“This is 2,300 year old wisdom from the Book of Ecclesiastes that seems to very concisely understand the water cycle. That water evaporates from the ocean, gets stored in the atmosphere via clouds, comes down as snow or rain, and when it comes down on the mountain it’s often stored there, as snow is gathered via groundwater, streams, and rivers, and then through the river, returns to the ocean, again. What a beautiful, complex, interdependent, wonderfully mysterious way of providing water, life to the land … But what does this beautiful system teach us, Father, Son and Holy Spirit, about who we are? What is your word, God, about this river, that runs through the center of where we live?”

In this sermon, Pastor Jon Van Sloten of New Hope Church in Calgary, Alberta, describes how he set out to learn where the water from the Bow River, near their home in the Rocky Mountains, actually comes from. He interviewed scientists who study hydrology and have learned a curious truth about how this particular river keeps a steady flow the full year round. This modulating geophysical “safeguard,” which allows the Rocky Mountains to hold water and let it out at a slow trickle rather than a deluge during the annual snowmelt, speaks to Van Sloten of God’s grace at work in the world—grace we can’t see with the naked eye, but is there all the same.

A common argument leveled against the theory of evolution is that scientists have not been able to produce the expected transitional fossils that show the change of one species into another. If evolution were true, wouldn’t there be instances of clear intermediary species, like, for example, a species that was half whale and half hippo to show the transition between those two? In this BioLogos podcast, Kelsey Luoma addresses this misconception about what a transitional fossil actually is. Rather than a mix between two related species, transitional fossils point back to the common ancestors that modern species share. The fact is that the number of transitional species is massive and it grows with each passing year. Given the rarity with which organisms are actually fossilized, the amazing thing is actually the completeness of the fossil record, not its incompleteness. The transitional species story strongly supports, and certainly does not disprove, evolutionary theory. ¹

1. To hear the full audio clips which have been referenced go to:

• Rational Response Debate with Kirk Cameron (from Way of the Masters)
• Behind the Scenes with Dr. Neil Shubin (from Cincinnati Museum Center)
• Mark Norell Publishes New Archaeopteryx Findings (from American Museum of Natural Sciences)
• Texas A&M Professor Discusses Findings of Autralopithecus Sediba and its Relationship to Humans (from Texas A&M University)
• Intro/outro music composed by Martin Minor (Minor2Go).

An audio only version of the podcast can be downloaded here.

Transitional Fossils

Some time ago, the Discovery Institute’s Casey Luskin commented on the human origins exhibit at the Smithsonian Institution, suggesting that palaeoanthropologists use evolutionary theory to describe the progression of the human lineage even when they don’t have transitional fossils with which to work. He writes:

What's ironic, however, is that if you ask the question How Do We Know Humans Evolved? the answer you’re given is, “Fossils like the ones shown in our Human Fossils Gallery provide evidence that modern humans evolved from earlier humans.” So whether you find fossils or you don’t, that’s evidence for evolution.

Indeed, it has become an article of faith for those espousing both the young earth creation (hereafter YEC) model and many who hold to the intelligent design model that transitional fossils do not exist and therefore evolution has not taken place. Support for this position usually entails attacking the weak areas of the fossil record, where burial processes have left us little with which to work, or the creation of straw men arguments in which transitional fossils are defined in such a way that none could ever be found. Often this centers on the concept of “missing link,” a term that is habitually used in the popular press and young earth creation and intelligent design literature when referring to fossil remains but which has little to no meaning for biologists or palaeontologists. As Ahlberg and Clack (Ahlberg and Clack 2006) write:

But the concept has become freighted with unfounded notions of evolutionary ‘progress’ and with a mistaken emphasis on the single intermediate fossil as the key to understanding evolutionary transitions. Much of the importance of transitional fossils actually lies in how they resemble and differ from their nearest neighbours in the phylogenetic tree, and in the picture of change that emerges from this pattern.

Contrary to common misconceptions, the fossil record does not record one single lineage for any family of organisms but rather a series of branches, with many related species coexisting synchronously. Darwin hypothesized that the evolutionary record reflected this bushiness and drew such a diagram in his journal. At the time, though, he had little in the way of fossil evidence to back up this position. Much has changed since his day.

An analogy for understanding this “bushiness” was best described by Prothero and Buell (Prothero and Buell 2007). They suggest that the reader consider his or her own genealogy. You and your siblings are the direct descendents of your parents and, while you are similar to them, each of you has different characteristics not shared with them as well as characteristics that you do share. Your parents have siblings as well (your aunts and uncles), and your grandparents are their last common ancestors. These siblings have their own children (your cousins), who have different and similar traits relative to their parents. They are broadly recognizable as being related to you (“oh, I see you have Aunt Edna’s nose”) but three or four generations out, they will become less and less so. These are the “nearest neighbours” that Ahlberg and Clack describe. In this analogy, each of these cousins represents a transitional form from what was (your grandparents) to what will be down the road.

For example, no one would confuse a frog with a salamander but if you trace the fossil record of each back in time, eventually you encounter a fossil, Gerobatrachus hottoni which was recently discovered (Anderson et al. 2008) that is best described as a “frogamander,” having the basal characteristics of both frogs and salamanders. Had we seen such an animal at the time, it is likely we would not have found it remarkable because it would have resembled the species around it. One lineage eventually diverged into frogs, salamanders and other amphibians. Most (just like Darwin proposed in his tree diagram with the little hatch marks at the tip of many branches) went extinct.

Taxonomy and the Beginnings of Human Origins

All life is classified based on a system devised by Carolus Linneaus in 1735 in his remarkable work Systema Naturae. This system gives all recognized species an individual place based on a system of hierarchy. The study of classification is known as taxonomy. A taxonomic ranking for humans would be this:

When a fossil is excavated, the first thing that the palaeontologist does is make a taxonomic assessment of where it fits in a sequence of known fossils. Traits that are shared with other like species or genera are referred to as primitive traits. Examples of this in humans are five fingers and the presence of three arm bones. We share this with all mammals. Traits that are new or are not shared with other like species are referred to as derived traits. Examples of this in humans are the skeletal changes in the pelvis and the foot to allow for walking upright. We do not share these with any other primates.

Transitional fossils in the human fossil record are distinguished at both the genus and species level. This group includes the extinct genera Ardipithecus and Australopithecus and the current genus Homo. All species except Homo sapiens are extinct. Much of the recent study of early humans focuses on the transition from Ardipithecus (‘Ardi’) to Australopithecus (‘Lucy’ and similar fossils) and from Australopithecus to Homo, the genus that led eventually to us. While each of the australopithecine species identified in the fossil record has derived characteristics that separate them from their ancestors and from each other, only one led to the genus Homo.

In future posts, I will describe the evidence for human evolution and why this evidence is compelling. It suggests that we have had a long, varied history filled with great leaps of change, crushing defeat, and eventual expansion into all areas of the globe.

Notes

Ahlberg, P. & J. Clack (2006) A firm step from water to land. Nature, 440.

Anderson, J. S., R. R. Reisz, D. Scott, N. B. Frobisch & S. S. Sumida (2008) A stem batrachian from the Early Permian of Texas and the origin of frogs and salamanders. Nature, 453, 515-518.

Prothero, D. & C. Buell. 2007. Evolution: What the fossils say and why it matters. Columbia Univ Pr.

Introduction

One of the reasons that some of us are hesitant to accept evolutionary creation is that it seems to make God responsible for the suffering and death of innumerable creatures over millions of years—before humans ever existed or sinned against their creator. Since we believe in and worship a God who is loving, benevolent, and all-powerful, it sounds quite implausible that our God would have created a world like that; therefore, any scientific evidence for evolution must be incorrect.

Other people look at the scientific evidence for evolution and find a compelling case that it has taken place during our earth's history. On this basis they may conclude that if evolution is true, then the belief in an all-powerful, perfectly good God must be false!

The trouble with both of these views is that they tend to invoke a completely abstract, philosophical god, not the living God of the Bible—the God who became a human being, experienced unimaginable suffering, and died in a grotesque and humiliating public display. The death of Jesus completely defied the expectations (and common sense) of his followers, as well as the expectations of any “rational” understanding of the way the Creator of the universe should act in the world. On the cross, in the person of Jesus, God took upon himself far more suffering than any creature has ever experienced.

If God himself is willing to die, particularly in such a gruesome way, then perhaps we should at least consider the possibility of God allowing the death of other creatures, too. But would this really be compatible with what we know of God through Scripture? In this essay, we will explore this quandary through a “theology of the cross”, a concept articulated by pastor George Murphy in his book Cosmos in the Light of the Cross.¹

Theology of the cross

Before we jump into the theological problems associated with evolution, let’s take a look at how we understand Christian theology itself. For the reformer Martin Luther, any theology (or science) that tries to reach knowledge of God apart from the cross is bad theology.² Instead, Luther pointed to a theologia crucis, in which the true God is seen first and foremost “through suffering and the cross”. To make his point even clearer, Luther insisted that “the CROSS alone is our theology”.³ It is the lens through which we view everything.

Of course Martin Luther, having lived in the 16th century, was not aware of the vast history of life on our planet (or any other aspect of modern science, for that matter), but George Murphy draws from Luther’s teachings the foundation that all human knowledge begins with the Word made flesh and crucified.⁴ With the cross of Christ as the ultimate framework through which we view reality, we are bound to view the processes of nature quite differently. As Murphy explains it,

A theology of the cross is an explication of belief in a God who becomes a participant in the history of the universe and thereby shares in the suffering, loss, and death that are part of worldly experience.⁵

God does not sit idly by and watch unaffected as his creatures suffer, but neither does he swoop in and make everything completely effortless and easy. Instead he chose another way, the crucifixion of Jesus—certainly not the approach that we would have preferred! The apostle Peter went so far as to try to talk Jesus out of it, but he was met with a stern rebuke (Matthew 16:21-23).

Why is evolution so disconcerting to Christians?

The problem of suffering throughout all of human history is troubling enough for us to reconcile with a loving, personal God. But in addition to that, the discovery of vast numbers of fossils reveals that death has taken place on a far greater scale than we had ever imagined. Both the wide variety of extinct creatures and their sheer numbers is quite staggering, and it raises questions about our Creator:

The picture of a God who is immune from suffering and death but who forces organisms through millions of generations and extinction is disturbing to those who believe in a God of love.⁷

The mass extinction of life on earth was already well established by the early 19th century—decades before Darwin’s research—and extinction can be empirically verified independent of any theory of evolution.⁸ The fact that the earth’s crust is a veritable graveyard of long-lost creatures is deeply troubling, and as late as the 1790’s, distinguished intellectuals such as Thomas Jefferson denied the very possibility of extinction.⁹

But in addition to the reality of species extinction, the theory of evolution by natural selection proposes that new species also arise in an environment containing widespread pain and death. Both the creatures that are now living and those that are gone are tainted by an “acrid smell of death”.¹⁰ It makes us wonder, if our Creator is not the God of the dead, but of the living (Mk. 12:27), where is God’s presence in the evolutionary picture?

In all honesty, creation through evolution is not what we would expect from God, but Scripture is full of examples in which God acts in unexpected ways. After all, God’s choosing to undergo an agonizing death on a cross is not what we would expect from the all-powerful Creator of the universe, either. In both cases, new life comes about through pain, suffering, and death. As George Murphy puts it,

A priori ideas about God have to be overcome, and God's character has to be learned from God's self-revelation.¹¹

God’s fullest self-expression is in Jesus Christ himself, one who is intimately familiar with and personally endured creaturely pain and death. The theology of the cross reveals that God's self-revelation takes place in situations of suffering, loss, and apparent hopelessness, much like situations that occur through natural selection.¹²

The crucifixion is disconcerting too

Not only is creation through evolution an unexpected and unsettling process, but so is the crucifixion of Jesus! Killing someone by hanging them on a cross is an unbearably painful, prolonged, humiliating form of death. It was such a horrific type of public execution that it wasn't until after the Roman Empire stopped the practice of crucifixion—and people no longer witnessed it personally—did the cross become a visual object of devotion.¹³ Our culture is sufficiently removed from crucifixion that we are desensitized to its original significance, but to connect it to our current context, imagine the reaction you would get by wearing jewelry designed to look like an electric chair.¹⁴

Once we are more attuned to the brutality of crucifixion, it seems all the more striking that the cross is the sign of God’s work, what George Murphy calls “the trademark of God”.¹⁵ The suffering and death of Jesus is featured prominently in the Gospels, but the crucifixion-resurrection pattern is strongly resonant within the Old Testament, too. Israel suffered and toiled as slaves in Egypt for centuries before they were rescued in the Exodus, bringing life to a people who were spiritually dead. Centuries later, the nation of Israel would experience death again when the Babylonians destroyed the Davidic monarchy, burned their Temple, killed their people, and sent many into exile.¹⁶ Neither Israel (God’s chosen people) nor Jesus (God’s own son) were spared from death and suffering; rather, suffering seems to have been the way in which God re-forms and renews humanity to fully bear His own image.

Redemption extends to all of creation

Fortunately, God’s story does not end with death. God gives new life after his creatures have been subjected to terrible circumstances. Redemption was promised to Israel itself—Ezekiel’s vision of the valley of dry bones describes how God would renew His chosen people (Ezek 37:1-14). Later, the astonishing resurrection of Jesus made salvation possible not only for Jews, but for all people in Christ (Gal 3:26-29). Ultimately, the New Testament makes it clear that God’s renewal will encompass the entire Creation:

For God was pleased to have all his fullness dwell in him, and through him to reconcile to himself all things, whether things on earth or things in heaven, by making peace through his blood, shed on the cross. (Colossians 1:19-20)

With all wisdom and understanding, he made known to us the mystery of his will according to his good pleasure, which he purposed in Christ, to be put into effect when the times reach their fulfillment—to bring unity to all things in heaven and on earth under Christ. (Ephesians 1:8-10)

Christians are accustomed to thinking of the death of Christ in regard to humans, but our culture rarely acknowledges God plan for the redemption of His entire creation. This is partly attributable to the fact that discussions of creation and origins are often separated from the topic of salvation.¹⁷ In doing so we tend to marginalize Jesus as we argue about Genesis. Rather than fall into this trap, if we view nature through a theology of the cross, we will see Christ as both the alpha and the omega point in discussions of life’s history and life’s future. With this perspective, we are more apt to sense our solidarity with the rest of creation as we wait in eager anticipation of a glorious future:

The creation waits in eager expectation for the children of God to be revealed. For the creation was subjected to frustration, not by its own choice, but by the will of the one who subjected it, in hope that the creation itself will be liberated from its bondage to decay and brought into the freedom and glory of the children of God. (Romans 8:19-21)

Conclusion

As part of the Church’s conversation about the problem of natural evil, this essay is meant to be a brief introduction to a “theology of the cross”. One can explore this concept in greater detail in Murphy’s book The Cosmos in the Light of the Cross. While there is a lot more to be said, let me conclude with the following observation: though evolution may not be compatible with some interpretations of Christianity, evolutionary creation is certainly compatible with the crucified Christ and the theology of the cross. In the person of Jesus, God suffers with the world and ultimately redeems it. As George Murphy puts in, “The world's pains are God's stigmata.”¹⁸

Explore this Topic Further

• Miller, Keith. “And God saw that it was good”: Death and Pain in the Created Order. BioLogos series
• Murphy, George L. The Cosmos in the Light of the Cross. Harrisburg, PA: Trinity Press, 2003.
• Murphy, George L. “Cross, Evolution, and Theodicy: Telling It Like It Is”. In The Evolution of Evil. Edited by G. Bennett, M.J. Hewlett, T. Peters, and R.J. Russell. Göttingen: Vandenhoeck & Ruprecht, 2008.
• Southgate, Christopher. The Groaning of Creation: God, Evolution, and the Problem of Evil. Louisville, KY: Westminister John Knox Press, 2008.

Notes

1. Murphy, George L. The Cosmos in the Light of the Cross. Harrisburg, PA: Trinity Press, 2003.
2. Murphy, p34
3. “CRUX Sola Est Nostra Theologia,” in D. Martin Luthers Werke, Kritische Gesammtausgabe (Weimar: Hermann Boehlau, 1892), 5:172. The captitalization is in the original. Cited in Murphy, p26.
4. Murphy, p108
5. Murphy, p4
6. Murphy, p43
7. Murphy, p3
8. Some Christians ascribe animal death to some combination of Adam’s fall and Noah’s flood, but this does not resolve the problem that the animals are still suffering and dying through no fault of their own. See Keith Miller’s BioLogos series Death and Pain in the Created Order for the limitations inherent in a fall-based theodicy.
9. Rudwick, Martin. The meaning of fossils: Episodes in the history of paleontology. Chicago, University of Chicago Press, 1985.
10. See Jeff Schloss’ BioLogos essay Evolution, Creation, and the Sting of Death
11. Murphy, p63
12. Murphy, p122
13. Murphy, p27
14. This example is drawn from an evangelical outreach event held by a Christian student group in Innsbruck, Austria. On campus one day, they started conversations with their classmates by asking the question, “Would you wear an electric chair on your neck?”
15. Murphy, George L. The Trademark of God: A Christian Course in Creation, Evolution, and Salvation. Wilton, Conn.: Morehouse-Barlow, 1986.
16. Murphy, Cosmos in the Light of the Cross, p 31-32.
17. Murphy, p35
18. Murphy, p87

In Part 2 of this series, we concluded by noting that, as Christian geologists willing to consider the possibility, we find no compelling evidence that the earth’s geological features can be explained by a global Flood. Here we consider three lines of evidence: global salt deposits, the order of deposition of sediment layers in the Grand Canyon, and the sequence of fossils in geological strata.

Salt Deposits

There are many places around the earth with layers of salt, some thousands of feet in thickness. Just off the southern coast of the United States in the Gulf of Mexico, thick salt deposits sit beneath thousands of feet of sediment (Fig. 1). These deposits lie within the layers that are said to have been deposited by the Flood.

We understand how salt beds form. At locations such as the Bonneville Salt Flats of Utah, or at the Dead Sea at the border of Israel and Jordan, salt is actively forming. Salt beds form when water is evaporated. During evaporation, the concentration of dissolved ions increases until the water cannot hold the salt in solution anymore and mineral salt begins to form. If a presently unknown or poorly understood process could produce salt without evaporation, as argued by young-earth advocates¹, it would quickly dissolve as soon as it came into contact with flood water, just as the salt from your saltshaker rapidly dissolves when added to water or moist food.

One might argue that the waters from the Flood could have evaporated to leave behind the salt deposits we see today, but there is a serious problem. The thousands of feet of sediment on top of the salt is also said to be from the Flood, meaning the flood waters cannot have evaporated to produce the salt and still be present and violent enough to transport thousands of feet of sediment to the same location. In other words, a single flood cannot be called upon to explain both the salt and the overlying sediment. For those who wish to argue that natural processes could have been vastly different during the Flood, there are at least two replies. First, under such a scenario, there is no point in Flood Geology studies any more than in normal studies, for nothing could be gained by the study of unknowable processes. A more important question, however, would be to ask why God would alter natural processes just to make Flood sediments look like they are not flood sediments. What would the purpose be? (We will revisit this thought later.)

Grand Canyon: Order of Deposition

The Grand Canyon is made up of a sequence of layers that defies any reasonable attempt to explain by a single flood. The alternating layers of limestone, sandstone and shale each form in unique environments. If these deposits were formed at different times under various sea-level stages, it is quite simple to explain the different grain sizes and rock types as a function of depth and distance from the shore line. If explained with a single catastrophic flood that abided by God’s natural laws of physics and chemistry, logic must be stretched beyond the breaking point.

As a very simple observation, consider instructions given in virtually every gardening book. A good soil will have a mix of sand, silt and clay. To determine the quality of your soil, you take a handful or two, put it in a clear container, add water and shake it up. When you stop shaking, the coarse grained material will settle out first resulting in a sequence of layers: sand on the bottom, then silt, then clay. You can readily see how much of each you have by the thickness of each layer.

This is informative of what we see in flood deposits. As moving flood waters slow down, finer and finer grained sediment settles out resulting in a “fining upward” sequence. If most of the Grand Canyon layers were laid down by the Flood, then we should see the same thing – a “fining upward” sequence. Instead, we see a series of alternating layers of fine and coarse grained material, with smaller-scale alternating layers within the larger ones (Fig. 2). Increasing the violence of a flood does nothing to negate the standard order of deposition. Repeated surging of flood waters across the surface likewise offers little explanatory power; in this case we might expect successive layers, each with their own “fining upward” sequence, but such is not what is observed. Further, the Grand Canyon includes multiple layers of limestone, which are never found in flood deposits of any magnitude. Even in floods as massive as one thought to have catastrophically deluged the once dry Mediterranean Sea basin with thousands of feet of water – limestone beds are conspicuously absent.

Fossil Sequence

If a massive flood were responsible for the fossil record, what would we expect to see? If the Flood was violent enough to rip chunks of rock up from the earth and move entire continents (standard Young Earth claims)², then it should be obvious that life forms from every imaginable niche would be tumbled and mixed together (Fig. 3a). We should find numerous examples of mammoths mixed with triceratops, and pterodactyls mixed with sparrows. Ferns and meadow flowers should be found in the same deposits, along with trilobites and whales. Further, we should find all major life forms still living today, for Genesis 7:8-9 is clear in stating that all terrestrial animals were preserved on the ark.

What we actually observe is far different (Fig. 3b). There is an orderly sequence where trilobites only occur in very old rocks, dinosaurs in later beds, and mammoths in still later layers. Organisms like flowers and ferns are present together in more recent deposits, but only ferns with no flowers are found in older deposits. Some readers will recognize this as an example from the “geologic column” and be tempted to discount it as a fabrication. For those thinking this way, consider what Henry Morris had to say in both editions of Scientific Creationism:

“Creationists do not question the general validity of the geologic column, however, at least as an indicator of the usual order of deposition of the fossils…”⁵

If we revisit the Grand Canyon for a moment, is it not striking that there is not a single dinosaur, mammoth or bird in the entire exposed sequence? Not one. To find these, you have to go to younger sediments found in deposits outside the canyon that have not been fully eroded away yet. How could such a lack of mixing be possible if the Flood was violent enough to move continents?

For more, be sure to read our FAQs How are the ages of the Earth and universe calculated? and What scientific evidence do we have about the first humans?, as well as our recent infographic How Do We Know the Earth is Old?.

Author's Note from Joy Walters

As I mentioned in my first post, I grew up skeptical of the whole idea of evolution. One contributor to my disbelief was the lengthy timescale for the “tree of life” that was presented with the theory. I would hear, for example, that dinosaurs lived hundreds of millions of years ago, but there was no explanation of why this was true; it was just given as a fact. No one explained the methods of dating, and so I thought biologists simply estimated the ages of species to fit their preconceived notions of how long it would take for one species to emerge from another. It also seemed like the ages were periodically revised and extended farther back in time, and I figured scientists needed to manipulate numbers to make evolution plausible. This, in my mind, made the theory both unbelievable and dismissible.

Once I learned about the techniques used to date fossils, I realized that my first impressions were wrong; the ancient ages of species are scientific determinations rather than scholarly conjectures. However, I have found in recent conversations that Christians remain skeptical of old ages and the evolutionary time scale. For this reason, I wanted the videocast to address the process of fossil dating (what the methods are and why they are accurate) while focusing on cases where hominid fossils were discovered and dated using these very methods. My hope is that Believers would be informed about the evidence for human evolution and its scientific grounding.

There are two opposite errors which need to be countered about the fossil record: 1) that it is so incomplete as to be of no value in interpreting patterns and trends in the history of life, and 2) that it is so good that we should expect a relatively complete record of the details of evolutionary transitions within all or most lineages.

What then is the quality of the fossil record? It can be confidently stated that only a very small fraction of the species that once lived on Earth have been preserved in the rock record and subsequently discovered and described by science.

There is an entire field of scientific research referred to as "taphonomy" -- literally, "the study of death." Taphonomic research includes investigating those processes active from the time of death of an organism until its final burial by sediment. These processes include decomposition, scavenging, mechanical destruction, transportation, and chemical dissolution and alteration. The ways in which the remains of organisms are subsequently mechanically and chemically altered after burial are also examined -- including the various processes of fossilization. Burial and "fossilization" of an organism's remains in no way guarantees its ultimate preservation as a fossil. Processes such as dissolution and recrystallization can remove all record of fossils from the rock. What we collect as fossils are thus the "lucky" organisms that have avoided the wide spectrum of destructive pre- and post-depositional processes arrayed against them.

Soft-bodied organisms, and organisms with non-mineralized skeletons have very little chance of preservation under most environmental conditions. Until the Cambrian nearly all organisms were soft-bodied, and even today the majority of species in marine communities are soft-bodied. The discovery of new soft-bodied fossil localities is always met with great enthusiasm. These localities typically turn up new species with unusual morphologies, and new higher taxa can be erected on the basis of a few specimens! Such localities are also erratically and widely spaced geographically and in geologic time.

Even those organisms with preservable hard parts are unlikely to be preserved under "normal" conditions. Studies of the fate of clam shells in shallow coastal waters reveal that shells are rapidly destroyed by scavenging, boring, chemical dissolution and breakage. Occasional burial during major storm events is one process that favors the incorporation of shells into the sedimentary record, and their ultimate preservation as fossils. Getting terrestrial vertebrate material into the fossil record is even more difficult. The terrestrial environment is a very destructive one: with decomposition and scavenging together with physical and chemical destruction by weathering.

The potential for fossil preservation varies dramatically from environment to environment. Preservation is enhanced under conditions that limit destructive physical and biological processes. Thus marine and fresh water environments with low oxygen levels, high salinities, or relatively high rates of sediment deposition favor preservation. Similarly, in some environments biochemical conditions can favor the early mineralization of skeletons and even soft tissues by a variety of compounds (eg. carbonate, silica, pyrite, and phosphate). The likelihood of preservation is thus highly variable. As a result, the fossil record is biased toward sampling the biota of certain types of environments, and against sampling the biota of others.

In addition to these preservational biases, the erosion, deformation and metamorphism of originally fossiliferous sedimentary rock have eliminated significant portions of the fossil record over geologic time. Furthermore, much of the fossil-bearing sedimentary record is hidden in the subsurface, or located in poorly accessible or little studied geographic areas. For these reasons, of those once-living species actually preserved in the fossil record, only a small portion have been discovered and described by science. However, there is also the promise of continued new and important discovery.

The forces arrayed against fossil preservation also guarantee that the earliest fossils known for a given animal group will always date to some time after that group first evolved. The fossil record always provides only minimum ages for the first appearance of organisms.

Because of the biases of the fossil record, the most abundant and geographically widespread species of hardpart-bearing organisms would tend to be best represented. Also, short-lived species that belonged to rapidly evolving lines of descent are less likely to be preserved than long-lived stable species. Because evolutionary change is probably most rapid within small isolated populations, a detailed species-by-species record of such evolutionary transitions is unlikely to be preserved. Furthermore, capturing such evolutionary events in the fossil record requires the fortuitous sampling of the particular geographic locality where the changes occurred.

Using the model of a branching tree of life, the expectation is for the preservation of isolated branches on an originally very bushy evolutionary tree. A few of these branches (lines of descent) would be fairly complete, while most are reconstructed with only very fragmentary evidence. As a result, the large-scale patterns of evolutionary history can generally be better discerned than the population-by-population or species-by-species transitions. Evolutionary trends over longer periods of time and across greater anatomical transitions can be followed by reconstructing the sequences in which anatomical features were acquired within an evolving branch of the tree of life.

In part 1 of his sermon “Over and Above Naturalism”, Joseph Barkley explained that science does not reveal the greater purpose to life. He also looked at Naturalism, a philosophy that depends on atheistic assumptions and scientific knowledge, stripping the material world of higher significance. In part 2, Barkley suggests that material creation is not the end of our understanding (as Naturalists think), but a beginning that unveils the majestic and power of a Creator who loves us. Exploring the grand dimensions of the Milky Way galaxy as well as our unique solar system, he points to the greatness of God and smallness of humanity. However, the most profound truth is God’s incomprehensible love for each person that leads us into a divine relationship with him.

Barkley first suggests that all scientific discoveries, rather than confirming the absence of a God and divine purpose, affirm the presence of an intelligent God with a plan for his creation. Each new fact about nature is just another “clue,” he says, to God’s splendor. This is clearly taught in Psalm 19: 1-2 (NIV): “The heavens declare the glory of God; the skies proclaim the work of his hands. Day after day they pour forth speech; night after night they reveal knowledge.” Though some argue that Bible does not accurately describe the natural world, Barkley affirms the infallibility of Scripture in revealing truth about God and the purpose of his creation.

Barkley demonstrates his point by recounting stunning details about the Milky Way, just one of billions of beautiful galaxies. Within it, stars are birthed and others die, planets are pulled toward stars with great gravitational force, and other celestial bodies are also always in motion. He focuses on the mind-blowing detail of the galaxy’s length, which is so vast that it requires the measurement to be in light years. It is 100,000 light years wide, and each light year represents 5.88 trillion miles. What is more, the Milky Way is only a middle-sized galaxy! God rightly declares through the prophet Isaiah, “‘So—who is like me? Who holds a candle to me?’ says The Holy One. Look at the night skies: Who do you think made all this?” (Isaiah 40:25, The Message translation). As Barkley puts it, “that is the question the creation is presenting to us today—who could have possibly made all this?”

Not only does creation reveal God’s grandeur, but it also speaks of how “unimaginably small” we are in comparison. In fact, when the Voyager space probe produced sixty separate pictures to capture our solar system from 4 billion miles away, planet Earth appeared as “a little mote of dust suspended in a sunbeam,” (Figure 1) according to Carl Sagan. If our entire planet—holding the entirety of human life—appears as a speck of dust, then how much more inconsequential does humankind itself appear? This comparison helps to “right-size” humanity in relationship to God. We are infinitely small and God is endlessly vast, and yet he deeply loves us in the midst of our weakness.

Finally, creation stirs the human heart with longing to know the “who” behind the “what” in this world. For thousands of years, God revealed himself to Israel through the Law and the prophets, but when God decided to present the clearest, most perfect picture of himelf, he sent his beloved Son, Jesus Christ (Figure 2). Colossians 1: 15-17 confirms this truth of Jesus Christ: “He is the image of the invisible God, the firstborn of all creation. For by Him all things were created, both in the heavens and on earth, visible and invisible, whether thrones or dominions or rulers or authorities— all things have been created through Him and for Him. He is before all things, and in Him all things hold together.” With this, Barkley addresses the question of greater significance. A scientific mindset might lead us to search for worth in our function, but Barkley says this is a mistake. In reality, he says, we were created not just for a function, but for a person. That person is Jesus Christ, the perfect image of the Triune God. Ultimately, Barkley affirms that one could fathom all scientific knowledge and still not discover his or her own purpose, which flows only from a relationship with God through Jesus Christ.

The full sermon can be downloaded from Ecclesia Church's website.

Pastor Joseph Barkley of Ecclesia Church extols the greatness of the God who has brought forth incredible works and engaged humankind in relationship. In the first part of the sermon “Over and Above Naturalism,” Barkley admires the factual knowledge unlocked by science, and yet reminds the Church that those material descriptions fail to answer the question of ultimate significance. There are people who do not believe in the greater meaning of life or a higher being, but rather cling to scientific analysis as the sole source of understanding about the universe. Barkley explains the outcomes of such naturalism, and later (in part 2 of this sermon) suggests that material creation is not an end, but a beginning that speaks of its majestic and powerful Creator who loves us.

Barkley first highlights amazing facts about the human body to demonstrate God’s ingenuity. Human bones, for instance, are five times stronger than a piece of steel with the same density and length. He then focuses on a picture of DNA looking down its long axis from top to bottom. That image reveals order and beauty in an arrangement that looks strikingly similar to a stain-glass window. During a visit to Italy, Barkley surveyed such intricate stain-glass windows in cathedrals, as well as masterful art pieces in museums, and yet, to him, none compare to the incredible structures that were hidden deep within the human body long before we were able to discover them or their beauty.

This age of modern science has unveiled much about our world, answering some of the “biggest questions we have.” However, Barkley affirms (along with most good scientists) that science cannot answer all questions by itself. He offers a simple analogy articulated by writer John Lenox:

Aunt Matilda makes a beautiful cake. It is then sent to the laboratories of a nutrition scientist, a biochemist, a physicist and a mathematician. No doubt one will receive a report of its nutritional value, its composition of molecules, and the behavior of the molecules, but all scientific analysis will never reveal to the investigators why Aunt Matilda made the desert to begin with. She brought it into existence, and alone can answer why.

Just as these experts could not describe why the cake was made, so scientific knowledge does not reveal the point of existence—why there is something rather than nothing. This answer is not inherent within the created thing, but is dependent on its Creator. Therefore, if there is a why, there must also be a who. People have more recently asserted that there is neither why nor who. This is naturalism: the faith that there is no who which could generate significance (a why) beyond sensory observation.

This worldview requires the universe to be the product of countless undirected events with no intent behind them. Furthermore, it requires that humans have no purpose to their existence, and that death is their final end. Such ideas, says Barkley, logically affect people’s behavior: “If nothing happens when we die and there is no grand design and we are not accountable to an absolute morality (as many people tend to think more and more); if we are not ultimately responsible for those things, then what motivation, logically, what motivation do we have to self-sacrifice, to love, to be kind?”

Some posit the idea of a collective consciousness that leads humans to act for the survival of the human species on the earth. According to Barkley, this still implies there is something beyond the physical occurring; that we are not the purely material beings that naturalism declares. He then suggests that naturalism relies just as much on a faith in empirical science as a Christian relies on faith in a creator God. At the conclusion of his argument, Barkley plants a seed of wonder by asserting that all the great scientific discoveries are not just describing a purposeless world, but are rather hinting at the greatness of the One who formed it.

Today's sermon is from Richard Dahlstrom, senior pastor of Bethany Community Church in Seattle, Washington. The full sermon can be found here.

Is Genesis 1 describing material creation or functional creation? Pastor Richard Dahlstrom of Bethany Community Church beautifully articulates the insights he has received through John Walton’s book The Lost World of Genesis One and probes deep into the Biblical text with us . In his sermon “Gloriously Functional,” he highlights key Hebrew words that are often misunderstood by post-Enlightenment thinkers in order to generate a proper framework through which to grasp the original meaning of the text. He then examines each day of creation, explaining the function of the various created elements such as light, water, plants, animals, and people, according to the account. This enriching exercise brings the question of “Why has God made this very good, functional creation to begin with?” Dahlstrom affirms along with Walton that Genesis 1 is indeed about God making a temple to dwell in with His people, who he has ordained as priests, stewards over all creation. This is most clearly seen in the striking parallels between the creation narrative and the building of the earthly temple of God in the ancient Hebrew culture.

In addition to this clip from Dahlstrom’s sermon , there is a brief commentary by John Walton himself, which speaks about the functionality rather than materiality of Genesis 1. He states that the creation story is not one of material origins. If this is so, he explains there is no need to defend a Biblical account against an evolutionary account; the two are compatible with each other. What the creation story does offer, however, is a theology on the physical existence of what God has made; it reveals the divine purpose of God for his masterpiece, the universe.

Today's video is courtesy of filmmaker Ryan Pettey, director/editor of Satellite Pictures and features physicist Ard Louis.

In today's video, Oxford physicist Ard Louis discusses the famous debate between renowned evolutionary biologists Stephen Jay Gould and Simon Conway Morris. Gould believed (and wrote in his book Wonderful Life) that if the "tape" of evolution were rerun, the chance that anything like human intelligence would emerge is essentially zero. In other words, humanity is here through random accident. Gould pointed to the work of Morris and fellow scientists in their research of the Burgess Shale as evidence for this view.

However, Morris himself disagrees, pointing to what is called evolutionary convergence. As Morris notes, there are numerous examples of identical features evolving multiple times throughout the history of life independently. Morris believes that if the tape of life were replayed, we would see something like humans emerge. A Christian might say, it looks like we were planned.

Some Christians might find Simon Conway Morris' viewpoint, with its implicit teleology, more attractive. Others, perhaps motivated by a high view of providence, may find Gould's emphasis on contingency equally congenial to their faith. What do you think?

Today's sermon is from Richard Dahlstrom, senior pastor of Bethany Community Church in Seattle, Washington. The full sermon can be found here.

In this sermon, Pastor Richard Dahlstrom of Bethany Community Church in Seattle Washington disbands the warfare mentality surrounding science and faith as he explains that God’s truth is seen both in his written Word and his creation. Throughout, he provides clarification about proper Biblical interpretation, background on the history of science and scripture, and finally the context in which the Biblical creation story took form.

The beautiful creation story in Genesis one and two captivates the heart and mind, providing revelation of God’s character and his divine relationship to all creation, especially humans. Although it is an ancient writing from a culture with limited knowledge of the world and its place in the cosmos, many Christians have used these passages to scientifically describe the birth of the universe. While the passages do reveal the origin of all created things—God—they do not necessarily reveal the natural mechanisms used by God to accomplish his will. This is where the work of the scientific community has come into play. Studying God’s handiwork always offers a deeper understanding of God himself, but the Church, unfortunately, has not always accepted its findings.

At the beginning, Dahlstrom opens with a challenging quote from the famous church father Saint Augustine. He believed that Christians should not be found ignorant on scientific matters, and so appear darkened in understanding to the outside pagan world. The pastor too affirms that Christians should not use God’s Word to challenge scientific matters and so turn a non-believer away from faith in Jesus Christ since it unnecessarily draws a line between faith and reason, pitting one against the other. Dahlstrom explains that the idea that science and scripture conflict stems from a view of Genesis one and two as a scientific description. Talking about Biblical interpretation, he affirms that plain reading of the text is best in most cases. Still, there are instances where the Bible speaks in metaphors. For example, in the gospel according to John, Jesus identifies himself as the door. Immediately one discerns that Jesus is not describing himself as a literal door made of wood, but rather is describing himself as the only Way to God the Father. When it comes to the creation story, then, is a literal or metaphorical reading the best method of interpretation for the passages? In light of certain details that appear physically contradictory—such as morning and evening existing before the creation of the sun on the fourth “day” although the earth’s rotation around the sun creates day and night— it seems logical that Genesis is portraying something other than the physical processes of creation.

As Dahlstrom continues, he makes a profound point: in Genesis two, God calls humankind to know and study the surrounding world. The scriptures say that Adam took on the God-given task of naming the animals, which is, in fact, science: the exploration of the natural world. It is a wonderful gift to men and women to study the surrounding world and so discover more about the God who is its Creator. Unfortunately, the Church has not always accepted the ideas formulated through scientific discovery. This was clearly seen in the Church’s rejection of a heliocentric or sun-centered solar system as postulated by both Copernicus and Galileo. The following five hundred years, however, softened this tension, and acceptance of a heliocentric system was welcomed. Currently, the issue among Christians revolves around young versus old earth creationism and instantaneous creation versus evolution. Indeed, there are Christians in both camps. Pastor Dahlstrom affirms here that it is possible to view God as the master Creator and sustainer while still accepting evolutionary theory. This perspective acknowledges that science is not man’s truth contradicting God’s truth; there is no distinction, but all truth belongs to our Lord.

The sermon goes on to place the creation narrative in the context of the story of Gods’ people. Dahlstrom explains that Israel is about to enter the Promised Land where they will be surrounded by pagan cultures with their own gods and circulating creation myths. It is in this time that Moses writes down the true account of creation as revealed by the God of Israel. The story of Yahweh creating the heavens and the earth clearly contrasts the other Mesopotamian versions at the time, and demonstrates the uniqueness of Israel’s God. The story in Genesis resonates with the deepest longing of the human heart, proclaiming that humans were made for beauty, stewardship of creation, and relationship rather than slavery, war and suffering. This displays and speaks of the love and goodness of the one true God.

In his concluding thoughts, Dahlstrom brings the discussion back around to three particular points. First, he identifies the idea that “God is other than his creation.” In other words, God brought the world into being, but he is the uncreated One, and therefore, different than all finite things. Next, there is the theme of separation in the creation account. For example, light is separated from darkness, the land from the sea, and animal life from human life. Although they consist of the same materials, there are different forms. This speaks to the profound unity in the midst of diversity established by God. Finally, it presents the nature of humanity. It speaks of our calling to steward the earth, our failure in fulfilling that calling, and the need for our redemption, which comes through Jesus Christ. All these themes ultimately unite us as believers despite the different interpretations of Genesis one and two.

In our previous essay, we learned that a tree summarizing species relationships can be built using DNA information, and how we can use DNA as a “molecular clock” to date ancient events. Both of these methods have made specific predictions about the origin of whales. If evolution is true: whales are related to the even-toed hoofed mammals and should share common ancestors with them; transitional fossil forms dating from about 45 to 50 million years ago should be found which can be shown to be related to both the even-toed hoofed mammals and modern whales; whales are most closely related to modern hippos, and should share a common ancestor with them.

What other types of information might we be able to use to construct a phylogenetic tree (i.e. a family tree) of species relationships? It turns out that characteristics of body structure also can be used – for example, the presence or absence of certain bones, or the specific shapes of those bones. An advantage of using bony features is that they can be recovered from fossils, whereas DNA (with only certain limited exceptions) must come from living organisms.

We can also derive functional information from an examination of bony features. The various protrusions, bumps and knobs found on bones usually have important implications. For example, smooth rounded areas at the ends of bones allow them to fit together and move easily. The shapes of such surfaces determine which bone motions are “allowed” or “disallowed”. Consider, for example, the motion of the forearm against the upper arm at the elbow. This is a “hinge” joint, whose normal motion is defined by the shapes of the upper arm bone and one of the forearm bones, where they meet each other. You might normally exercise the action of this hinge joint when you pick up a cup of coffee, bring it to your mouth, then set it back down again. Let’s try to imagine another motion. For this exercise we first need to get our arm into the proper starting position. Place your arm at your side, bent at the elbow at a ninety degree angle, with your palm up. Now, while keeping your palm up, let’s attempt to move your arm only at the elbow (no shoulder motion – that’s cheating!). Now swing your forearm out to the side and attempt to end up with your fingers pointed directly away from your side. Most of you will not be able to do this. If you can, it’s because your shoulder is rotating in spite of yourself. This motion at the elbow is normally not allowed. Hence a careful analysis of bone shapes can allow us to infer how the bones were used. This in turn can assist us in the task of phylogenetic (evolutionary) classification of organisms. That is, we will have more confidence in the grouping together of animals in our tree diagram if corresponding bones are used functionally in the same way.

Therefore we would expect that we could use various bony features to help us examine the predictions generated by our previous look at different types of DNA data. Are there any bony features that are particularly relevant to the even-toed hoofed mammals? Well, it turns out that there are. These are mainly running animals, and there are several features of their ankle bones, which taken together define the “allowed” motions which make them efficient runners. If one takes the various ankle bones of a large group of mammals, examines them carefully to note their shapes, scores that information into a table, then uses a computer program to build a phylogenetic tree, it turns out that all the even-toed hoofed mammals are placed together. So far, so good. But what about whales? Well, now we have an obvious problem. Modern whales are very specialized, - they have flippers which correspond to the forelimbs, and they have almost no hind limbs! I say “almost” because they do have small pelvic bones, which are not attached to the rest of their skeletons. But they certainly have no ankles. This is where the fossils should come in – if evolution is true, we should expect to be able to identify transitional fossils which are ancestral to whales which contain the characteristic ankle bony features of the even-toed hoofed mammals.

Now let’s look at bony features from the whale perspective. We have already mentioned the almost complete loss of hind limbs, and the presence of forelimbs modified into flippers. In addition, as air breathers, whales have a blowhole at the top of their skull. And as powerful swimmers, which use a large tail fluke in vertical motions, whales have enormous sets of muscles which attach to enlarged projections from their vertebral column. So if evolution is true, we should begin to see fossil forms which manifest changes in bony features which correspond to the gradual accumulation of these whale-like characteristics. However, we still need more, because these various bony features all would be expected to occur in largely or exclusively aquatic forms. We might expect this to correspond to the later stages of a transition from terrestrial even-toed hoofed mammals. But what about the earlier stages? It would be very helpful if we had some “defining” characteristic of whales, similar to the ankle structure of even-toed hoofed mammals.

It turns out that the structure of the bones of the skull and ear apparatus of whales are highly modified to allow efficient hearing underwater. The mechanical aspects of efficiently receiving sound through water are somewhat different than receiving sound travelling through air. If evolution is true, we should expect to be able to find key transitional fossil forms with a progressive series of modifications of the skull and ear bones, features which would not be found in any other mammals.

Now that we know what we should expect to see, if evolution is true, let’s look at what has actually been found in the fossil record. Over the last fifteen years or so, a series of fossils, many of them discovered in the Indian subcontinent, have fulfilled nearly all of our predictions.^1,2 Let’s look at the figure below (Figure 1), reproduced from a recent popular book on evolution.³ This shows a series of fossils, arranged in approximate chronological order, with a modern whale at the top. How old are these fossil forms? The entire fossil progression illustrated occurs from a little over 50 million years ago to about 40 million years ago. So a remarkable alteration in general body form occurred in a little over 10 million years. This time frame agrees well with the previous prediction from the DNA “clock” that we discussed in our previous essay. Second, the general change in body shape corresponds to what we predicted in our discussion of whale bony features above. That is, there is a gradual elongation and streamlining, there is a modification of the forelimb into flippers and progressive reduction of the hindlimb, the nostrils for breathing move toward the top of the skull to form a blowhole (not obvious from the diagram), and the vertebrae develop enlarged projections to support the attachment of swimming muscles.

Figure 1: Skeletons and Body Forms of Modern Whales and Fossil Ancestors
The reconstructed skeletons (black) from modern whales (top) and various ancestral skeletal forms (series below) are in chronological order (from Pakicetus up). Indohyus is an extinct whale “cousin”. Relative body size, to scale, is indicated by the gray shapes at the right of each animal.

There is probably little question that the last fossil species in the figure (Durodon) is well on the way to becoming a modern whale. However, it might be argued by a skeptic that the earlier species (like Rhodocetus, Ambulocetus, or Pakicetus), despite the “cetus” (whale) part of their names, are not so obviously “whale-like” that they deserve to be considered as fossil whale ancestors. However, remember the characteristic whale skull modifications for hearing? It has been shown very clearly that throughout this series of fossil species, the various bony changes necessary to support efficient hearing in water were being acquired in a stepwise fashion. Organisms earlier in the sequence had skeletal characteristics consistent with them being able to hear well in both air (using the “classic” mammalian hearing apparatus), and newly acquired changes to also allow better hearing in water. Later organisms in the sequence become increasingly specialized for hearing in water only.⁴

What of the earliest fossil shown in this diagram –Pakicetus? Careful examination shows that it has the features we would predict for an early whale ancestor. It has the ankle bone characteristics of the even-toed hoofed mammals (in fact these features are also found in several of the later fossil forms as well, ensuring their continuity). This confirms one of the predictions made by the DNA evidence we discussed earlier. Furthermore, it has some of the modifications of the skull bones necessary for more efficient underwater hearing, which were previously documented only for modern whales and their later (more obvious) ancestors.⁴ These features are also shared with the “whale cousin” Indohyus.⁵ Preservation of more of the skeleton of this latter species has allowed detailed analysis indicating characteristics likely shared with whale ancestors. Indohyus was probably a wading animal, which spent much of its time in the water. It appears to have fed mostly on land, so it is suggested that resort to the water was made to escape predators.⁵

Finally, we need to look back at the last prediction from our previous DNA evidence, namely that modern whales are most closely related to hippos. If evolution is true, we should expect to find fossil forms linking these two modern groups. This has proven to be a tougher nut to crack, mainly because the ancestral whales first appear about 50 million years ago in what is now south Asia, and the hippo family first appears about 15 million years ago, in Africa. The most recent tree diagram, produced by using a combination of skeletal features and DNA data, still supports this family connection, as shown by the following figure (Figure 2).⁶

Figure 2: Phylogenetic Tree Showing the Relationship of Modern Whales to Living and Extinct Even-Toed Hoofed Mammals
This tree is based on both bony features and DNA data. The organisms presented in blue are semi-aquatic or aquatic forms. Organisms shown in green are terrestrial even-toed hoofed mammals (Artiodactyls). In black is shown a member of the odd-toed hoofed mammals. In red is an extinct fossil ancestor group. (This figure is adapted from Fig 1a in Reference 6).

The blue lines in the diagram show species in which the skeleton is specially thickened, and the bone structure more dense. This is an adaptation which allows wading animals (like modern hippos and the fossil Indohyus) to be good “bottom-walkers” (it prevents them from floating due to lighter body tissues), and allows fully marine organisms (like modern whales) to have “neutral buoyancy” (so they don’t always tend to pop up to the water surface, like a cork). There has also been progress in clarifying the relationships between fossil ancestors of hippos and those of modern whales. A recent study of hippo evolution, based only on skeletal characteristics, has conclusively shown that the hippo family are descended from an extinct group of fossil Artiodactyls, known to go back more than 40 million years, and whose fossils are from southern Asia. Furthermore, this study produced a phylogenetic tree predicting that this extinct hippo ancestor group also shared a common ancestor with the fossil whales.⁷ Thus the investigation of hippo origins is independently leading us back toward the origin of whales. However, in this study the statistical support for predicted common ancestor of the ancient hippo group and the ancient whale group is not as strong as scientists would like to consider this “case closed”. What is necessary is more fossils, of the appropriate age in order to complete the story of hippo evolution. We still need that to fill in the details of the predicted relationship of hippos to modern whales.

Thus the “Whales’ Tale” is not yet complete. It is a story of scientific discovery in progress. As we finish, let’s briefly summarize what we have found out. Different types of DNA evidence agree that modern whales are most closely related to the even-toed hoofed mammals, despite the obvious great changes in limb anatomy of the modern whales. This prediction has been amply confirmed by the fossil record. The DNA sequence evidence predicted a time frame during which critical early events in evolution of whale ancestors should occur. This prediction has also been amply confirmed. Finally, DNA evidence predicts that modern whales are most closely related to hippos. There is some fossil evidence supporting a predicted common ancestor, but more data is needed. A final caution to possible sceptics – this state of “unfinished business” is precisely how the scientific process works. There is no “crisis”. There is no indication that evolution is not true. There is simply the ongoing work of mapping out of various lines of evidence. A scientific conclusion is considered well supported if “all roads lead to Rome”. In the case of whale evolution it might be prudent to say that the evidence has not quite converged in Rome yet, but that we are now in the suburbs. That is precisely what makes science interesting and fun. Stay tuned!

The next blog in this series can be found here.

References:

1: Thewissen J.G.M., Williams E.M., Roe L.J. and Hussain S.T. 2001. Skeletons of terrestrial cetaceans and the relationship of whales to artiodactyls. Nature. 413: 277-281.

2: Gingerich P.D., ul Haq M., Zalmout I.S., Khan I.H., Malkani M.S. 2001. Origin of Whales from Early Artiodactyls: Hands and Feet of Eocene Protocetidae from Pakistan. Science. 293:2239-2242.

3: Coyne, J.A. 2009. Why Evolution is True. Viking Penguin, New York. Pg 50.

4: Numella S., Thewissen J.G.M., Bajpai S.,Hussain T., Kumar K. 2007. Sound Transmission in Archaic and Modern Whales: Anatomical Adaptations for Underwater Hearing. The Anatomical Record. 290:716-733.

5: Thewissen J.G.M., Cooper L.N., Clementz M.T., Bajpai S., Tiwari B.N. 2007. Whales originated from aquatic artiodactyls in the Eocene epoch of India. Nature. 450:1190-1194.

6: Geisler J.H. and Theodor J.M. 2009. Hippopotamus and whale phylogeny. Nature. 458:E1-E4.

7: Boisserie J.-R., Lihoreau F., Brunet M. 2005. The position of Hippopotamidae within Cetartiodactyla. Proceedings of the National Academy of Sciences U.S.A. 102(5):1537-1541.

Today's sermon is from Pastor Mark Swarner of Menlo Park Presbyterian Church in Menlo Park, CA. You can hear the full sermon here.

Of all the blessings to be thankful for on Thanksgiving Day, none of them surpasses the riches of the eternal blessings which the Lord has bestowed on his sons and daughters in Christ Jesus. Pastor Mark Swarner of Menlo Park Presbyterian emphasizes this point as he looks at Psalm 103: 1-4 (NIV):

“Praise the LORD, my soul;
all my inmost being, praise his holy name.
Praise the LORD, my soul,
and forget not all his benefits—
who forgives all your sins
and heals all your diseases,
who redeems your life from the pit
and crowns you with love and compassion…”

The benefits are “life-changing” and “soul transforming.” Unlike most where there are exclusions and various requirements, these are freely given through Christ, and no one is disqualified based on pre-existing conditions. In fact, God desires that people come to him in all their imperfections that he might renew and heal them.

The first benefit deals with the major problem of the human heart: sin. In the Psalm, King David, who knew what it meant to be forgiven for deeply wrongful acts, boldly speaks of the love which God has for his people such that God does not deal with us according to our past actions. Rather, “as far as the east is from the west, so far has he removed our transgressions from us.” Regardless of a person’s past or future mistakes, God’s love is stronger still. We are, above all, forgiven people and with that "we enter his gates with Thanksgiving in our hearts.”

In his second point, Swarner examines the power of God available for healing. The verse is not claiming that one will never become sick, but it does indicate that God has the power to heal. The all-important assurance in this passage is that God will take our brokenness and weakness, and through him, ultimately, we will be whole. We are, above all, a people filled with hope, and with that "we enter his gates with Thanksgiving in our hearts and we come into his courts with praise.”

The third benefit the Psalmist declares is that the Lord “redeems your life from the pit and crowns you with love and compassion.” There is a sense in which we all—like Joseph in Genesis 37—have experienced life’s pit of despair. We, like Joseph, emerge from the pit to a new life crowned with the confidence that we are loved, and with that we, ourselves, become agents of God’s love and channels for God’s compassion. We are, above all, a people redeemed by love, and with that "we enter his gates with Thanksgiving in our hearts and we come into his courts with praise.....This is the day that the Lord has made and we will rejoice for He has made us glad.¹”

1. See Psalm 100:4 and 118:24:

Though some may believe that moving the science/faith dialogue forward is best left to scientists, scholars, and theologians, we at BioLogos recognize that our pastors play an invaluable role in the conversation. Across the globe, pastors are helping their congregations work through difficult issues of science and faith with honesty, insight, and a gentle spirit. To this end we present an ongoing series recognizing sermons (and the pastors who give them) that are helping to promote the harmony of science and faith. Today's sermon comes from Rev. Tim Keller, pastor of Redeemer Presbyterian Church. Click above to hear an excerpt. Below, is a brief summary written by BioLogos editorial staff. The full sermon can be downloaded here.

In tracing the story of the Bible, Dr. Keller’s previous sermons examined the early chapters of Genesis, which relate the events that lead to humanity’s fall from right relationship with God. Currently, he is exploring God’s redemption of the human brokenness in Paul’s epistle to the Romans. This particular message focuses on chapter two where the Apostle Paul exposes the hypocrisy of Law-observing Jews: while they judged Gentiles by the standard of the Law, they themselves failed to fulfill its requirements. He also asserts that outward performance of the Law by no means exempts them from God’s judgment or from the disease of Sin, which entered the human heart at the Fall. Keller affirms, therefore, that all are in need of a “regenerate new heart” through Jesus Christ, who perfectly fulfilled the requirements of the Law and who alone is able to accomplish this transformation through the power of his cross.

Paul’s message first illuminates what Keller identifies as the failure of religion. The church in Rome no doubt consisted of both Gentiles and Jews. With this in mind, Paul speaks to both groups. Up to this point, Paul has been highlighting the idolatry of the Gentiles. He then reorients his focus in Romans 2 to address the Jews, who were likely to stand in judgment of their gentile brothers and sisters because of the Jewish Law. He declares in verse one, “You, therefore, have no excuse, you who pass judgment on someone else, for at whatever point you judge another, you are condemning yourself, because you who pass judgment do the same things.” Keller explains that this statement exposes the hypocrisy of the religious who look to observance of an outward behavioral code for justification rather than to grace through Jesus, which leads to an inward observance of the Law. For example, although Law observers did not bow before physical graven images as the Gentiles did before faith in Christ, idols occupied their hearts. These inner idols, for both the religious Jews and present Christians, could take the form of power, career, achievement, etc. All in all, Paul demonstrates that religion fails since neither the moral nor the immoral person is perfect by God’s standards. Dr. Keller sums up this point nicely with this statement: “I’m not okay, you’re not ok.” There is not one person who measures up to the standard of the Law of God, and not one person, therefore, has a right to pass judgment according to it.

Dr. Keller then discusses why no one can measure up to the terrible beauty of God’s Law “no matter how good” one’s actions may be. Primarily, it is because the standard is not focused on performing the right deeds. Rather, the major sins described by Paul in Romans 1 include greed, insolence, heartlessness, etc. Although actions accompany such characteristics, they begin as inner attitudes of the heart. Often people read God’s ordinances at the behavioral level, as the religious Jewish people did, in an attempt to justify themselves as a moral person, but God’s requirements are much more demanding. This is revealed in Jesus’ Sermon on the Mount, for example, when he examines the Ten Commandments. He says in Matthew 5: 21-22 (NIV), “You have heard that it was said to the people long ago, ‘You shall not murder, and anyone who murders will be subject to judgment.’ But I tell you that…anyone who says to a brother or sister, ‘Raca,’ is answerable to the court.” In using the Hebrew word ‘raca’ meaning ‘nobody,’ Jesus is revealing that the sin of murder is birthed from a heart that devalues another person who is infinitely valuable in God’s eyes. Simply put, the Law of God is after a certain type of person whose right actions flow from a right heart. For example, the Law points to a person so filled with God’s love that they not only refrain from murder, but rather treat others as royalty. Keller continues as he explains the impossibility of such a standard for a human being, yet the Law demands it. What is more, people will demand a similar standard of others. Keller also emphasizes the Day of Judgment. Because God is just, he will hold a person accountable to either the standard of grace or to the standard that one person required of another. No person is perfect, and therefore, none will be able to stand in either God’s judgment or the judgment of their own heart. This creates the need for a transformed heart as Dr. Keller expounds in the final point of this passage.

In the last verses of Romans 2, the Apostle Paul relates the “failure of religion because of the terrible beauty of the Law” to the need for a regenerate heart. This is only possible through the circumcision of the heart in Christ by the Holy Spirit. Keller first explains the significance of circumcision. Circumcision was a physical distinction between the pagan cultures and the Jewish people who were in covenant with the God of Israel. On a deeper level, this act symbolized the consequence of disobedience to the covenant first established between Abraham and God: one would be cut off from the covenantal relationship with God. As Dr. Keller explains, all people have fallen short of the Law. For this reason, God sent Jesus, his son, to fulfill the requirements of the Law. He then died on the cross to receive upon himself the consequence of death that all deserved. Therefore, Paul argues that it is no longer one who receives physical circumcision who is saved, but one who receives the circumcision of the Spirit in Christ. Romans 2:28 (NIV) establishes this point saying, “A person is not a Jew who is one only outwardly, nor is circumcision merely outward and physical. No, a person is a Jew who is one inwardly; and circumcision is circumcision of the heart, by the Spirit, not by the written code.” Finally, Dr. Keller explains the significance of the Old Testament Law: the perfect standard describes not a moral code, but our Savior Jesus Christ. Ultimately, one seeks to obey the beautiful Law which Jesus embodied, yet one receives grace in the times of failure, confident that Christ has indeed paid it all.

The early chapters of Genesis appear to pose scientific problems that challenge our literal, post-Enlightenment lens through which we often read the Word of God. (See this post for a commentary on how this situation came about.) This leads many people to believe that the descriptions in these texts are meant to reveal more than raw scientific fact. Pete Shaw of Crosswalk Community Church highlights the story of Noah and the Ark to explore the possible reasons for adopting a non-literal understanding of this ancient narrative. Shaw first summarizes the story of Upnashatim in the Epic of Gilgamesh, a famous Sumerian flood story that the young and old in Abraham’s day would have known well. Upon comparison, these two accounts—the Genesis flood and the Gilgamesh flood—are incredibly similar. Furthermore, Shaw exposes the various practical problems that arise if one takes every word of the Noah story to be a precise truth. For example, he wonders how Noah could have fed and maintained every living land creature in a small boat for ten months. He also explains how a primitive understanding of the universe is heavily reflected in this text. In light of these points, he concludes that whether or not this story is portraying actual historical events, it is presenting rich truths about God, and that should be the focus of the believer.

Transcript

“The first eleven chapters of Genesis are what scholars call pre-history. In other words, they can’t really date what was going on very well in those first elven chapters. After that, twelfth chapter on, it is a lot easier to date, and the stories have a different feel, a different structure… but those first eleven have caused a lot of debate over the years. In fact, the next slide is going to kind of give you the line of where I am going to take you today. You might not be aware of this, but there is a Noah controversy. You and I, when we hear the story of a great flood, the first thing that comes to our mind—when we think of the whopper of all whoppers—we think of Noah and the Ark, but if we lived in Abraham’s time or especially before, the name Noah probably would not have come up. In fact, if we grew up with Abraham, the story we would have most likely known about was the story—I am going to butcher this name—of Utnapishtim.

You are familiar with Utnapishtim aren’t you? And you are familiar with the god Enlil. I am sure you are familiar with Enlil. And you would have been very aware of a storybook that was read by children and adults alike called the Epic of Gilgamesh. And in the eleventh tablet of the Epic of Gilgamesh, we have the story of Utnapishtim and the god Enlil. And just so that you would know about that story a little bit, knowing that that would have been the predominant story that you would have understood anytime you thought about a flood, this is how the story went down. So, this god Enlil was the god of thunder and rain and all that and he was not a happy camper (kind of temperamental) as thunder gods can be. And for no clear reason, except to mess around with some of the other gods in his discontent, he made the decision that he was going to wipe out the earth with a great flood. And one of the other gods, a goddess in fact, did not like that this was going to happen and thought that it was unfair, unjust, and so she sent a message to Utnapishtim that this flood was going to come at the hand and the wrath of Enlil. And so Utnapishtim got to work, and he built a vessel (a strange vessel), a cube, but he used some of the similar materials that we saw in the Ark, and he made this massive structure (if in fact you do the math, it is probably at least twice, if not much larger, than the actual Ark) this massive cube that he made hoping that it would float, and he got it done on time.

The rain didn’t come down for forty days, it came down just for seven, but it flooded everything out, and the only survivor was Utnapishtim. And when Enlil came around and saw that some human beings had survived, he was very upset because he intended to wipe out everybody to show his wrath and his anger to the world and to show that he was upset to all the gods in heaven. Well, Utnapishtim obviously saved his own life, the life of his family, the life of his personal animals because those are the animals that he saved—not the rest of the animals of the world. And he took some carpenters along because he didn’t know how to build stuff and once you are starting over you have got to build stuff, and so he brought some carpenters along. In honor of his faithfulness (in light of this word from the goddess) he was given divinity. And so, he became a god, he became one of the gods, he got to reside in heaven, if you will, because of his faithfulness…interesting story.

If you grew up in Sumer, which is present day Iraq, and you grew up with Abraham in what is present day Baghdad that would have been the story that you would have known very, very well. It is because that story exists and other cultures have their own flood stories as well that some scholars look at the story of Noah and the Ark, and they think, ‘well, gee, how should we really interpret this thing? You know, our Enlightenment and post-Enlightenment perspective says it is in black and white, and if it says that is what happened, then that is exactly what happened. There is no way around it.’ Well, what if the first people who shared this story with each other and what if the early writers of this word, what if when they approached the Bible, they didn’t approach it the way we do? What if they didn’t approach the Bible, the Word of God, as a literal, this is exactly how it happened book that our post- Enlightenment eyes are framed to do? How would that change us? And also, some of the things that some of the challengers of this story are bringing out are some of the issues with the story like ok is this really a big enough boat to handle all of the creatures of creation…can they really, really fit?

Some have really tried to make a case that there weren’t as many animals back then as there are now because they got together and hooked up, and now, we have all kinds of varieties and that kind of thing. And so that is kind of there, but you are talking ten months of time! How do you feed all the animals of the world? How do you store all the food? Did they eat fish, because the fish didn’t die? The fish lived on just fine. How do you do that? And what about—it is kind of unpleasant—but all the excrement? What are you going to do with all that ‘bleep?’ Are you going to throw it out the eighteen inch window at the top? Did they have a conveyor belt system? How did it work? And so they look at that and think, ‘I am just not sure about that.’ Would you really take that literally? Is that how we should take it? Is that how they took it around their campfires and around their dinner tables? Did they think about it that way?

And there are other issues too that academics look at, and they challenge somewhat. Like they know that forty days and forty nights is a proverbial statement in Jewish culture. It was like saying (and you see it in many accounts in the Bible), forty days and forty nights was saying a long time, but it probably was not meant to be taken literally. It is just a long time. It is how they thought about things. Then, there is the issue of the rain itself, and how it all came down. Now, the New Living Translation and most modern translations, just simply talk about it as--there is the sky and the rain came down from the sky and you are good to go. But there is another word that is used. If you go to the New King James Bible, for instance, and they talk about the firmament—that the rain came down from the firmament. And so, when we think about firmament, we think, ‘well they are talking about sky or they are talking about the starry host and all that stuff,’ but if we go back to the original word, which the New American Standard version got right (it is one of the most academic and precise versions that is out there), both in the creation story and in the Noah account, they use a different word for sky: they use the word dome.

Now, I am going to butcher this a little bit, but broad stroke version is that the way the ancient people saw the world was that we kind of lived in this bubble, you know sort of like a snow globe, and there was water--not all inside, but outside, surrounding us. There was water below and there was water above, and above us was this massive dome called the firmament or called the sky. And then when it rained it was because God was opening up the floodgates of heaven. That is how they thought back then. They didn’t know any better. And so, kind of what these questions are asking us now is how we make sense of this and do we have to believe like they did in order to believe the story. How many of you believe that the sun revolves around the earth? None! Nobody does. Do you get mad at, do any of you hold a grudge against the earliest people in the Bible, actually, all the people in the Bible, do you hold them accountable and are you angry at them that they believed with everything in them that the sun revolved around the earth and not the other way around?... no, of course not. Do you get angry at them because they believed we lived in a dome and that God opened up the gates of heaven and there you go? No, you don’t hold it against them because you understand that it is the best that they could do given their time.

But we live in the age of Doppler radar, right? We know within minutes, you know, when rain is going to hit Napa and when it is going to move on to Valeo, and so on and so forth. I mean it is that precise, and we know when it is coming hundreds of miles off shore and we can look thousands of miles because of satellite stuff and our ability to understand temperatures and all that. We know how the whole thing is brewing. We know that hurricanes are lining up one after the other in hurricane season because we have cameras up there that are seeing them start to form, and we can gauge temperature in the water and so forth—we do not live back then. So, it would be inappropriate for us to become primitive in the sense of looking at the world the same way they did in that kind of a literalness because we know different, you know what I mean? We know different. And so really the bottom line is that the literalness of the story really isn’t the most important thing to begin with anyway.”

A few editorial reflective thoughts by Darrel Falk: The sermon continues, of course, and you can download it at the above link. What is "the most important thing" to which Pastor Shaw refers as the audio clip draws to a close? Regardless of whether you think it is historical or not, what is the message that God wants to communicate to us through this story? Consider reading Genesis 9 right now. What are the parallels in this "recreation"account to the original creation account? What does God want us to see in making those parallels? What about the rainbow? What does it symbolize for you? Can you sense God's love for all of creation (not just humankind) as this story draws to a close? Why does the story of Noah himself, however, not have a happier ending? Have we seen the theme of nakedness and the need to cover up nakedness in an earlier scriptural passage? Why do you think the story of Noah draws us back to this point (nakedness and shame), just like the story Adam and Eve does? What brought on shame for them? What brings on shame for us? Do you see that God is wanting us to think deeply about this story and its meaning? What is another example of the need to cover up? (Hint: think Moses.) What difference does the coming of Jesus make to all of this? (Hint: see II Corinthians 3:12-18.) Do you see the rainbow?]]> Sat, 12 Nov 11 04:00:15 -0800 Pete Shaw http://biologos.org/blog/saturday-sermon-science-the-enlightenment-and-god?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication http://biologos.org/blog/saturday-sermon-science-the-enlightenment-and-god?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication Pete Shaw, the senior pastor of Crosswalk Community Church in Napa California, offers a brief history of the interactions between science and faith in the first segment of his sermon.

Though some may believe that moving the science/faith dialogue forward is best left to scientists, scholars, and theologians, we at BioLogos recognize that our pastors play an invaluable role in the conversation. Across the globe, pastors are helping their congregations work through difficult issues of science and faith with honesty, insight, and a gentle spirit. To this end we present an ongoing series recognizing sermons (and the pastors who give them) that are helping to promote the harmony of science and faith.

Pete Shaw, who is the senior pastor of Crosswalk Community Church in Napa California, offers a brief history of the interactions between science and faith in the first segment of his sermon “The Flood. ” In this excerpt, he explains how the Church adopted Enlightenment thinking and advocated the scientific method as a way to verify God’s created order in nature. However, as science became more sophisticated, scientists began to question whether or not God intertwined with the natural world or even existed. In other words, they were asking the Church, ‘How can you prove God scientifically?’ Although the Church identified God as the first cause that led to all other causes in creation, scientists remained skeptical. At this, “the Church retreated, not recognizing that maybe they needed to change their perspective or widen their understanding of how we define what is true and what isn’t--beyond the scope of science.” Pastor Shaw appropriately concludes with this challenge: be willing to acknowledge the lens through which you see the world and be willing to be grown by God. The full sermon can be downloaded here. Finally, if you know a sermon or podcast related to science and faith that has especially spoken to you, please let us know.

One of the primary things that I am trying to bring to your attention is that in our present day, we have a certain proclivity toward how we approach the Bible, and it is a post-Enlightenment perspective, which means that when we look at just about anything in our world, when we read anything in our world, we read it as if it was literal historical fact: ‘it is true if it is verifiable.’ And we adopted that mindset—you didn’t vote on this—but our forefathers in the church adopted this mindset in the 17th century when Enlightenment started to come into play. The Church initially saw Enlightenment as a wonderful ‘brother in crime,’ so to speak, because Enlightenment was starting to come up with great scientific discoveries which were pointing to organization in the created world, and things developed in a very orderly way. Things could be proven that they turned out a certain way, and immediately, the Church Fathers looked at that and said, ‘that’s great news for the Church because science is proving that God exists.’ So, for 150 years, 125 years, we rode in that cart together, but science is indiscriminate in terms of how it approaches whatever its subject is—it doesn’t care about what subject it addresses.

So, when it came to God, science was starting to wonder if we need God at all, and was curious since they were figuring out so much about the created order and how things worked together and the explanation of so many things—they were taking mythology out of a lot of things, and so they were asking the Church: ‘how can you prove God?’ By this time, the Church had already adopted the scientific method saying, ‘It’s only true if you can prove it.’ And so, they were left with this question of how do you prove God scientifically? And the best thing that they could come up with was what is called the first cause, which simply means that science can identify that something happened to get this whole creation thing going, and the Church rallied and said ‘Yes! That something is God—God is the first cause that started all the other causes since, and he has been involved in the process.’ But science came back and said, ‘you know, just the fact that we don’t really know that doesn’t prove that you are right.’ So, the Church retreated, not recognizing that maybe they needed to change their perspective or widen their understanding of how we define what is true and what isn’t--beyond the scope of science. We held to our guns, and that has been the predominant voice in American Christian culture for the last 200 years or so—so strong, in fact, that a lot of what I have been sharing with you in last couple weeks seems incredibly new and disturbing. You may be wondering, ‘Where did this guy come up with this stuff?’ Well, the fact is that I am not really giving you anything new, I am giving you stuff that is very, very old. Because what I have recognized (because I have researched this stuff) is that the greats of our faith who lived centuries ago, when they looked at this book [the Bible], they looked at it very, very differently than we do, and they have something to say. So greats in the early Church like Origen, you know…names that you kind of remember from history class…St. Augustine, these kinds. Some of the Catholic greats that we know of through history, they had something to say, and all of what they said happened long before the Enlightenment when the Church decided to define what is true extremely narrowly.

So, my challenge to you is: can you, in a way, come to grips with the fact that your worldview, your vision, has been shaped significantly by the time you’ve grown up in and by the world in which we live? I am telling you it has, and I am also stating with great confidence that until we identify how the lens has been crafted through which we see everything, we are trapped and bound by it. In fact, we are shackled by it. Until we can see ourselves for who we are, understand our biases and how they shape everything we think about, those things keep us where we are, and we literally will not be able to hear anything new because it just won’t fit—that is a real problem when it comes to walking with God because God is continually wanting to grow us and stretch us in new directions, and if we don’t have room for that, we really don’t have room for God.”

Introduction

Today BioLogos begins a series that we think ought to have significant impact on evangelical churches far beyond the local congregation in Arlington, Massachusetts where it was first delivered. A recent editorial in Christianity Today stated that many Christians likely face another "Galileo moment." In that earlier era, finding that the earth moved around the sun--and not the other way around--caused the Church to reorient its understanding of certain scriptural passages. Today, interconnecting strands of evidence all of which lie at the heart of biology, geology, physics and astronomy require segments of the Church to carefully evaluate its magnificent creation narrative--it needs to be certain it is hearing God's message in the way that God intends for it to be understood. It is healthy for the conservative wing of Christianity to be carefully examining the genre of the creation narrative. It has had to do this once before and, it is appropriate to prayerfully seek clarity once again. Christians are truth-seekers and God's Spirit will guide the process as we sincerely seek that wisdom which is from above.

Oratory, at its best, has long been an important key in opening the door to new and dramatically important insights. Pastor David Swaim of Highrock Church in the Boston suburb of Arlington illustrates this poignantly. In fact his sermon is so significant, we've asked permission to post it in serial form so that each of us can deeply reflect on his words in a protracted fashion. We encourage you to let others who are conflicted over this issue know about the series so that they can follow it. Indeed, we believe It will be a great series for small group discussions--we need to lovingly support each other as we seek God's guidance in coming to understand God's truths.

In this sermon, Swaim discusses our belief in God as creator, or “Maker of heaven and earth”, as the Apostle’s Creeds so poetically states. To begin, he reminds us that some passages in the Bible, like the parable of the prodigal son, convey deep truths even though they are not historical accounts. Asking “the wrong questions”—questions that focus on arbitrary details—about such stories can cause us to miss out on their intended message. In a similar way, he says, it is possible that we might be asking the “wrong questions” about the opening chapters of Genesis. In recent years, conflict has erupted because a literal reading of Genesis seems to contradict the findings of science. Swaim suggests, however, that accepting scientific evidence about things like evolution and the age of the earth need not rule out faith in Scripture.

If you wish to jump ahead and hear the sermon in its entirety, you may do so here.

Introduction written by the BioLogos editorial team.

"Maker of Heaven and Earth" (transcript)

One of my favorite parables is that of the lost son. There’s a lot to it. Basically, it’s a story that Jesus told about a young man who insulted his father by demanding his share of the inheritance early, then ran off to spend that money on wild living, and found himself destitute when the money was gone. In desperation, he returned to his father, asking to work as a servant. But instead of being angry, his father joyfully embraced his lost son and threw a huge feast to celebrate his return. It is a great story that Jesus tells to help us understand God’s amazing grace.

How many of you know this story? Raise your hand, if you would. Okay. Now I want to make sure I’m clear…that’s a lot of you…I don’t mean just like, you know it because I just told it to you. I mean you know it because you’ve heard a sermon on this before, or maybe you’ve read it on your own. Raise your hand high if that’s true of you. Wow, still a lot of you. That’s perfect because I actually have a couple of questions maybe you can help me with. You see, it says that the father saw the son while he was still a long way off. Can anybody tell me how far off was the son at that point? Anybody know that? Because, you know, they didn’t have glasses back then, and the father was really old, so how far could he really see? It just doesn’t really add up for me. Can anybody tell me about that? Nobody? Okay. Well I have another question. Maybe this one’s easier. What town did that family live in? Does anybody know that? No? Nobody? What town they lived in? People, this is one of the greatest stories of all time! This is a story that has changed thousands of lives, including many of yours! How can you say that you know this story, that you understand this story, if you don’t even understand these basic facts? Okay, well maybe this is easier. Speaking of family, the Bible’s into family values, so I want to know—where’s the mother? Can anybody tell me? Is this family not intact? What’s wrong? Did they get a divorce maybe? And how come the father ended up with the custody of the sons? And why did they only have two? Families back then had much bigger families. Maybe they just got divorced too early? But I mean he seems so nice—why do you think she left? Anybody know these things? I mean I just don’t get it. You all tell me you know this story, and yet you don’t understand just these simple things about it.

Obviously, my questions miss the whole point of the story. There was no mother, or for that matter, no father or son either. This never actually happened. It’s just a parable. It’s one of the many marvelous stories that Jesus told in order to help us understand something that was hard to see. Now does that make it so that this story isn’t true? No, it is true. This story communicates some of the most important truths in the universe—about God’s nature, and the way that we relate to him. There are many passages in scripture that promise God’s love, or praise God’s love, or even try to explain God’s love. But this passage helps us grasp that truth in a way that’s much more effectively communicated than just through direct reporting. This way helps us feel it. This event never happened, but it’s one of the truest stories in the world. And what a shame for someone to dismiss it as irrelevant because it’s not literal history, or miss the point by asking the wrong kinds of questions.

Now I bring this up because just like my questions miss the point of the lost son parable, so, I fear, many of us ask the wrong questions about the beginning of the book of Genesis, which we read from just a few minutes ago. Not only does this generate needless confusion and division, it also makes us miss the point, miss the life-changing truths that we could see if we asked the right questions. Right now we’re in a sermon series studying the Apostle’s Creed, an ancient declaration of faith in the God of the Bible. And today, we’re considering the word “creator.” So, Genesis seemed like the right place to go.

Like the story of the lost son, most of you know the basic outline: God created the universe in six days and then napped on the seventh (so those of you who nap through my sermons every Sunday, you’re in good company!). But by adding up all the names of the people mentioned in Genesis, and throughout the rest of the Bible, seventeenth century Bishop Ussher determined that the creation of Adam and Eve, and everything else, happened in 4,004 BC—about 6,000 years ago. And that’s great. But you’re probably also aware that this creates some tension with contemporary scientists who suggest a different timeline. Considering the evidence offered by the size and expansion rate of the universe, plate tectonics, fossil evidence, and genetics, their best guess is that the universe was created by a big bang about 13 billion years ago, the earth appeared about 4.5 billion years ago, and the earliest humans existed about 200,000 years ago. In the past 300 years, this has become a very heated debate. Apparently, we need to choose whether we believe in science or in scripture. At least that’s the claim made by the most strident voices on each side, so the general population seems to have accepted that if you believe in God you can’t believe in evolution, and if you believe in evolution then you can’t believe in God.

This topic arouses passions and anxieties in many people, including some in this room. No matter what your perspective is, I’m probably going to say something today that you’ll disagree with, and might even make you angry. There’ll be plenty of time for you to set me straight in the coming weeks. But for the next half hour, in order to allow the possibility that we might hear something new, or even learn from the Holy Spirit, let’s lay aside our defensiveness so that we can at least consider why we are so attached to whatever ideas we have, and evaluate whether our devotion to one truth may be blinding us to others. As scientists have discovered more and more evidence supporting the basic evolutionary theory outlined in Darwin’s Origin of Species, Christians have responded in a variety of ways.

Science has been right about so many things, so some Christians have embraced evolution and felt forced to abandon their trust, not only in the truth of Scripture, but also in the God it describes. Other Christians, including many renowned scientists, have fought back by pointing out the many flaws in evolutionary theory and proposing alternative theories of their own. These include Young Earth Creation, which asserts that the earth was created in six days six thousand years ago, and offers thoughtful explanations to reconcile the findings of science with the words of Genesis 1. Old Earth Creationists do the same thing, but contend that each of the days in Genesis could represent an epoch, or a million years, or whatever amount of time, instead of just a 24-hour day. This is linguistically legitimate—it’s a fine interpretation of the Hebrew word “day” in Genesis—and it recognizes that it’s hard to measure a day before the invention of the sun in day four, anyway. So, Old Earth Creationism opens up many possibilities to reconcile scientific claims about the age of the earth with a literal interpretation of Genesis. Theistic Evolution takes further steps to accommodate evolution while still honoring God as the one who created heaven and earth and everything in them through the evolutionary process. This is attractive because it eliminates the conflict between science and scripture, but it requires a very different way of reading Genesis. They suggest that, like I did with the parable of the prodigal son earlier, perhaps we’re asking the wrong questions about Genesis so that we’re inventing an unnecessary argument, and even worse, we’re also missing what the first chapters of Genesis really are all about.

In the next installment, to be posted tomorrow, Pastor Swaim goes on to discuss the Genesis passage in detail.

]]> Thu, 27 Oct 11 05:00:06 -0700 David Swaim http://biologos.org/blog/art-worship-creation-and-imaginative-engagement?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication http://biologos.org/blog/art-worship-creation-and-imaginative-engagement?utm_source=RSS_Feed&utm_medium=RSS&utm_campaign=RSS_Syndication We should not be ashamed of the fact that our faith integrates spirit and body; our faith calls us to regard the stuff of creation in all of its materiality as good, and thus offers the best starting point for the practice and pleasure of art. In this chapel presentation, given at LaTourneau University in Longview, Texas, Ken Myers, founder of Mars Hill Audio, addresses the importance of art in both our worship and our understanding of creation. While some view the realms of the church and the arts as completely separate, Myers notes that both have suffered from a “diminished appreciation for the meaning of creation”. Creation is not simply a collection of materials for us to manipulate; rather it is a reflection of God’s own creativity. Creation is “an epiphany”.

While some may wonder what a discussion on art and worship has to do with science and faith, we feel Myers’ message is important for all Christians to hear, especially for its thoughts on creation and on our worship of God, the Creator.

Opening Prayer: “Will you join me in prayer as we focus our hearts and our minds on the Lord this morning? Let us pray. Take a minute and just speak to God yourself, and speak to him about your love for him and your thankfulness for his love and grace and mercy in your life—Father you are good and your love endures forever, your faithfulness to all generations. Thank-you for your faithfulness in our lives, thank-you for your grace that is sent to us, especially sent in the form of your son Jesus. Lord help us to continually appropriate that grace, to continually seek after you. Lord we ask that you would take this time to grow us, to spiritual form us. Amen”

Ken Myers: “Morning. I am in east Texas. The original invitation was to give some lectures on the subject of beauty. I am lecturing in Tyler beginning tonight and tomorrow morning, and when an opportunity came up to speak to you all here at Le Tourneau, I suggested that I might want to talk about a related topic, and so my topic this morning is going to be about the arts and worship.”

“I started working at National Public Radio just before I turned twenty-two. I went to work in the arts and performance department, and I was editing interviews with and commentaries about some of the most creative people in the world. Now, during that time I was also attending an evangelical church I had been at since 5th grade, and that meant that I was spending Monday through Friday with people who were intensely involved in the arts, but pretty much indifferent to, if not hostile to, the practice of Christian worship, and on Sunday’s I worshipped with people who often regarded the arts rather nervously, if not with hostility. It was like when worlds collide, and it was my life.

“During this period in my life on Sundays, I spent time with people who believed in creation, while during the week I worked with people who believed in creativity, and often their lives didn’t seem to overlap. My church friends were deeply committed to the first clause of the Nicene Creed: ‘I believe in one God, the Father Almighty, Maker of heaven and earth and of all things visible and invisible.’ These people believed in a creator. They described the world as a creation, but, in general, like most Christians for most of the Church’s history, they were often more eager to defend the fact of creation than they were to explore the consequences of creation’s nature and meaning in their everyday lives.

“My colleagues at NPR, on the other hand, and the people with whom I was pursuing my vocation, were all people who did not believe there was a maker of all things—they believed in nature, but not creation, and certainly not a creator. But they did believe, and sometimes in an almost religious way, in creativity. In fact, some of them were willing to ascribe almost redemptive power to creativity as made evident in the arts. The arts made life worth living. The arts fulfilled meaning in otherwise meaningless lives. In a world that was essentially chaotic, in which everyday life was dominated by bureaucratic, mechanistic institutions, the arts were great refreshment. They were a source of hope and joy and peace and even possibly moral guidance. The arts rendered us human, many of my friends believed, and delivered us from mere bestial or mechanistic existence. Some of them may have gone so far as to say that the arts imparted a spark of divinity into our lives.”

“Now I was used to living between these two worlds—I majored in film studies as an undergraduate, and I didn’t have a lot of colleagues in my department at the University of Maryland who took religion very seriously either. And I dealt with this conflict early on by starting to read as much as I could lay my hands on about Christianity and the arts. In 1975 (when I started at NPR), there wasn’t a lot written—you all are lucky that there is a lot more great stuff to read now on subjects like that—but I was beginning what turned out to be a life time of reading and study and writing and interviewing to try to understand how we had gotten to the point: how was it that the Church had generally allowed its concern with redemption to eclipse the theme in both Old and New Testaments of the goodness and givenness of creation? Why didn’t we attend to the structure and form of creation that much? …and how was it that modern western culture outside the Church had abandoned its belief in a creator, in a creation that was ordered and given meaning by its maker even while it tried to sustain a belief in human dignity and creativity?

“And over the years, as I have studied this and read about it and thought more about it, I came to realize that both the church and the world of the arts suffered from a diminished appreciation for the meaning of creation. Modern Christians often assume that they could relate to God apart from any deliberate relation to the stuff of creation, and modern secularists assume that they can relate to creation without recognizing or honoring the creator in any way. For both sides, creation is just a lot of raw material; creation isn’t inherently meaningful. It is meaningless and awaits our creativity to achieve significance. Modern Christians, moreover, have tended to pursue an understanding of God that was more and more abstract. It focused his attributes, on invisible realities rather than history, and as theology has aspired to be more like a science, it has assumed that we can think about God apart from his relationship with creation.

“ Of course, God’s identity is not determined by creation, but it is through God’s actions in and through creation that we know him. The Psalms make this very clear. He reveals himself through creation and his supreme revelation of himself involved his entering into creation in a sensory and perceivable way. Creation is an epiphany, it is a revealing…it is a revelation. The heavens declare the glory of God, and God’s eternal power and divine nature can be perceived in the things he has made…that is a remarkable statement. Throughout the Scriptures, especially in the wisdom literature and the Psalms, creation is depicted as an active and evident witness to God’s identity, and all of creation bears witness to God in a chorus of worship. In Psalms 89 we read the very heavens shall praise thy wondrous works and thy truth in the congregation of the saints. The heavens and the earth are depicted as testifying to God’s nature and to his coming triumph over evil. In Psalm 96 we read ‘let the heavens be glad, let the earth rejoice, let the sea roar and all that fills it. Let the fields exult and everything in them, then shall all the trees of the forest sing for joy before the Lord for he comes to judge the earth. He will judge the world in righteousness and the peoples in his faithfulness. Creation bears witness that those with ears to hear can hear, but to hear we have to approach creation with a well-ordered imagination.”

“There is a wonderful poem by Gerard Hopkins “God’s Grandeur,” and I mean it is wonderful in the strictness sense. It is full of wonder. He begins by insisting that the world is charged with the grandeur of God, and he goes on to suggest that modern men and women fail to perceive the grandeur of God. They fail to perceive what is revealed there because we are so preoccupied with practical things. All is seared with trade, bleared, smeared with toil, and all wears man’s smudge and shares man’s smell. We are too preoccupied with getting things done to actually attend to the glory present in creation, and as I have suggested, where the Scriptures present creation as an epiphany, a revelation, modern culture and a lot of modern Christians see creation as a lot of raw material resources. It is inert, meaningless stuff awaiting our creativity to become meaningful.

“So, the world is commonly regarded as material to which we do something, and not a source from which we receive something. I think that this attitude toward creation is contrary to how we should pursue the Arts, but also to how we ought to proceed in worship. Our worship should recognize that God the Maker of all things reveals himself in what he has made and that he calls us toward a receptive and grateful posture toward creation, not just toward the redemption he has provided…and that is really the posture of faithful artists. Both worship and the arts serve the function of reorienting our minds, our imaginations, and our practices so that we can properly perceive what creation is and what our position in creation should be. Art is a way of admiring and marveling and wondering at, as well as engaging in, meaningful and wonderful creation. God presents us in creation with materials and forms that artists transform, but they are always tethered to some order that is implicit in creation itself.

“Theologian Peter Lighthart has observed that the artist is always transforming, but this transfiguration is an attempt to get at dimensions of what is really there. It is not an abandonment of what is really there. Even if the artist is aiming at fantasy, art attempts to highlight patterns, correspondences, and dimensions to reality that are usually missed in our everyday experience and to force us to look again at the sunflower or the pipe or the chair. As the Russian formalists say, one of the purposes of art is to de-familiarize the familiar. The reason we do that is so that we can see it for what it is. It has become too familiar for us to recognize what it is. The artist is always responding to the reality of creation in some way—even the most abstract artistic forms—and the best artists are open to receiving something from creation before they can transfigure it. An artist has to sense creation with an exceptional acuity.

“Catholic philosopher Joseph Piper has a little book of essays called “Only the Lover Sings”—art and contemplation—only if you love something do you sing about it. Only if you delight in it, do you rejoice in it, and he is talking about the kind of rejoicing that is evident in works of art. He says there that to contemplate means first of all to see, not to think, and he is advocating a contemplative approach to creation so that we can see what it is, and then express what we have seen…a kind of seeing that is receptive and open, and not just accurate. That is the kind of seeing that is practiced by artists, and it is not unlike the tradition of contemplative prayer in the Christian tradition, and that gives us a link between worship and the arts.

“When I say the artist perceives creation, I don’t just mean trees and birds and colors and sunsets, but I mean all of the components of creation—shapes and sounds and textures—as well as various human activities within creation: the way our bodies inhabit space and time, the way words work with all their intriguing textures and resonances as well as the shape of our inner life—what sorrow feels like or sounds like or looks like. Memory, grief, affection—all of the aspects of nature and human nature have to be attended to lovingly and then reassembled or reconfigured or remixed in some way. Human creativity is not as God’s creativity ex nihilo—creation out of nothing—it is creation out of something, and it is a something that God, the God that we worship, has already blessed with meaning. Creation is meaningful revelation, and its revelation can be perceived as we are imaginatively involved with the stuff of creation. The God we worship, the maker of heaven and earth, has made as creatures whose lives are fulfilled when we engage creation well.”

“I have to confess that I get nervous when I hear Christian artists or other religious artists talk about the relationship between faith and art only as if art is an expression of spirituality or art is a gateway to the transcendent. It may be that, but I think they run the risk of presenting Christianity in disembodied terms. We should not be ashamed of the fact that our faith integrates spirit and body, but our faith calls us to regard the stuff of creation in all of its materiality as good, and thus offers the best starting point for the practice and pleasure of art.

“Christian worship has always been involved imaginatively with the stuff of creation. The poetry of the Psalms was recited by our Lord and his disciples so that he was engaged with the sound of words as well as the meaning of words. Music was a part of Christian worship—at least since choirs of angels greeted the nativity of the incarnate Christ and possibly earlier. Whether Mary sang her wonderful song which we call the Magnifica, a wonderful song inspired by her miraculous pregnancy or whether she simply spoke it we don’t know, but it is still sung week after week in churches around the world. Artful expressions and worship have been present in less obvious ways. It is notable that the communion table contains bread and wine, not wheat and grapes. It is not organic material in its most natural state that serves as a memorial meal that unites us with God, bread and wine are the products of human creativity. They are not simply of the natural blessing of God’s harvest, even grain and grapes require attention and care to bring them to fruition. Wine is an even more artful product and bread demands attentiveness to the details of creation. Bakers and vintners are not people we usually think of as artists, but what they do has a lot in common with what artists do: they take the stuff of creation and transform it into something newly delightful and beautiful. Bread, wine, and art all serve practical purposes, but they often go beyond necessity toward delight.

“Again, theologian Peter Lighthart has observed that art is a making that imitates the making of God, and it is most God-like when it is purely gratuitous, when it is not meeting a need—creation is gratuitous, it is not something that God needed to do, but we rejoice and give thanks both in worship and in the arts that he chose to do so. In worship, we honor the creator for the gift of creation and of salvation. In works of art we imitate God’s act of delighted and gratuitous making, and in the Lord’s Supper we receive a great feast, a table set for us not because we deserve it or even because we need it. God’s salvation could have been less extravagant, more perfunctory than a feast, just as the wine that Jesus made from water could have been merely passable rather than a really good wine. The wedding guests thought it was any way, and the inspired texts of the gospel seem to remind us of that. The gifts that God has given are given generously as well as gratuitously. Now, when we receive a great gift, we are delighted in the gift, and in the generosity of the giver, and so it is with a reception of a powerful work of art.

“When I hear the thoughtful and attentive performance of a carefully crafted piece of music or when I watch a masterfully constructed film, I often have a sense of gratitude not just to the performers and the composer or the director, but to God! I am grateful to live in a world where such joys are possible. The gratitude felt by the recipients of a gift resonates with the delight known by the giver of the gift. It is win-win, and that is a pattern built into creation since creation is the work of a dynamic three-personed God and the members of the Trinity enjoy an eternal giving and receiving of love among themselves. The doctrine of the Trinity reminds us of the personality and dynamism of God…qualities suggested in the ancient term applied to the Trinity by theologians [is] perichoresis. Perichoresis refers to the mutual indwelling of the persons of the Trinity, and by extension it refers to God’s relationship to the world whereby everything is in him and has its being in him. The ‘chor’ in perichoresis, by the way (if you have studied any Greek), may recognize that it shows up in our word choreography. Perichoresis literally means dancing around. So, the relationship among the persons of the Trinity is a dance—Father, Son and Holy Spirit dancing around each other and the Christian life which involves God in us and we in God is our entry into that dance.”

“What I am trying to do with all this theology is to make a case that artistic and imaginative and creative activity is not simply a pleasant and rewarding ornament that we might use to decorate our worship services or to increase enthusiasm to make them less boring, artistic activity is evidence to us of the kind of creatures we are, the kind of creator that God is, and the kind of world that we live in, a world that he has placed us in to love and serve him and others as we exercise our stewardship over that world. Since worship is in the words of one writer “the school of the Church,” our hearts and our minds are shaped through the experience of worship to properly perceive things as they are, and not only spiritual things, but all aspects of creation. After all, when Jesus commissioned the Church with the task of making disciples, he begins by declaring his authority over heaven and earth, not just their spiritual lives…and when we pray the Lord’s Prayer, we ask that God’s rule over all earthly things would become more and more evident on earth as it is in heaven. And so in worship we learn to perceive and name reality in a Christian way, and works of imagination can assist in those lessons.

“Since I have already mentioned the subject of music briefly, an observation from theologian and musician Jeremy Begby is appropriate here. In his book Resounding Truth: Christian Wisdom in the World of Music, Begby notes that in the western musical tradition guided by the Church quote “we have been placed in a world vibrant with its own God-given integrities and with the opportunity of interacting fruitfully with those integrities and that music is one means we have been given to do just that. When churches order their ministry of music with those kinds of integrities in mind, then music becomes a tool to reshape our imagination and to renew our minds.

“Art provides us with ways of perceiving reality aright. Not all art does this, or very well, and not all of us have allowed our imagination to be encouraged that kind of perception—we are in too big a hurry or it doesn’t seem practical enough; we have other things on our plate. Just as our thinking can be taken captive to worldly conclusions, so our imaginations can become preoccupied with novelty or with the merely interesting or with something that is trivializing or flattering. Just as we can surrender our bodies and the various consequences and configurations of our life in the body to patterns of disobedience, so we have the opportunity to present out bodies and all that we do in our body life in worthy and thoughtful sacrifice to God. The orienting of all aspects of our embodied life to God is the worship that we owe him.

“We learn that from Romans 12. And so, the use of our hands and our eyes and our ears and our voices in creativity activities that resonate with God’s own music in creation is a most suitable offering to bring him. In Romans 12, Paul warns about being conformed to this world and in no matter are we more in danger of worldly conformity than in our posture toward creation. All sorts of intellectual and social pressures suddenly persuade us to ignore the Biblical testimony of God’s identity as creator as well as the nature of our engagement with creation. The rationalism of the Enlightenment, which guides modern science and technology, encourages us to assume a god-like stance over the material world and at the other extreme, modern materialism suggests that we are at the mercy of something utterly different and incomprehensible.

“The Gospel picture of creation is radically different. Theologian Colin Gunton has said that we can know the world, not infallibly, not with a name of a kind of omniscience because we are both a part of it and able to transcend it through our personal powers of perception, imagination, and reason…and perception, imagination, and reason come together most intensely in artistic modes of knowledge and expression. The world is a creation intended for us to inhabit. It is not simply a meaningless, cosmic accident, and thus art can be powerful, it can resonate deeply in our lives, and even people who believe that the world is the product of a cosmic accident often cannot help when they work creatively to behave that way. Imaginative expressions in the visual arts and poetry and music have existential power because at some level, they convey to us something about the various connections and likenesses that God has placed in creation.

“This is especially evident, I think, in poetry where metaphor is involved in the recognition of likenesses, and it is an idea that came up in a conversation that I enjoyed a number of years ago—someone less famous than Johnny Cash—Richard Wilbur, who is probably our greatest living poet. Wilbur and I talked about the centrality of metaphor and poetry, how poetry works by likening one thing to another. In Psalm 1, a righteous person is compared to a tree sustained by its life and fruitfulness in life-giving water. The power of metaphor, Wilbur observed, “puts almost every poet in danger of being religious. If anything can be compared to anything else, if the world can be seen as a linkage of similes and metaphors and figures, then poetry itself comes very close to declaring that all things are co-natural, that they are of one nature and that brings you to the threshold of saying all things have had a maker.” Wilbur went on “I remember ages ago reading the final book of poems by poet Joseph Warren Beach, who claimed to be an atheist, and I took it around to him and he was in Cambridge at that time, and I said Joseph look at these two lines. Don’t you think that they amount to a religious affirmation? He read them and said ‘well, I can see that they do. I must say that I seem simply to have submitted to the spirit of poetry at that moment. It is an awesome thing to submit to the spirit of poetry even if for a moment.’”

“Worship that avoids imaginative expressions runs the risk of reducing our religious experience to mere ideas or mere therapy, when in fact our religious experience is rightly understood as cosmic. The scale of the Christian story incorporates the intensely intimate and the vast incomprehensibles of the cosmos, and we need works of imagination to convey that whole story to us, to refresh our gratitude to God, to reorient our engagement with all that he has made, and to baptize our imaginations. Art that resonates with the order in creation conveys to us a deeper character of our creator and the character of the order he has placed there.

“In Isaiah 45, there is this wonderful passage where we read of God: “For thus says Yahweh, the creator of the heavens, he is God who shaped the earth and made it, who set it firm. He did not create it to be chaos; he formed it to be lived in. I am Yahweh and there is no other. I have not spoken in secret, in some dark corner of the underworld; I did not say offspring of Jacob search for me in chaos. I am Yahweh. I proclaim saving justice; I say what is true.” In closing, I want to comment on that observation from Eugene Peterson in his recent book Christ Plays in Ten Thousand Places. He says at the beginning of that book…and that line by the way “Christ plays in ten thousand places” is from a poem by Gerard Manly Hopkins—I think it is the poem the “King Fisher,” which is about the glory evident in a bird…Peterson writes, ‘it is the task of the Christian community to give witness and guidance in the living of life in a culture that is relentless in reducing, constricting, and enervating life’ [repeated once more].

“I think that with that task in mind the Church and its ministry in discipleship and mission should proceed in three steps. First, we need to identify the ways the culture around us has misshaped or misunderstood how to live life well in God’s creation, how it has sundered what should be united. Second, the church in its teaching and discipling should encourage the convictions and practices necessary to restore a proper wholeness to life, which includes recognition of all the glories and wonders of creation. Third, motivated by the need to love our neighbors, care for widows and orphans in their misery, and having demonstrated to the world the ways in which redeemed humanity is a fulfilled humanity, the church has to find the false gods under whose captivity people are suffering. I am afraid in our time there are a lot of false ideas that penetrate the world of the arts, and part the task of the church is to recognize those false ideas so that we can, in fact, be liberated. This is a problem that should concern the church, and not just those in Christian arts—thank-you very much.”