweller, has advanced our understanding of a devastating human disease. This combination of aesthetic experience and elegant scientific explanation is what I find beautiful. ⁴

Adult rat head MRI © Gavin Merrifield, University of Edinburgh.

It appears to be a universal experience for scientists to find beauty in their experimental systems. Perhaps this is because the daily discipline of examining anything in detail brings an appreciation of its finer points. Or maybe the process of choosing something to study and then spending the greater part of one’s waking hours staring at it provokes something akin to the loyalty of the mother who thinks her child is beautiful, despite the large pimple on its nose. But even bearing in mind the fascination and devotion of the true professional, there seems to be something more in the scientist’s experience of beauty.⁵ Most, I think, simply delight in the beauty of creation. For some, this gives a sense of the transcendent: a sort of natural spirituality. For a Christian, this encounter with beauty draws them nearer to God.

Christian Appreciation of Beauty in Science

One of the driving forces behind the work of many of the early scientists was their Christian faith. The astronomer Johannes Kepler (1571-1630) initially hoped to pursue theology, but was eventually satisfied that science was also a way to glorify God.⁶ Many others, including the famous naturalist John Ray (1627-1705), were ordained clergy in addition to their academic studies, so their science and theology were naturally interwoven. Others, like James Clark Maxwell (1831-1879), examined Christianity as rigorously as their scientific experiments.

These pioneering scientists (or ‘natural philosophers’, as they called themselves back then) were encouraged by a rich tradition of theology that wholeheartedly encouraged their exploration of creation. The Hebrew Scriptures tell how creation reveals the glory, generosity and faithfulness of God who created and sustains everything.⁷ The beauty of the land and everything in it is celebrated: mountains and trees, plants and animals, men and women.⁸ A number of the earliest Christian theologians, the Church Fathers, often expressed their delight in the details of animal and plant life, and what we now understand as ecosystems.

Diversity of beauty in sky and earth and sea…the dark shades of woods, the colour and fragrance of flowers; the countless different species of living creatures of all shapes and sizes…the mighty spectacle of the sea itself, putting on its changing colours like different garments, now green, with all the many varied shades, now purple, now blue.

Augustine, The City of God

Theologian Jame Schaefer has surveyed the writings of many of the Church Fathers and Medieval theologians, and found five broad themes in their contemplation of creation.⁹

• Affective appreciation: Simply delighting in what is seen.
• Affective-cognitive appreciation: A deeper, scientific study of creation leads to even greater joy for the beholder.
• Cognitive appreciation: Thinking in more abstract ways about the beauty of the interconnected universe. Each part plays its unique role for the greater good of the whole.
• Incomprehensibility: Being overwhelmed by the magnitude and complexity of the universe and everything in it.
• The sacramental quality of the physical world: The world God has created mediates something of God’s presence and character to us.

One of my favourites among the theologians covered in Schaefer’s work was an unnamed Cistercian who in the twelfth century wrote extensively about the grounds of the abbey in which he lived, and the surrounding countryside. He was obviously very happy with his vocation, and had a good understanding of the interconnectedness of the different factors: water, weather and crops - an early ecology. Basil of Caesarea (ca. 329-379) spent time observing animals and plants, noting similarities and differences, and encouraged others to do the same, giving glory to God for everything he saw. Hugh of Saint Victor (1096-1144) delighted in what his senses could tell him about creation, so enabling him to praise the Creator all the more, and lamented that others might pass such an opportunity by.

An important Medieval figure in the early development of science is Albert the Great (ca. 1200-1280), teacher of Aquinas, who wrote on “the importance of observation and experimentation in field and laboratory studies of animals, plants, metals, and inorganic elements”. He carried out field studies, and “legitimised the study of the natural world as a science within the Christian tradition.” For him, appreciation of creation had both cognitive and emotional aspects.

For all of these early scholars, to study creation and enjoy its beauty was an activity that everyone should engage in using their God-given intellect. Their detailed exploration of the wonders of the universe was fuelled by faith in a benevolent creator God, and this deep intellectual study led to heartfelt praise for the one who made it. Is this something we can share?

Protein structure model © Dr Neville Cobbe

The series continues tomorrow with Part 2: Understanding Beauty in Science.

Notes

1. Bersanelli, M. & Gargantini, M. Galileo to Gell-Mann: The Wonder that Inspired the Greatest Scientists of all Time. Templeton Press, Philadelphia, 2009. Page 9.
2.Ibid., Page 10.
3. I should highlight that as far as I know Lynn Quarmby is not religious and has not in any way endorsed this blog.
4. Further reading: http://quarmby.ca/, http://blog.quarmby.ca/, http://www.ncbi.nlm.nih.gov/pubmed?term=Lynne%20Quarmby, http://www.ciliopathyalliance.org/
5. I try to avoid using the words ‘nature’ or ‘the natural world’ as much as possible because of the ambiguity of the word nature, which is often wrongly used to create a divide between natural and supernatural worlds. This is ancient Greek philosophy and has nothing to do with the God of the Bible. When addressing Christians I usually use the word ‘creation’ in its traditional theological sense, meaning ‘everything that exists apart from God’, without connection to any one particular interpretation of Genesis 1-3.
6. Frankenberry, N.K. The Faith of Scientists, Princeton University Press, 2008.
7. For example, Psalm 29, 104, 148; Job 38-41; Joel 2: 18-32, Isaiah 41:17-20, Hosea 14:5-8.
8. Young’s Analytical Concordance to the Holy Bible.
9. Schaefer, J. Appreciating the Beauty of the Earth, Theological Studies 62 (2001), p23-52 & Schaefer, J. Theological Foundations for Environmental Ethics: Reconstructing Patristic & Medieval Concepts, Georgetown University Press, Washington, DC, 2009.

This essay considers the meaning of another small word, but not one in Latin or Greek. This word appears in the Hebrew language in which the Old Testament was written. It is the word pronounced, mîn, that can be rhymed with “green.” In Modern Israeli Hebrew the word has taken on the meaning of “species.” This is also the traditional way in which is it translated in the Old Testament of Genesis 1. It appears in Genesis 1:11, 12, 21, 24, and 25. A survey of a variety of English translations (King James Version, New American Bible, New Revised Standard Version, English Standard Version, and New International Version) reveal that the translation “kind” or “kinds” is used.

Can we be more specific? Does the word imply a zoological classification such as the term “species” would in scientific discussions of the animal and vegetable kingdoms? It is always dangerous to apply modern concepts to ancient literature. The use of classificatory schemes provides a good example. The application of categories of knowledge in pre-Aristotelian writings invites misunderstanding as the means of viewing the world and its elements differed from the way we look at things today. This does not mean that communication is impossible; only that we need to remain especially cautious not to import our understanding of matters onto the ancient worldview of writers without approaching these questions carefully and critically.

In terms of ancient (or modern) literature, a word is best understood according to its usage in the writings in which it occurs. This suggests that context determines meaning. This is especially true where it appears multiple times in the same type of literature written from the same culture and general time period. The study of context is the primary determinant for understanding the definition of a word.

Secondarily, one may consider related words in the same literature. Because a Semitic language such as Hebrew is based on roots (usually of three consonants) that each generate verbs, nouns, and other particles of speech, words formed from the same root may provide additional understanding of the term we are considering.

The third area for study is where the same word occurs in comparative literature coming from similar, though not identical (which we consider in the first category), cultures and times. The Old Testament was written in Hebrew but we do not have much additional Hebrew writing preserved for us from the time when this part of the Bible was written. However, there are closely related Semitic languages that possess a wealth of literature and may contain our word in their writings. If so, it would be good to check this and see if there is a relationship there. At the same time, later Hebrew, written by Jewish scholars, may also use this word. It is of value to compare the usage here. This part of the study can confirm and refine our understanding of mîn, but it should not overturn clear contextual indications from the Old Testament usage itself.

Finally, we should note that, in the Old Testament, mîn does not appear by itself. Every one of its occurrences forms part of the same prepositional phrase. Thus our work is not complete when we have identified the contextual and comparative meaning of the word. Instead, we need to examine the usage of the term within this prepositional phrase. Such expressions can sometimes alter the meaning of the term. This is especially true in idioms, but also occurs in other common expressions.

Old Testament Context of mîn

The Hebrew term, mîn, occurs 31 times in the Old Testament. These occurrences are found in four contexts: the creation story of Genesis 1 (vv. 11, 12, 21, 24, and 25), the flood story (Genesis 6:20; 7:14), the lists of clean and unclean animals in Leviticus 11 (vv. 14, 15, 16, 19, 22, and 29) and Deuteronomy 14 (vv. 13, 14, 15, and 18), and the single occurrence in the prophet Ezekiel’s vision of the future river that will flow from the Jerusalem temple to the Dead Sea (Ezekiel 47:10).

The usage in Genesis 1:11 and 12 associates mîn with vegetation, especially those plants and trees that have seeds and bear fruit. These will form the basis for the food to be eaten by people, birds, and land animals in Genesis 1:29-30. There is no specification of mîn in terms of species or any more specific category than edible plants and fruit trees.

The same seems to be true in Genesis 1:21, where mîn appears alongside large and small sea creatures and birds with wings. The second and third days of creation in Genesis 1 describe God’s demarcation of three domains of the physical world: the sky, the seas, and the dry ground. On days five and six God fills these areas with life, with living creatures. For the sky and sea, the creatures are defined according to their general means of locomotion and not in any other way. Modern zoological classifications use criteria in addition to locomotion. Thus there are few clues that would connect mîn with any modern classification system.

The appearance of our term in Genesis 1:24 and 25 brings us to the fifth day when God fills the dry land with life. Here God creates three categories: livestock, wild animals, and creatures that crawl along the ground. In v. 24 the general category of all living animals on the ground is described with mîn; whereas in v. 25 each of these three categories receives this term. Thus the term can be used of more general and more specific “kinds” of animals within the same grouping.

The term recurs in Genesis 6:20 and 7:14, where it modifies individually the bird, the wild animal of the land, and the creature that crawls along the ground. In Genesis 7:14 livestock is added to those in the ark. It also is modified by mîn. Here the categories of animals resemble those in Genesis 1. From these “kinds” would come all the species that are found in nature. This confirms the broad usage of mîn but does not add new information.

The usage of mîn also occurs in the listing of unclean animals. It occurs in a list in Leviticus 11:14, 15, 16, 19, and 22; which closely follows the list in Deuteronomy 14:13, 14, 15, and 18. Only Leviticus 11:22 is separate. This list includes specific names of small wild animals, various birds, and insects (Leviticus 11:22). Although there is discussion and dispute regarding the specific identification of various of these animals, it is clear that they form subcategories of those types to whom the term mîn was applied in Genesis 1, 6, and 7. The resulting picture is thus that mîn applies to a variety of animal categories, both those more general and those more specific. While particular species may be described in Leviticus and Deuteronomy, that is certainly not the case in Genesis, where the categories of living creatures are much broader.

The remaining text with mîn is Ezekiel 47:10. Here the fresh water that will pour from the temple into the Dead Sea forms a natural habitat for fish that are mîn and are compared with those fish found in the Mediterranean Sea. As in Genesis 1:21, the picture is one of general creatures of the sea, rather than what anyone might identify as a particular species. Indeed, if the translation of the phrase in which mîn occurs is understood (following the New International Version) as, “The fish will be of many kinds,” then this could envision various species. However, such an interpretation is not explicit from the text itself.

Our survey of the usage of the term in biblical Hebrew suggests that it may describe all types of plants and animals, and this may include mîn in the broadest categories of living creatures: green plants with seed, fruit trees, birds, sea creatures, fish, wild land animals, domestic animals, and creatures that creep along the ground. It may also include specific categories as enumerated in Leviticus 11 and Deuteronomy 14. Thus mîn does refer to various kinds of living creatures without a predisposition as to how large a category is intended. Only context can tell us that. The term is applied only to living creatures as described in the Bible. It is never applied to people, abstract concepts, or nonliving objects.

In Part 2, Dr. Hess expands his analysis in by exploring closely related words in the Old Testament and by comparing how mîn is used in literature coming from similar cultures and times.

It is obvious to anyone with even a cursory interest in the topic of ‘origins’ that the Bible’s opening creation account (Gen. 1:1–2:3)¹ has been the subject of a very heated debate in recent years between so-called ‘six-day creationists’ and those branded ‘scientific materialists’. These labels are frequently used in a pejorative sense, so let me flag that my use of these epithets is one of convenience not criticism.

The six-day creationists insist, largely on the basis of Genesis 1, that the universe was created in just one week about 6000 years ago and that no other interpretation of the biblical material is possible for those seeking to be faithful to Scripture as divinely inspired. The scientific materialists retort, largely on the basis of the scientific data, that such a view is patently false and that the universe is close to 14 billion years old. Therefore, the Judeo-Christian account of our origins, they say, must be dismissed as irrelevant for our day. There are, of course, innumerable ‘middle-positions’ that are less relevant to the argument of this paper.

In what follows, I hope to demonstrate that both sides of the debate—as they typically present themselves—make a similar mistake. They form their conclusions about the biblical account of creation in isolation from the conclusions of many mainstream contemporary biblical historians. And it is as a historian that I wish to address this theme.

Six-day creationists and scientific materialists approach the opening chapter of the Bible in a ‘literalistic’ fashion. I use the word ‘literalistic’ deliberately, as I want to distinguish between literalistic and literal. A literalistic reading takes the words of a text at face value, interpreting them with minimal attention to literary genre and historical context. A literal reading such as my own, on the other hand, gives serious consideration to both the literary style and the historical setting of a text. It tries to understand not only what is said but what is meant—i.e. what the original author intended to convey. Sometimes in literature what is meant and what is said do not have a one to one correspondence. In metaphor, for example, what is meant is greater than what is said (‘The Lord is my shepherd’, Ps. 23:1). In hyperbole what is meant is less than what is said (‘If your right hand causes you to sin, cut it off and throw it away’, Mt. 5:30). One can read such literary devices literally—trying to discern what the literature intends to convey—without reading them literalistically.

Both six-day creationists and scientific materialists approach Genesis 1 as if the original author had intended to narrate the mechanics of creation in historical prose. I believe this is a mistaken, literalistic reading. For over a century now, a great many biblical historians have detected in the Bible’s opening words a style other than simple prose and a purpose other than to explain how the universe was made. These two issues, genre and purpose, are critical for understanding this foundational portion of the Jewish and Christian Bible. In what follows, then, I want to unpack what many modern scholars are saying about these issues and demonstrate that, properly understood, Genesis 1 teaches nothing scientifically problematic for the modern enquirer. I emphasize the adverb ‘scientifically’, since there is plenty in Genesis 1 that is theologically and existentially confronting. That is the aim of the text, as I understand it.

But, first, an important clarification: I must emphasize that this paper assumes no particular view of human origins. The questions explored are literary and historical, not scientific. My rejection of the literalistic reading of Genesis 1 offers no direct support for old-earth, progressive creationism (or ‘theistic evolution’, as it is sometimes called), nor is it intended to do so. In fact, the case made below is consistent with virtually any scientific account of origins. To put it starkly but no less accurately, even if science ended up proving that the universe was created in six days around 6000 year ago, this happy correspondence between the scientific data and the surface structure of Genesis 1 would not affect my interpretation of the text at all. I would still insist that the opening chapter of the Bible does not aim to teach a particular cosmic chronology and that to suggest otherwise misconstrues the author’s original intention.

An analogy may help. Suppose that some clear historical evidence were discovered that around AD 29 a certain fellow from Samaria was travelling along the Jerusalem-Jericho road and came upon a Jewish man stripped of his clothes and beaten half to death. The Samaritan promptly tended to his wounds and paid two denarii for his care at a nearby guesthouse. Would this chance discovery—perhaps in some passing report by Josephus or Philo—have any bearing on the actual point being made in Jesus’ famous parable of the Good Samaritan (Luke 10:30–37) where precisely such details are narrated? The answer is ‘No’. It would certainly be a happy coincidence if one of Jesus’ didactic illustrations turned out also to be a true story, but it would not alter the fact that the ‘parable’ itself—a well-known literary device of Jewish antiquity—was never intended to be heard as a historical narrative. Parables are narrative constructs with a moral or spiritual message. Whether they correspond to events in time is of no consequence.

The parable of the Good Samaritan, therefore, is (in theory) consistent with any view of the historicity of the story because factuality is not relevant to the genre. A person reading the text may, of course, believe that Jesus was telling a factual story—it may well be—but he or she could not argue that the story puts itself forward as such; it is obviously a parable (even though, interestingly, the story is not introduced as a parable in Luke’s Gospel). The point here is not that Genesis 1 is also a parable. Not at all. I am simply emphasizing that some parts of Scripture, rightly interpreted, commit us to no particular view of the factuality of what is described. I do not believe that Genesis 1 teaches a six-day creation but this is neither an endorsement of theistic evolution nor a denial of six-day creationism. It is simply a literary and historical statement. I am happy to leave the science to the scientists.

Interpretation of Genesis 1 in the pre-scientific era

Before I give an account of what contemporary scholars are saying about the genre and purpose of Genesis, I want to establish for readers that a non-literalistic interpretation of Genesis 1 is by no means a recent phenomenon. Sceptical friends have often put it to me that my interpretation of Genesis 1 is really just an act of acquiescence to the troubling conclusions of modern science: ‘It is now clear that life emerged over a period of billions of years’, they say, ‘so now you are trying to appear respectable by picking and choosing how you read the Bible.’ Richard Dawkins has echoed this criticism with great flair recently (Dawkins 2006 pp. 237–238). Interestingly, six-day creationists say the same thing. They insist that the non-literalistic reading of Genesis 1 is the result of biblical scholars losing their nerve or being taken captive to the Zeitgeist.

It is never wise to second-guess the motives of scholars on such questions but, more significantly, it is important to realize that the precedents for a non-literalistic reading of Genesis 1 can be found in the very distant past. What follows is not intended as a proof or validation of my interpretation; it is simply a counter-argument to the above suggestion. Genesis 1 was being interpreted in a non-literalistic fashion long before modern science became a ‘problem’ for some Christians.

The Jewish scholar Philo

The prolific Jewish scholar, Philo, who lived and worked in Alexandria in the first century (10 BC – AD 50), wrote a treatise titled On the Account of the World’s Creation Given by Moses. In this work, Philo says that God probably created everything simultaneously and that the reference to ‘six days’ in Genesis indicates not temporal sequence but divine orderliness (Philo 13, 28). In the introduction to the Loeb Classical Library edition of this work the translators, FH Colson and GH Whitaker summarize Philo’s rather complex and subtle view of things:

By ‘six days’ Moses does not indicate a space of time in which the world was made, but the principles of order and productivity which governed its making [original emphasis].

It is perhaps important to note that Philo was not marginal. He was the leading intellectual of the largest Jewish community outside of Palestine.² How widespread his views were we do not know, but his discussion of the topic reveals no hint of controversy.

The Greek ‘Fathers’

Philo is followed in this interpretation by the second century Christian theologian and evangelist, Clement of Alexandria (AD 150–215), for whom the six days are symbolic (Stromata VI, 16). A generation later, Origen (185-254), the most influential theologian of the third century—again, an Alexandrian—understood Days 2–6 of the Genesis account as days in time. However, he regarded Day 1 as a non-temporal day. He reasoned that without matter, which was created on the second day, there could be no time; hence, no true ‘day’.³ What is interesting here is that a leading Christian scholar of antiquity was comfortable mixing concrete and metaphorical approaches to Genesis 1 (Origen in Heine 1982).

The Latin Fathers and beyond

Moving to Latin-speaking scholars, the fourth century Bishop of Milan, Saint Ambrose (AD 339–397), taught a fully symbolic understanding of Genesis 1.⁴ Moreover, his greatest convert, and perhaps history’s most influential theologian, Saint Augustine, famously championed a quite sophisticated, non-literalistic reading of the text. Augustine understood the ‘days’ in Genesis 1 as successive epochs in which the substance of matter, which God had created in an instant in the distant past, was fashioned into the various forms we now recognise (Augustine 2002). Augustine’s view was endorsed by some of the biggest names in the medieval church, including the Venerable Bede in the 8th century (Hexaemeron 1, 1), St Albert the Great (Commentary on the Sentence 12, B, I) and the incomparable Thomas Aquinas (II Sentences 12, 3, I) in the 13th century.⁵

It must be said that such views were not the majority position during this period. The literalistic reading appears to have been the dominant one from the 5th-century through to today. In her review of the interpretations of Genesis 1-2 offered by the ancient Fathers, Elizabeth Clark argues that this concrete approach to the text developed in the 5th- century partly as a response to the ascetic, anti-creation heresies of the period. Only a literalistic understanding of the Bible’s creation account, it was thought, could preserve a truly biblical doctrine of the goodness of creation (Clark 1988 pp. 99-133).

Be that as it may, the larger point I wish to make is that a non-literalistic interpretation of Genesis 1 is not necessarily a nervous, modern reaction to the rise of contemporary science. It is a viewpoint (even if a minority one) with a long and venerable history in both Jewish and Christian traditions.

Having said this, there are aspects of the modern interpretation of Genesis 1 that only became possible in the 16th–19th centuries, at precisely the time of the scientific revolution. This is no coincidence. The Renaissance and Enlightenment periods precipitated a literary revolution in parallel with the scientific one. This was a time of increasing sophistication in the historical-critical analysis of ancient texts in their original languages. Out of such analyses have come particular conclusions about the genre and purpose of Genesis chapter 1.

Notes

1. Genesis 1:1–2:3 is the literary unit under discussion, even though I will frequently refer to it as ‘Genesis 1’ or the ‘opening chapter of the Bible’.
2. For a concise history of the Jewish community of the intellectual centre of Alexandria (and Philo’s place in it) see Binder 1999.
3. In this, Origen echoes Philo who argued similarly about Day 1 in On the creation (Philo 15, 26-27, 34-35).
4. For a history of interpretation of these sections of Genesis see Genesis 1-3 in the history of exegesis: intrigue in the garden (Robbins 1988). A detailed account of patristic (both Greek and Latin) interpretations of Genesis 1 is also found in Appendix 7 of St Thomas Aquinas Summa Theologiae (Aquinas 1967 pp. 202-210).
5. For Aquinas’ own careful and even comparison of Augustine’s view of creation with other ancient Fathers see Summa Theologiae Ia. 74. (Aquinas 1967 pp. 1-3) Excellent articles on the interpretation of the ‘Six Days’ (Hexaemeron) among medieval theologians are found in Appendices 8 and 9 in St Thomas Aquinas Summa Theologiae (Aquinas 1967 pp. 211-224).

In the next post, Dr. Dickson examines the genre of Genesis 1.

Left: "Abrahamic Covenant" by Christoph Weigel, 1695.
Courtesy Pitts Theological Seminary, Emory University.

The people of your culture cling with fanatical tenacity to the specialness of man. They want desperately to perceive a vast gulf between man and the rest of creation. - Ishmael ¹

For the destiny of humans and the destiny of animals is the same: As one dies, so dies the other; Both have the same breath of life. And humans have no preeminence over the animals…All go to the same place; All come from dust, And to dust all shall return. - Ecclesiastes 3:19-20

What is humankind’s place among the animals? Should we even count human beings among the animals at all? Perhaps we—as men and women—are something else entirely? Such questions are not new. Indeed, they are as old as writing itself and similar ponderings about human identity occupy the most ancient of texts. While many of these primeval writings have crumbled in the winds of time and have come to us only in fragments, the Genesis account of human and animal origins remains a living document that occupies a vital place in the life of Christian practice and thought. In the first chapter of the Genesis narrative we read that humans—male and female—were created in the image (tselem) and likeness (demuth) of God. But what does this mean? There is certainly no shortage of proposed answers, and over two thousand years of theological tradition bears witness to this fact. Here, however, we are not primarily interested in tradition—as valuable and insightful as it may be—but we are concerned with what the Bible itself has to say.

Taking the authority of Scripture seriously demands that we engage with Scripture in light of both its original languages and its original cultural context. If we are to avoid—as much as it is possible—projecting our own personal, modern and post-modern cultural presuppositions onto Scripture, then we must be willing to do some of the hermeneutical (or interpretive) hard work. In other words, if we want to allow Scripture to speak for itself, we must be hyper-aware of the cultural lenses we are wearing when we read it. Interpreting the Bible through five hundred years of Protestant tradition, fifteen hundred years of Roman Catholic tradition, or one hundred years of Seventh-Day Adventist tradition won’t do.² Rather we must venture to take off the thick hermeneutical lenses of tradition and boldly attempt to go into the world of the sacred text itself so that we can allow the ancient inspired words to shape the lenses or our reading.

With this approach to Scripture in mind, I believe it is useful to address the matter of the image and likeness of God (or imago Dei) by first asking what the imago Dei is not. Throughout the centuries, theologians, philosophers, and others have posed a number of answers to the question of what the imago Dei is. The vast majority of these answers have focused on one or a few characteristics that humans alone have and that non-human animals lack. For example, Evangelical Christian author Kay Warren explains: “Animals and people are two different classes of created beings and they will never be equal in their worth. As precious as animals are to our daily existence, they operate from instinct, not volition. Only people have a spiritual dimension. We are the ones created in the image of the Creator, the only ones with a soul.”³ In a similar manner, political commentator Ann Coulter, citing “the story of Genesis”, maintains: “It’s not merely opposable thumbs and a bipedal gait that make us distinct from the other beasts. It is consciousness of our mortality, a moral sense, language, mathematics, art, beauty, music, love, longings for immortality, a sense of symmetry, the soul’s ascent, the ability to accessorize, and our fascination with Branson, Missouri…We are in God’s image, and we’re the only ones in God’s image, which is why we eat escargot rather than worship them.”⁴ While these are two popular contemporary voices, similar views are espoused by numerous academics as well. In this way the imago Dei has, for many, become synonymous with one central characteristic or several key traits that make humans unique among and/or superior to animals.⁵

As intriguing as such perceived indicators of human uniqueness are, and regardless of the scientific status of claims for such distinguishing human traits, the idea that there are particular physical features and/or behavioral characteristics that make men—and not beasts—in the image and likeness of God is not one that is found anywhere in the pages of Holy Scripture. With regard to humans as “the image and likeness of God,” a literal and consistent reading of the Genesis narratives discloses that the imago Dei designation does not refer to unique characteristics or capacities which humans posses in a way that excludes other non-human animals.

Hebrew scholar Phyllis Bird informs us that the scriptural context of the phrase “image and likeness of God” makes it plain that “its theological significance is in the place it gives to humans within the created order, not in any physical or moral attribute of the species, in either its present or ‘original’ state.”⁶ In the Bible the imago Dei is not about exceptional human capacities or characteristics that automatically qualify humans as being included in the imago Dei category. There is no reason, explains Bible scholar James Barr, to believe that the author of Genesis chapter one “had in his mind any definite idea about the content or location of the image of God.”⁷ The terms “‘image’ and ‘likeness’…make no statements about the nature of human beings.”⁸ When we read of “the creation of human beings in God’s image (Gen 1:26)…the biblical narrative remains silent…about any qualities of human nature that might account for their special standing.”⁹

If we are to properly understand the meaning of the texts, then, says Old Testament scholar Claus Westermann, we must confidently resist “the tendency to see the image and likeness of God as a something, a quality.”¹⁰ Consequently, a literal reading of the early Genesis accounts demands that no specific anthropological content or characteristics may be directly equated with the imago Dei. If one is to take the findings of biblical exegesis seriously, then—apart from theological tradition—the image of God cannot be defined on the basis of particular physical traits or behavioral characteristics. This means that—according to a straightforward reading of Genesis and the rest of Scripture—humans are not said to be biologically or behaviorally unique in a way that is related to their being named the “image of God.”

In addition to the broad consensus among biblical scholars that the image of God in humans, when understood within its original Hebrew linguistic and Ancient Near Eastern context, has nothing whatsoever to do with an appeal to the human possession of particular characteristics which non-human animals lack, research in biblical exegesis has similarly revealed that there is no essential or substantial super-natural divide between humans and other animals. Scripture, when read in the original languages, clearly describes both “man and beast” as possessing “the breath of life” and refers to both equally as “souls.” In this way Scripture makes no ontological or metaphysical distinctions between humans and non-human animals. Instead, the scriptural “emphasis lies on the commonality that exists between the humans and the rest of the animal creation.”¹¹

While the use of the Hebrew word nephesh, often translated as “soul”, to describe humans has been taken by some as an indication that humans are substantially set apart from the animals, the nephesh is not an exclusive possession of humans. Indeed, the Hebrew text describes both humans (Gen 2:7) and animals (Gen 1:21, 24) equally as nephesh hayyah or “living souls.”¹² Thus, Bible Scholar Gordon Wenham explains that in Genesis 2:7, which describes the human being as a nephesh, “it is not man’s possession of the ‘breath of life’ or his status as a ‘living creature’ that differentiates him from the animals—animals are described in exactly the same terms.”¹³ In Genesis, “human beings…are only one subset of God’s ‘living beings,’ into whom God has breathed the breath of life” and established as “living souls.”¹⁴

According to the biblical understanding, then, “what is distinctive about human beings is not that they have a ‘soul’ which animals do not possess, nor that they have a ‘spirit’ which other creatures do not possess.”¹⁵ It is clear, then, that “the possession of nepheš is not a unique characteristic of the human person.” Indeed, “unless one is ready to grant that animals have ‘souls’ in the same way that humans are alleged to have, then we might better conclude that the Genesis account is referring to the divine gift of life: ‘the human being became a living person.’”¹⁶ Consequently, “claims for a ‘special creation’ of humanity in comparison with animals and the material world conflict with the strong assertion in Genesis 2 that, physically (organically), Adam does not differ from the ‘beasts of the field.’”¹⁷ The theological language of anthropology in Genesis 1 and 2 “underscores Adam’s linkage with the animal creation, not his difference from it.”¹⁸

Whatever else the imago Dei might be, then, a clear and consistent reading of Scripture does not permit us to equate it with either a non-material soul which animals lack or some unique physical characteristic or behavior which animals lack. These conclusions regarding what the image and likeness of God in humans IS NOT lead us directly to our discussion of what the imago Dei IS.

In Part 2 of this series, Dr. Moritz examines how the phrase "image and likeness of God" is used within Scripture itself.

Notes

1. Daniel Quinn, Ishmael: An Adventure of the Mind and Spirit (New York: Bantam, 1992), 146.
2. I mention SDA because the prophecies of Ellen White and her interpretations of Genesis have played a significant role in shaping contemporary Evangelical understandings of the text. See Ronald L. Numbers, The Creationists: The Evolution of Scientific Creationism (Berkeley, CA: University of California Press, 1992), 74. For an online lecture on this topic see http://vimeo.com/38687776
3. Kay Warren, “Puppies Aren’t People: When compassion for animals goes too far,” (Accessed May 22, 2012) http://blog.christianitytoday.com/women/2009/04/kay_warren_puppies_arent_peopl.html. In this essay Kay Warren cites the theological views of her husband Rick Warren.
4. Ann Coulter, Godless: The Church of Liberalism (New York: Crown Forum, 2006), 266.
5. For example a recent group of Genesis interpreters concludes, “Evidence points to the fact that man is a unique creation, made in the image of God.” David N. Menton, “Did humans really evolve from ape-like creatures?” in War of the Worldviews: Powerful Answers for an Evolutionized Culture, ed. Ken Ham, Bodie Hodge, Carl Kerby, et al. (Green Forest, Arkansas: New Leaf Press, 2006), 43-59.
6. Phyllis A. Bird, “Theological Anthropology in the Hebrew Bible,” in The Blackwell Companion to the Hebrew Bible, ed. Leo G. Perdue (Malden, MA: Blackwell 2001), 262.
7. James Barr, “The Image of God in the Book of Genesis: A Study of Terminology, ” Bulletin of the John. Rylands Library 51 (1968-69), 13.
8. Horst Dietrich Preuss, Old Testament Theology, vol 2, trans. Leo G. Perdue (Edinburgh: T & T Clark, 1996), 115
9. Kathryn Tanner, “The Difference Theological Anthropology Makes,” Theology Today 50:4 (Jan 1994), 573.
10. Claus Westermann, Creation, trans. John H. Scullion, S.J. (Philadelphia: Fortress Press, 1974), 57-58.
11. Iain Provan, “The Land Is Mine and You Are Only Tenants (Leviticus 25:23): Earth-keeping and People-keeping in the Old Testament,” CRUX 42:2 (Summer 2006): 5.
12. Claus Westermann, Genesis 1-11: A Continental Commentary, 1st ed. trans. John J. Scullion (Minneapolis, MN: Fortress Press, 1994), 136.
13. Gordon Wenham, Word Biblical Commentary: Genesis 1-15 (Waco: Word, 1987), 61.
14. Provan, “The Land Is Mine and You Are Only Tenants,” 5.
15. Ray Anderson, “Theological Anthropology” in The Blackwell Companion to Modern Theology, ed. Gareth Jones (Oxford: Blackwell, 2004), 85 (emphasis added).
16. Joel B. Green, “Restoring The Human Person: New Testament Voices For A Holistic and Social Anthropology,” in Neuroscience and the Person: Scientific Perspectives on Divine Action, ed. Robert John Russell, Nancey Murphy, Theo C. Meyering, and Michael Arbib (Vatican City State and Berkeley, CA: Vatican Observatory and CTNS, 1999), 5.
17. Lawson G. Stone, “The Soul: Possession, Part, or Person? The Genesis of Human Nature in Genesis 2:7” in What About the Soul?: Neuroscience and Christian Anthropology, ed. Joel B. Green (Nashville: Abingdon, 2004), 50.
18. Ibid., 57.

What we will do here falls under three headings. First, we will examine what a leading Catholic theologian said about the earth’s motion and the Bible, at almost the same time when Galileo was writing his letter. Next, we will examine the attitude of a modern opponent of Galileo, in order to see why he objects to Galileo’s approach to the Bible. Finally, we will briefly look at how creationists today keep Galileo out of the garden of Eden—how they differentiate between Galileo’s use of accommodation for biblical passages about astronomy (where they generally agree with Galileo) and the adoption of a similar attitude for early Genesis (where they oppose applying Galileo’s strategy).

Robert Bellarmine’s Approach to the Bible and Astronomy

Early in 1615, a few months before Galileo finished his “Letter to Christina,” the Carmelite friar Paolo Foscarini published a letter of his own about the Copernican system, whose title (translated into English) was “Letter concerning the Opinion of the Pythagoreans and Copernicus about the Mobility of the Earth and Stability of the Sun, and about the New Pythagorean System of the World.” Foscarini tried to reconcile the Bible and Copernican astronomy—the same thing Galileo did in his letter. He sent a copy of his letter to a Catholic theologian, Roberto Cardinal Bellarmine, an intellectual who had earned a reputation as a learned defender of the Catholic Church against various Protestant claims. Bellarmine replied both to Foscarini and to Galileo’s earlier letter to Castelli (see my previous column) in a letter he wrote to Foscarini on April 12, 1615.

Please read that letter now, before reading the rest of this column. (Note: The first sentence on this web site is entirely erroneous and should be ignored. Galileo had not yet finished his “Letter to Christina” when Bellarmine wrote to Foscarini.)

Let me highlight the most important parts of Bellarmine’s letter.

• First paragraph: Bellarmine has no objection to the Copernican hypothesis—provided that it is treated only as a purely mathematical model of the heavens that is useful for calculating where things can be seen on a given night. (This is what he means by “the appearances are saved…”) However, it must not be seen as a valid description of physical reality; that is, the earth does not really go around the sun, rather the sun goes around the earth. There was nothing out of the ordinary with Bellarmine’s suggestion—this is the overall attitude that astronomers had held since antiquity. It was also the attitude suggested by the anonymously written, unauthorized preface to Copernicus’ own book, On the Revolutions of the Heavenly Spheres. For more on that, see the section “Ad lectorem” (“to the reader”).

• Second paragraph: Bellarmine makes a crucial point that can be understood only in the context of the Reformation. The Council of Trent, in which the Roman Catholic Church responded officially to the Protestants, forbids interpreting the Bible in ways that are not consistent with “the common agreement of the holy Fathers,” that is the Patristic writers. In other words, if the early theologians had all held to a particular interpretation of a given biblical text, that interpretation could not be changed; it was binding on the Church henceforth—provided that it was a matter of faith, that is, a matter of theological importance to Christianity as the Roman Church understood it. That principle was intended for use against Protestant theological claims, which clearly were matters of faith, but in this instance Bellarmine applied it also to astronomy, which is not clearly a matter of faith. Bellarmine anticipated such an objection. His answer is that all statements in the Bible are matters of faith, in effect, because the Bible is the written words of the Holy Spirit. This reflects contemporary views of the inspiration of the Bible, as seen (for example) in Caravaggio’s painting, The Inspiration of Saint Matthew (1602), at right. The issue here—whether the inclusion of erroneous scientific views in the Bible (as we would judge it today) means that the Bible is not divinely inspired—is central to the whole conversation about science and the Bible. I’d like to see what you think.
• Third paragraph: Bellarmine admits that, if there were “a true demonstration” of the Copernican theory, then we might need to reinterpret some biblical passages; but, if we can’t really prove it, then we are obligated to view it as a hypothetical mathematical model rather than a true description of physical reality. If possible, I’d like to avoid getting into the finer details of what “a true demonstration” meant, in the context of Aristotelian views of knowledge (the relevant category). It’s probably not too much of an oversimplification to say simply that Bellarmine’s view amounts to saying, “Where’s the beef?” This is also a key issue in modern debates about origins—when do we have enough evidence for a scientific conclusion (for example, the great age of the earth or the common descent of humans and other organisms) to say that a re-interpretation of the Bible is warranted? It is precisely on questions of this sort where creationists, theistic evolutionists, and most advocates of ID (those who oppose common descent) find that they disagree.

Tomorrow—after you’ve had a chance to read Bellarmine’s letter and respond to it—we will bring the same issues down into our own day, by comparing how modern creationists (both those who reject Copernicus and those who don’t) view Galileo’s attitude toward science and the Bible.

“The heavens,” wrote the psalmist “declare the glory of God.” (Ps 19:1 NIV)

The universe that inspired the psalmist three thousand years ago grows grander as each new generation of astronomers adds yet another layer of understanding. Each new discovery pushes back the boundary that separates the known universe from the vast terra incognita that beckons and teases us to keep going, to sail ever further from familiar shores.

A few centuries ago the great philosopher Immanuel Kant repeated the psalmist’s declaration: “Two things fill the mind with ever new and increasing admiration and awe, the more often and steady reflection is occupied with them: the starry heaven above me and the moral law within me. Neither of them need I seek and merely suspect as if shrouded in obscurity or rapture beyond my own horizon; I see them before me and connect them immediately with my existence."

The night sky still beckons us, as it once did the psalmist. I spend time each summer at a rustic family cottage in the wilderness of my native New Brunswick, Canada. There, miles from electricity, the night sky does not compete with artificial light. Smog does not obscure it. Planes do not draw white trails on it. It does not compete with cable television or even cell phones, silenced by the absence of signals. The night sky is simply there, quietly declaring the glory of God. Its many lights reflect off the ripples of the lake, and are accompanied by the rustling of leaves and the voices of the many creatures that call this wilderness home. Only a jaded soul could sit by that lake and not wonder if there wasn’t some larger meaning to the experience.

I can see what the psalmist saw and rejoice as he did. But I watch the night sky through the eyes of a twenty-first century scientist. I have the benefit of centuries of scientific advancement and can see, in my mind’s eye, so much more. Those visible stars are just the advance guard of an almost infinite army of stars going back almost forever. The stars are not attached to a dome that one might reach with an ambitiously tall tower or puncture with a long-range missile. They are so far away that their light has been traveling at unimaginable speed for years, centuries, milennia and longer. The light from the stars in the Hyades Cluster began its journey to the earth at about the time that my ancestors—Loyalists from Pennsylvania—began their journey to this part of North America in the eighteenth century. The light from the closest stars, the trio that make up Alpha Centauri, takes over four years to reach earth. The most distant star ever detected from the earth is a “gamma ray burster” that launched its signal almost 13 billion years ago, when the universe was young. The powerful gamma ray signal from this star began its journey before our planet was even formed, reaching the earth in April 2009.

The psalmist did not know that the stars were made of hydrogen and helium. He did not know they generated their energy through nuclear fusion or that many of them explode at the end of their lives. He knew nothing of galaxies and the layers of structure in the cosmos. He did not understand how fast light travels or that the light from our sun powers photosynthesis and many other processes here on the earth.

The universe brought into view by science is like a collection of Russian matryoshka dolls nestled one inside the other. With the psalmist we can see the outer layer—and it is grand. But inside are additional layers, each one with a new type of grandeur. And at the very end of the unpacking lie the remarkable laws of physics that keep the earth orbiting about the sun, the sun shining reliably, and the sunlight providing energy to sustain life on our planet.

The universe as we understand it today inspires awe. And for those open to its message—from the psalmists of yesteryear to the believers and even the thoughtful skeptics of today—it speaks of a Creator. Our universe does not look like a cosmic accident, where lots of stuff just happened. It looks like the expression of a grand plan—a cosmic architecture capable of both supporting life such as ours and of inspiring observers like us to seek out the Creator.

This is why Antony Flew—“world’s most notorious atheist”—changed his mind and started believing in God.

Despite a common desire among Christians to find evidence for the activity of the creator God in the natural world, the Scriptures themselves more often give us images and analogies of God’s providence rather than “proof” that would be admissible in peer reviewed journals, much less in court. In his final climactic week in Jerusalem, Jesus used image after image, parable after parable to convey the urgency of his message that the Kingdom of God was coming to pass through his own coming Passion.

Though His disciples did not understand them at first, it was by new pictures (the lost coin, lost sheep and lost sons) and reinterpreted old ones (like the vineyard), that they came to understand the “facts” of His healing miracles and, ultimately, His death and resurrection. By reframing concrete happenings and material relationships, stories and images opened up possibilities rather than limiting them—and they still invite us to enter into them, rather than leaving us dispassionate and disconnected.

As we remember the narrative that takes us from Good Friday through Easter morning, the image of a buried grain of wheat invites us into the story rather than just describing what happens in it. Certainly this is an image for Christ Himself, but as I’ve written elsewhere, the seed isn’t just a symbol of His death and rebirth from the grave, but a promise of future abundance, lavish reproduction, and a pointer to the coming harvest: Jesus Himself is the “first fruits” of the new creation. We are called not only to be workers for that harvest, but to be, like Him, the harvested grains. As Christ entered into His glory through self-sacrifice, so we, too, give ourselves in order to share in and contribute to the shalom—the comprehensive flourishing—promised as the marker of God’s Kingdom now and in the future.

This combined image of death and renewal, single seed to field, is the heart of John Crumb’s hymn “Now the Green Blade Rises,” first published in 1928 in the Oxford Book of Carols and originally set to an old French Christmas carol (“Noel Nouvelet”). By clicking the image above you can hear a new version as revised and re-arranged by contemporary hymnist Alex Mejias. We offer it as a meditation on the sacrifice and victory of Jesus, the glorious promise of resurrection, and the call upon us all to join in God’s story of redemption and renewal.

“Now the Green Blade Riseth”

John MacLeod Campbell Crum (1872-1958),
© Oxford University Press
adapted and arranged by Alex Mejias

Now the green blade riseth from the buried grain,
Wheat that in dark earth many days has lain.
Love lives again, that with the dead has been:
Love is come again, like wheat that springeth green.

Alex Mejias is the founder and director of High Street Hymns, a non-profit music ministry that exists to spread the Gospel and worship the Triune God in spirit and truth through hymns, psalms and spiritual songs. Alex grew up in New Jersey and outside Washington, DC, receiving a BA in Religious Studies from the University of Virginia and a J.D. from the University of Virginia School of Law. For the past 15 years he has been leading worship for churches and ministries, writing and recording both new and old hymns, and touring the east coast as a singer-songwriter. Alex is also committed to the power of the creative arts to advance the Gospel and promote justice and healing in the name of Christ, serving, supporting, and collaborating with several other non-profit ministries. More details on these projects and music may be found at High Street Hymns.

My curiosity immediately led me to see what he had cut out. All of the miracles and the Resurrection passages were gone, and the Gospels were rearranged in a linear fashion, edited and pasted together as a single narrative. Then I looked particularly to see what Jefferson did with John 11.

Why John 11? For the past several seasons of Lent, I have been meditating upon this account of three siblings: Martha, Mary and Lazarus of Bethany. In particular, John 11:35 has become a central passage for me to consider in self-reflection, because an artist learns very early that creativity demands boundaries and limits to thrive. When I began on my recent journey to illuminate the Four Holy Gospels for Crossway publishing's celebration of the 400th anniversary of the King James Bible, I needed to find a thematic boundary. I was so overwhelmed with the grand scale of the project that I chose this shortest passage in the Bible—“Jesus Wept”—and that decision has led to many discoveries along the way.

"Jesus Wept" is, to me, the most profound passage in the Bible. After I gave a recent lecture on this verse at Duke University, Richard Hays commented on my reflections: "The Incarnate Word of God stood wordless at Bethany." Indeed, Jesus' tears make no logical sense, as he came to Bethany with the specific mission to raise Lazarus from the grave. He told the disciples his mission (and why he intentionally delayed his arrival, knowing that Lazarus lay dying) and revealed to Martha that he was and is the "Resurrection and the Life." So why did he, upon seeing the tears of Mary, waste his time weeping, when he could have shown his power as the Son of God by wiping away every tear, telling people like her, "Ye of little faith, believe in me!"?

In my reflections, this "irrational," emotional response from Jesus became a central means to understand the role and even the necessity of art in the midst of suffering—what I have began to call our "Ground Zero" conditions. Art, like the tears of Christ, may seem useless, ephemeral and ultimately wasteful. But even though they evaporate into our atmosphere, the extravagant tears of God dropped on the hardened, dry soils of Bethany, or onto the ashes of our Ground Zero conditions, are still present with us. Because tears are ephemeral, they can be enduring and even permanent, as with “Jesus wept.” In the same way, perhaps our art can be so as well. What seems, at first, to be an irrational response to suffering may turn out, upon deep reflection, to be the most rational response of all.

Predictably, "Jesus Wept" did not make into the Jefferson Bible. John 11 was cut out entirely, falling onto the floor of his Monticello home and discarded, along with Martha's confession. Jefferson's rationalism allowed only a distant deity that made sense in reference to objective ‘scientific’ calibrations, not ephemeral marks of compassion. Yet, when this attitude is actually applied to the sciences, they also become, like Jefferson's Bible, a “cut and paste” product, based on a limited viewpoint.

Even with my rudimentary understanding of the early phonetic and acoustic research my father was part of at Bell Labs in the 1970s, I know that the optimism of many scientists there was based on reductionistic assumptions. I described my father’s wrestling with the basic theses of linguistic research in a previous essay:

In the 1980s, [while in his] early 50’s, my father began to send a series of notes to his colleagues questioning the basic tenets of acoustics research, as he found them flawed and inadequate for the goals pursued. . . .[W]hat the early research assumed was that by segmenting speech patterns, you could have enough data to rebuild speech. It would be a bit like dissecting a frog, and stitching it back together, only to expect it to jump again -- A typical reductionist/modernist assumption. (Refractions 24: "The Resonance of Being")

My father began to challenge these underlying but over-simplified assumptions and as a result, came under criticism for abandoning many of the positions held by his peers. I continue:

My father’s Converter/Distributor theory (C/ D theory) assumes that computer technology is now capable of anticipating contextual patterns of speech, and is able to simulate an architectural structure to account for the morphing of speech production. Rather than the segmental approach, he calls his new thinking prosodic, as it accounts for the complexity of speech and language. But it would take years of research to get to a point of presenting his new ideas to the linguistics/phonetics community.

My father, who had rarely had problems finding support for his research before, was in for a battle. . . . He could not find funding, and found himself fighting the establishment of the research world—the very establishment he had helped to build. After my father’s many futile attempts to secure funding for his new research, my brother, a successful entrepreneur in Silicon Valley, stepped in to fund a post for a graduate student at Ohio State, to help my father compile enough data to be able to begin his research.

To my father, the integrity of the scientific process demanded such a course. He never considered that his challenge to reductionism would be seen as a threat by many of his colleagues. He simply was seeking after Truth.

Even in the objective rigor of the research process, then, human factors intervene—sometimes for better, sometimes for worse. Our presuppositions surface eventually, and it becomes clear where we place our "faith. " My father's C/D theory is an intuitive leap, arising from his love for synthesis and beauty, but pulled up by hard data and a stubborn commitment to the truth of matter. It is an example of the way intuitive, subjective insight can connect the ephemeral with the rational, objective and concrete. Should we seek, then, to make the sciences a Jeffersonian cut-and-paste re-narration of our reality? Are we so inflexible in how we will understand the great mystery of our being? If so, the gap between that reduced ‘reality’ and what is truly human is the very gap into which Jesus' tears still fall.

Jesus wept for Lazarus, but also, perhaps, for Jefferson as he snipped out John 11 with his own hands; for to dismiss Jesus’ tears as irrational and unnecessary is to miss Jesus entirely. Jefferson sought to cut out the Deity, but also lost the Man. Without Jesus' full humanity, coupled with his Divinity, we do not have a Savior. Without this fullness of humanity—concrete and ephemeral, intuitive and objective—we lose perspective on why we are doing our research to begin with. If we assent to the fragmenting, segmental assumptions of modernity, we will have stitched the frog back together only to bury him anyway. If the dead are to live, we will require a Miracle Worker to show us that the world that is cohesive, and rational, but only when seen through a veil of tears.